Yves Guillemot

🎂🎂 We recently celebrated Maracas Studio's second anniversary! Here's a brief look back of the company: - Our team of 6 multi-skilled talents (with over 10 years' experience) is now covering the main key roles: 3D production, C# development, game design, project management, communication, marketing and business development. Thanks again to all those who have contributed to our projects, whether as interns, employees or freelancers ❤️ - We now have 3 ambitious and original intellectual properties in production 💪 And to say the least, they've got personality! As a gamer, I can't wait to play them; as a developer, I'm pretty excited about all the challenges we face every day. - In just 2 years, we've established some excellent collaborations with partners who put their trust in our projects and our team 🚀 Special thanks to Wallimage for their support, but also Fédération Wallonie-Bruxelles, Centre du Cinéma et de l'Audiovisuel, Walga.be, CBC Banque & Assurance, Technocité, Techno.bel, Ville de Mons and our Walloon developer friends (Little Big Monkey Studio, Demute., Clever Trickster, etc.). I could also mention all the publishers and investors with whom we've had many discussions over the years: Your opinions make us grow. It's hard to list all the people who remind us every day how great this industry is, but I thank you all. - Our impact on the Walloon ecosystem has always been one of our priorities. Our involvement with Haute École Albert Jacquard (HEAJ), AZIMUT Entreprendre, GameMax - Gaming in Mons Area eXtended, Technocité and other initiatives aligns with our goal of training and supporting talent. I'm also proud of the #gamedevafterwork events in Charleroi we launched last year, which bring together developers, students and enthusiasts. This has generated numerous connections and collaborations. Thanks to Walga.be, Digital Wallonia, the Wallonia.be/en, and the Quai10 for making this event possible. And now, what are the next steps? - We want to be there in 3, 5 and 10 years' time. Despite a difficult global economic context, our strategic choices make us confident for 2024 and 2025. We remain determined to make an impact on the ecosystem and showcase Walloon talent. We plan to finance our productions soon, which will enable us to enter a growth phase from the end of this year until 2025, with a potential fund-raising in 2026. What lies ahead looks particularly exciting, and we're ready to take these next steps ✨ Let me conclude by saying how grateful I am to be part of this great story, and how proud I am of my team. Happy birthday, Maracas Studio 🥂

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🎉 Today is special for me because (i) it's my birthday 🎂, and (ii) we're officially launching Nocturne Games! 🚀 ✨ My friend and co-founder Arnaud Aubry and I embarked on a new chapter a few months ago alongside our fantastic Partners, Bobby Wertheim, and Jason Della Rocca, all driven by our shared passion for gaming and entrepreneurship. And we’ve already had a front-row seat for some seismic shifts reshaping the gaming industry. 🎮 Gaming, a $185B market, outpaces movies, on-demand video, and music combined, engaging nearly half the global population every month. 🎨 Indie gaming, propelled by AI, cheap game engines, digital distribution, and community-led marketing, democratizes success. The potential is immense, with 2023 seeing four indie titles among the top ten earners. ✌️ But there are some big challenges to take on. The studio-publisher relationship often suffers from unbalanced revenue shares, opaque terms, and IP conflicts, stifling creativity. Equity models falter with premium games, lacking clear exits and necessitating tangible publishing support. The gaming landscape needs innovative models that respect the unique dynamics of indie game development. 🎯 At Nocturne, we invest in unique, replayable games through revenue sharing. We provide capital and self-publishing support to indie studios, prioritizing fairness and community-validation strategies. We aim to transform promising concepts into blockbuster hits, offering up to €1.5M per game for a share of the game's revenue. 📝 Since January, we've received around 700 game submissions, in no small part thanks to our amazing Game Scout, Magdalena Buss 🔜 Mad Games Show, reflecting the vibrant creativity in the indie game community. We're in due diligence with 4 of these games and are about to sign our first title. We aim to invest in one new game monthly, quickly bringing fresh titles to gamers worldwide. 💡 In addition to the bright future of indie gaming, I’m also a big believer in building in public, so after this initial quiet period, I’m eager to start showing people what Nocturne is all about. 📘 You can start finding out more in our first article in the comments below (thanks, LinkedIn algorithm!). This piece begins an exciting series where the Nocturne team and I will share our journey, insights, and progress. 🙏 I’d like to extend my heartfelt thanks to Joël Schillio, Caroline Raimbault, and the entire Alasta team for their incredible work on our brand identity and website! A special shoutout to Jean de La Rochebrochard, Nicolas Essayan, and Fabrice Grinda for being early believers, along with over 50 investors, including Yoann Lopez, Paul Guillemin, Alexandre Berriche, Marie Brayer, Pierre Mugnier, Francescu Santoni, Nicolas Steegmann, Virgile Raingeard, and Guillaume Moubeche. And, of course, my deepest gratitude to Francois Masciopinto for his unwavering support, kindness, and dedication since day one. 📸 Team picture by the fabulous Corentin Grange

