Happy to share an insightful article by our colleague Ula Furgał on the Kluwer Copyright Blog 💡 In her latest piece, Ula examines how the EU's Copyright in the Digital Single Market (CDSM) Directive impacts journalists' remuneration. She highlights the varying implementations across member states and raises critical points on the transparency and effectiveness of these measures 🇪🇺 You can also find here our latest report about freelance journalists: A survey of earnings, contracts, and copyright 👉 https://lnkd.in/dBSdQ5c6
About us
CREATe is the Centre for Regulation of the Creative Economy, based at the University of Glasgow. We research the future of copyright, technology & markets. From 2012-2018, CREATe was funded as an RCUK Centre jointly by the Arts and Humanities Research Council (AHRC), Engineering and Physical Sciences Research Council (EPSRC) and the Economic and Social Research Council (ESRC). From 2018-2023, CREATe led work on Intellectual Property, Business Models, Access to Finance and Content Regulation as part of the AHRC Creative Industries Policy & Evidence Centre (PEC). From 2020-2023, CREATe also led the creative industries stream of a major EU H2020 research consortium: reCreating Europe – Copyright law, cultural diversity and the Digital Single Market.
- Website
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https://www.create.ac.uk
External link for CREATe
- Industry
- Research
- Company size
- 11-50 employees
- Headquarters
- Glasgow
- Type
- Educational
Locations
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Primary
10 The Square, School of Law, University of Glasgow
Glasgow, G12 8QQ, GB
Employees at CREATe
Updates
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🎉 New Working Paper 🎉 We're delighted to present the 7th entry in our 2024 working paper series: "Insights from Economics into Copyright and Competition Law" by Ruth Towse, Professor of Economics of Creative Industries at Bournemouth University 🏫 In this paper, Prof. Towse explores the evolving relationship between copyright, competition law, and economic incentives in the creative industries. She investigates how technological advancements shape markets for creative goods and services, influencing both producers and consumers. As digitisation continues to transform the creative landscape, understanding these dynamics is crucial for fostering creativity and societal welfare 🌐 Read the ful paper here 👇 https://lnkd.in/d3eq2fDC
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New blog now out, reporting on From Scotland to the World: 2 day event on museum practice we organised with Institute of Art and Law & The Hunterian 🤝 After celebrating our collaboration on Art Antiquity & Law Special Issue edited by Elena Cooper and Steph Scholten, we convened in Kelvin Hall for a conference with a wide range of speakers 🎤 Experts and practitioners discussed best practices in museum repatriation, sharing diverse international case studies, including Aboriginal returns to Australia, the Ni’isjoohl Totem Pole to Canada, and a natural history specimen to Jamaica 🌍 The event, funded by an Arts and Humanities Research Council (AHRC) grant awarded to CREATe, addressed key issues such as legal and ethical frameworks, community engagement, and museum practices 👍 Thank you to all who participated and contributed to this important discussion 👏
From Scotland to the World – Report on Events Addressing Museum Practice on Donor Restrictions and Repatriation
https://www.create.ac.uk
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We are proud to announce that our PhD student, research and teaching assistant, and blog editor, Gabriele Cifrodelli was awarded second prize in the Best Doctoral Student Presentations Contest at the 42nd ATRIP Congress in Rome 🏆 This follows Gabriele's recent publication of a thought-provoking article titled "Can You Patent the Sun?" which has sparked debates and garnered much attention (read here 👉 https://lnkd.in/e3tc5hJe) Congratulations Gabriele for your outstanding achievements 👏👏👏
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🎉 New Working Paper 🎉 This publication is a collaborative effort that brings together the empirical and legal historical perspectives of Elena Cooper and Amy Thomas, with real-world testimony of Laurence Bouvard, a prominent voice-over artist and chair of Equity UK's Screen and New Media Committee 🤝 The paper moves beyond the heated policy debates, outlining steps for future independent academic research to rethink performers' rights in an AI-driven world 🔍 Read here 👇 https://lnkd.in/ezgz9RQc
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We're happy to share insights from the '𝐀𝐈 𝐢𝐧 𝐂𝐮𝐥𝐭𝐮𝐫𝐚𝐥 𝐇𝐞𝐫𝐢𝐭𝐚𝐠𝐞' 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩, written by 3 students from the University of Glasgow 🌟 Hosted last month by the Digital Cultural Heritage Arts Lab and our own 'Digital Technologies and Humanism' theme, this event showcased how AI is revolutionising the preservation and engagement of cultural heritage 🤖 From enhancing visitor experiences to aiding in artifact preservation, the workshop highlighted both opportunities and challenges. Key takeaways include the importance of responsible AI development, addressing biases, and fostering interdisciplinary collaboration 💡 Read more here 👇 https://lnkd.in/e8SyrVpu
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Our director, Martin Kretschmer, was invited by Sean Riley in his podcast series for an episode titled 'Regulation and the Creative Industries' Listen here 👇 https://lnkd.in/eRi593aG
New Podcast Episode Release: Living With AI Podcast Featuring Martin Kretschmer
https://www.create.ac.uk
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On June 3rd, CREATe participated in a roundtable on IP, AI, and Intangible Cultural Heritage (ICH) in the UK, organised by Harriet Deacon from the University of Hull and hosted by the Department for Culture, Media and Sport in London. The discussion was sparked by the UK’s adoption of the UNESCO 2003 Convention for the Safeguarding of ICH 🤚 Experts from academia, government, heritage organisations, and creative industries explored AI’s role in ICH inventorying and IP. Key concerns included digital exclusion, loss of control over ICH, and securing compensation. Proposed solutions ranged from a sui generis system for ICH to technological protection measures like Glaze and Nightshade 🌐 The event also highlighted the challenges around ‘fixation’ in copyright law and the dynamic nature of ICH. Future research areas include the tension between ‘open culture’ and community stewardship, part of CREATe’s themes on Access to Knowledge and Legal History 🔎 CREATe is eager to continue investigating these issues. We’re collaborating with Creative Commons on a new research project on open business models in the GLAM sectors and have several ongoing projects on AI. A promising outcome is a potential collaboration with Paula Westenberger on her project Responsible AI for Heritage 🤝
IP, AI and Intangible Cultural Heritage Inventorying in the UK: a Roundtable at the DCMS
https://www.create.ac.uk
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CREATe theme leader Prof Konstantinos Stylianou with co-editors Marios Iacovides and Björn Lundqvist, and author Anna Tzanaki at the book launch event of "Fintech Competition: Law, Policy, and Market Organisation" held at the Stockholm Centre for Commercial Law (SCCL) on June 12. 📚 The free open-access book published by Hart is available at: https://lnkd.in/etdnervA.
📚 Boklansering av "Fintech Competition"! 📚 Den 12 juni hade Stockholm Centre for Commercial Law (SCCL) vid Stockholms universitet äran att vara värd för lanseringen av "Fintech Competition - Law, Policy, and Market Organisation" (Hart Publishing). Boken finns tillgänglig med open access och kan läsas här: https://lnkd.in/d9gjvvfa Ett varmt tack till Anna Tzanaki, Lucy Chambers, Konstantinos Stylianou, Björn Lundqvist och Marios Iacovides för era insiktsfulla kommentarer, samt till Anthony Larsson och Henrik Torstensson för era värdefulla bidrag. 👏 (På bild ses f.v. Marios Iacovides, Anna Tzanaki, Konstantinos Stylianou och Björn Lundqvist.)
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