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#Ubisoft is gearing up to launch games featuring #Web3 technology this year. Nicolas Pouard Vice President of the Ubisoft Strategic Innovation Lab and head of #blockchain initiatives, is spearheading these developments. The company has broadened its blockchain efforts, forging new gaming partnerships and expanding its blockchain team. It's licensing intellectual properties to Web3 gaming firms like VeVe and Cross The Ages and collaborating with blockchain platforms such as Aleph, Flow, XPLA, and Sequence. Ubisoft is also developing Champions Tactics with Oasys, and plans to release two Web3 games to the public by the end of the year. This push into Web3 gaming positions Ubisoft at the forefront of the industry, offering fresh opportunities for growth and innovation. For the blockchain gaming community, Ubisoft’s involvement not only legitimizes the space but also drives technological advancements and broadens the market, promising enhanced gaming experiences and new interactive possibilities. Sources: GamesBeat, Dean Takahashi

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I sat down with Emmanuel de Maistre, CEO of Scenario, to talk about gen AI and web3 gaming—with some UGC for good measure—for Sequence XP. TLDR: we talked about the entire future of gaming. https://lnkd.in/dkzhVct2 We covered a lot of territory but especially: - How will gen AI help developers? - How will gen AI reward gamers? - How will gen AI accelerate creators? We talked about how web3 is vital for reigning in and accelerating this future, in a world in which anyone can create anything based on anything, provenience is crucial (web3 is the only trustable way to track that) and sharing upside is crucial (web3 allows for easy royalty sharing and participation). Dive in!

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"INITIATES IN BATTLE ORIGINS " introduces an innovative INTerNFTGAMING System, a cutting-edge (W2E) RPG/PVP Game crafted to ignite creativity and strategic thinking in tackling intricate survival challenges. Set within the UnrealE5 photorealistic 3D XR/AR SIM designed environment, the game offers players an immersive and entertaining E-sports experience, fostering new neural pathways for consistent ongoing ingame learning while earning in game crypto tokens . Immersing players in a high-performance mindset challenge, INITIATES (INB) features unique battle warrior-themed DEFI 3D CHARACTER AVATAR TWIN items that set elevated standards in art/design, educational utility, and perpetuity. The game encourages tactical, deep thought within PLAYERS 3D self-identity character, seamlessly connecting users' new 3D digital NFT Avatars to their real-life identities in a vast OMNIVERSE of madness. The gameplay unfolds as a series of intellectually stimulating engagements, where players compete to win exclusive items and tokens in battle. By captivating individual gamers' attention spans through a genuine recalibration of their FUN inner child, INITIATES ensures a NEW and repetitive experience that transcends traditional gaming. It's not just a game; it's a journey where users explore and expand their capacities for creative real world problem-solving and strategic planning while having fun generating passive wealth ."INITIATES IN BATTLE" Ramone CASBORN Trevor Blake CASBORN STUDIOS NVIDIA NVIDIA Taiwan NVIDIA AI NVIDIA Robotics NVIDIA Design and Visualization NVIDIANVIDIA Omniverse Epic EpicGames/UnrealEngi Watson Blockchain.com HTC HTC VIVE #web3gaming #playtoearn #w2e #ramonecasborn #gamedesign

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Most businesses go from Real to Virtual. But reconnecting the virtual world to the real world is definitely not common. But it makes sense. That is why Cross The Ages is innovating in the entertainment space with the concept of ReVerse and real world assets RWA.

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Mobile game publishing visionary Philippe L. of TapNation discusses his web3 plans Sequence. Specifically, Philippe talks about how he'll leverage Sequence to level up retention, open new revenue streams, and focus on community, especially for their flagship casual and hypercasual games. TapNation will be doing this in two major web2 titles that have been launched and are played at scale every day. This means, h8ers, that there will be even further proof of how, with the right technology: 1) The player never needs to know what's on-chain and the user experience won't be disrupted 2) Metrics like retention and ARPU improve when web3 is leveraged for new mechanics 3) Casual gamers, who aren't hyper vigilante against web3 innovation like core gamers, can enjoy the benefits of what the blockchain can bring without vitriol In short, our work with TapNation and Arbitrum is going to show the benefits of this technology to every web2 developer on the planet. Let's rock and roll. Check out the full interview with Jon Jordan here: https://lnkd.in/gFhHEBbj

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Just Cause developer Avalanche Studios Group acquired Monster Closet Games (founded by Ubisoft veterans) in October last year and integrated its developers to launch a new studio in Montreal. Yesterday, this studio was shut down 8 months after launch, along with Avalanche’s New York studio, cutting 50 jobs. In an “exceptionally difficult decision” taken by Avalanche, the shutdown was “necessary to ensure a stable and sustainable future for the company”. Avalanche even expressed regret for losing 9% of its workforce but gave no updates on how it plans to help them after this. For big studios, posting on social media is easier and a one-time thing. But what about the 50 devs who are left with tougher days to come? When AAA giant (Avalanche) entered their lives last year, they promised the devs big game projects. For eight months, they worked hard on a title with Xbox, getting excited about how they would thrill gamers from different corners of the planet. But instead of receiving due credit, they are informed that they are no longer needed on the project and that the company has to lay them off to sustain themselves. If this is sad to learn, consider the sudden mental toll on these developers and the possibility of many falling prey to self-doubt. I also tried finding the impacted folks to give them a shoutout, but I can’t see any #opentowork banners except one or two. If you know of anyone who was impacted, please mention them below, and we will do everything in our power to give them maximum visibility. If you were impacted and saw this, I am listing three resources and various other ways for you to get back into the games industry ASAP. First💎 Layoff Support Kit 2.0 - https://lnkd.in/gCCXW_Wp My team and I have dedicated countless hours to curating hundreds of online game development resources so you don't have to. This comprehensive collection includes top programming boot camps, renowned game dev educators, free game assets to help you build great games, insightful podcasts, and much more. Second💎 A 100% scholarship on our $11,000 Full Stack game dev program - https://lnkd.in/gZKqNBFh If you were impacted by the recent bloodshed of layoffs, here’s a chance to Re-skill and revise your game dev knowledge with our advanced C++, OOPs, Unity, and Data Structure modules. Additionally, you will receive exclusive one-on-one mentorship from top game programmers who will help you strengthen your already solid foundations. Third💎 Our Discord Community of over 10K game devs - https://lnkd.in/gH-wZe2G Here, we listen to everyone’s take on game development, support aspiring game developers in building stronger portfolios, and solve each other's doubts. Also requesting Kelly Bender, Alexander Rehm, Caitlin Cooke, Jordan Mazer, Ruty Rutenberg, Hailey Rojas, Kevin F., Kat Craig, Ali Farha, Matt Barney, and Ash C. to help this reach all the folks who can benefit from this. #layoffsupport

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⚠️CAUTIONARY SCAMMER - FRAUD COMPANY WARNING⚠️ It has been brought to my attention by the amazing Christophe Bettez that https://lnkd.in/gs8Qkpjz Is a PRETEND/FAKE GAMING COMPANY‼️ I recently made a post promoting the following job opportunities for the company: Principal Writer, Principal Narrative Designer, and Associate Writer. I came across these job opportunities via game search engine alerts, and shared them to our community. As it turns out “Luminary" does not have a website, an office, or actual staff except for the founder, Chad Tait.   Luminary also claims (pretends) to have amassed 500K$ in founding, yet the actual amount of pre-seed funding is undisclosed, and there are no investor names (source: https://lnkd.in/g3JvXmB7).   The company logo is also a black-and-white copy of an Australian digital design company (https://lnkd.in/gKq3NWU7), yet there is zero connections between the two, as "Luminary" is Florida-based.   Please be aware of this company, these fake job postings, and this pretend company. Be aware he has a second “fake company” GREY WOLF https://lnkd.in/g5uusrSS so avoid job opportunities from this one too! I reached out the “owner and CEO” Chad Tait, and his response was he was merely “practicing”, and as far as his explanation for posting fake job opportunities? He was “promoting”. Please DO NOT engage or send messages to him, I feel in my bones this was a case of someone being in over their head, and oblivious to the harm and dangers they may have caused. Instead, BLOCK the company, BLOCK him even. I am hoping that as a result of this uncovering that Chad will remove his “fake” company, stop posting non-existent job opportunities and be a better and more productive member of our community.

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🛤️🔗 𝐓𝐡𝐞 𝐑𝐞𝐚𝐥𝐢𝐭𝐲 𝐨𝐟 𝐑𝐨𝐚𝐝𝐦𝐚𝐩𝐬 𝐢𝐧 𝐖𝐞𝐛𝟑 𝐏𝐫𝐨𝐣𝐞𝐜𝐭𝐬 🔗🛤️ In the Web3 space, projects with ambitious roadmaps are common and generate a lot of excitement among the community and investors 🚀✨ 𝗣𝗿𝗼𝘀 𝗼𝗳 𝗮𝗺𝗯𝗶𝘁𝗶𝗼𝘂𝘀 𝗿𝗼𝗮𝗱𝗺𝗮𝗽𝘀: - Attract investors 🚀 - Motivate the community 💪 - Create positive expectations 📈 𝗖𝗼𝗻𝘀 𝗶𝗳 𝗻𝗼𝘁 𝗺𝗲𝘁: - Disappointment among investors and community 😞 - Loss of trust in the project 😰 - Negative impact on the project's reputation 📉 It's crucial to find a balance between ambition and realism. Projects should be transparent about challenges and regularly update their progress. What do you think? Do you prefer ambitious roadmaps even with the risk of not meeting them, or more realistic and achievable goals? 💬

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We are moving past the phase when companies trained their models and the primary KPI was investor impressions. Now, we are entering the next phase, where these models are used by actual consumers. This shift necessitates having hardware located close to the users. The internet has its standards, and we are not willing to wait for two seconds, especially for paid services. This becomes even more critical in low-latency scenarios, such as self-driving cars, where the entire service can only function with latency of a few milliseconds. By leveraging our existing infrastructure and services, we have become one of the first companies to offer a Global Edge AI product (or "Everywhere AI," if you prefer the catchy term!). Ping me if you're already planning to launch your AI product globally!

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A Metroid x Fortnite collab fell through over Switch-exclusivity. That says a lot about how Epic Games & Nintendo differ... and also why both are dominating the gaming industry. A few thoughts: But first, the details... 📅 2020: Metroid x Fortnite Samus skin was discussed 👨‍⚖️ These plans surfaced during Apple vs. Epic Games 💬 Ex-Fortnite CCO claims exclusivity was the stopper "[Nintendo] got really hung up on their characters showing up on platforms that weren’t their platforms. They would be thrilled to have Nintendo characters in Fortnite, but just only if it’s on their platform.” — Donald Mustard 𝐊𝐞𝐲-𝐭𝐚𝐤𝐞𝐚𝐰𝐚𝐲𝐬: 👾 It's not just about Metroid 🍄 Nintendo has spent the last several decades developing some of the most iconic IPs — Mario, Zelda, Pokémon, etc — and Fortnite players have always wanted them. Sure, other partnerships like with The Walt Disney Company bring an array of classic characters... the lack of Nintendo is still keenly felt. 📖 Open vs Closed IPs 🚪 Beyond being known for developing IP, Nintendo is famous for defending it. Their characters exist in their own universes, on their own consoles — and we'll pay handsomely to gain access. By contrast, Fortnite has found success not by closing the door, but opening it. Seemingly every IP has collaborated with the game so far — and that creates an incredible space, accesible everywhere in fragment, but together only in one spot. That, you'll have to Find in Fortnite. 🏆 Both are winners 🏆 As much as I want to see a deal go through, game respects game. Objectively, you have two companies playing different strategies to perfection: it's hard to get mad at that. Say in the future every IP were available in Fortnite, all except Nintendo — doesn't that make their closed ecosystem all the more valuable? And, say Epic Games compromised, adding Metroid skins & other Nintendo IP, both only for Switch users to enjoy — is that still the same Fortnite? Unstoppable Object. Immovable Force. I'll hold out hope still for future collabs, but it's nice to know at least (of course) they've tried.

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NaPOLLeon--a predictive market approach to gathering and providing data. For consumers of data. By data consumers. Digital entrepreneur that wants to justify where to soft launch? We got you. Thesis writing about public awareness of paleontology in developed versus undeveloped states? We got you. Chef looking to expand a deli bar but can't choose between Jamon Iberico or veggie options? We got you. How do we do this? Check out NaPOLLeon.ai for more. (site might need updating at time of writing but keep us on your radar!)

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TRACKING RELEASES & TRANSFERS # 1 HALF OF JUNE, 2024 Hi there! 🤙 Today I bring you another edition of our… 💫 Tracking Releases & Transfers 💫 In the first half of June, we had some exciting innovative games. 💡 I highlight 4️⃣ titles of them. ✅ “All in Hole: Sinkhole Sort” by Homa The French publisher 🇫🇷 has published a new version of its “Attack Hole”, the big hit of the first half of last year, with almost 100 million downloads and developed by RedLine Games. 🏅 With the difference of having a fruit theme 🫐 instead of a military one. 🪖 But the main difference is the game art, which is more polished and similar to “Royal Match” by Dream Games. 👑 In my opinion, this is an attempt to turn the Hole Game sub-genre into a Hybridcasual. 👀 Developed by Pilgrim’s Games, the Android version of "All in Hole" was published in April. 🗓️ On June 7, Homa published its IOS version, which indicates that they wants to carry on with the game. 📈 ✅ “Cat Way Home” by Amanotes The world leader in the rhythm games sub-genre keeps iterating on the cute cat theme. 🐈💟 And rightly so, as "Duets Cats", "Duet Tiles" and "Duet Friends" have so far reached over 75MM downloads. 👏 “Cat Way Home” innovates with a more complex narrative, a dash of "Subway Surfers"-style runner mechanics and a metagame design typical of match tile puzzles. I enjoyed it.👍 (And my daughter 👨‍👧 , who loves rhythm games 🥰) "Cat Way Home" was launched by Vietnamese publisher 🇻🇳 on June 13th. 🗓️ ✅ “TickTock Challenge” by ABI Game Studio One of the most fascinating aspects of the Hypercasual market is the simple ideas that become hits. 🤩 That's what the Vietnamese publishing 🇻🇳 giant did. "TickTock Challenge" is a compilation of mini-games inspired by TikTok challenges. 🤳 Its success is undeniable. Launched on June 5 🗓️, the game has already reached over 3.5MM downloads. 🤯 ✅ “Dicey Heroes” by KAYAC Inc. “It's a game that combines Monopoly 🎲 and roguelike ⚔️!” This is an excerpt from the game's store description. Interesting, isn't it? 🤔 "Dicey" is a bit different from the Japanese publisher's 🇯🇵 recent line of publications. The game has a bit of depth and more polished game art than usual. But it maintains the very easy gameplay. "Dicey" was launched by Kayac on June 12th. 🗓️ 👇 Swipe through the slides below to see releases & transfers by SayGames, CrazyLabs, FreePlay, TapNation, Rollic, YSO Corp, and Popcore. 👇 - X - This research was supported by Cost Center. Cost Center is a tech company that offers a powerful suite of tools for Mobile Publishers to optimize UA campaigns. 💪 Its portfolio includes amazing clients such as Amanotes and Lihuhu. 🏆 Do you like it? 🤩 Call my friend Yi Ting Ho. She'll show you a demo. 😉 - x - 🙏 PLEASE 🙏 activate the bell 🔔 so you don't miss my analysis. ☝️ #innovation #gaming #gamedevelopment #HypercasualByCarlosPereira

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A year ago, our first game’s release didn’t go well… 📉 Or so I thought for a long time! 🤦‍♂️ The past months have been a crazy rollercoaster as an entrepreneur trying to build a business shipping premium indie games on Steam. Landnama launched in July 2023 with 25k wishlists, sold about 35k copies to date, required a lot of fixing, and caused lots of headaches, joys, and disappointments. It’s not a hit. In the midst of heavily advertised indie success stories, or VC-backed all-star mobile games teams and releases, it’s hard not to compare yourself, your games/products, and start doubting it will go anywhere in the long run. You start looking for jobs… For a while, I saw this launch as “not life-changing” because my success paradigm dictated that it was not. In my eyes, we had botched the release and I couldn’t feel genuinely proud. We didn’t even celebrate the launch as a team and had to go into fire-fighting mode on day 1. As I reflect while writing this post, I realize I have shifted my definition of success over the past few months. And I now feel good, proud, and motivated by our mission to make unique games. Today, I see our success in the fact that: 🩸The dream I had for years of doing my own game or product while sitting at my old jobs is fulfilled. 🩸People paid their hard-earned money to buy OUR stuff. 🩸I transitioned from being a lead product manager on PC and mobile games to being a game artist (among many other hats). 🩸We made enough revenue to put us in the top 7% of indie game studios who survive their first launch. 🩸We built a GOOD team and work better and faster together. 🩸I have learned a ton about releasing and marketing products on Steam. 🩸I’ve built a solid network of indie game developers and games industry people in Berlin and around the world (lovely and supportive people). 🩸I get to spend much time with my family and pick my 3-year-old from kita every day. Maybe my take is a little naive, but I wish for everyone to discover their definition of success and see their worth in the smaller things too. It has been the strongest motivator in my journey and helped me keep going through the desert that starting a business is. But it took me a while to realize that and accept that I’m running a marathon and not a sprint. Now, what’s next for us you might ask?! Well… a new game!🚀 We just announced our second game🩸BELLA WANTS BLOOD🩸- a dark and absurd roguelike tower defense with a brand new page and DEMO on Steam! Check it out, share the news and hit the WISHLIST button! Let's make it a hit together 💪🥳 P.S. Wishlisting the game is the single most effective way you can support us. The more we gather before June 16th and the higher game will rank in NextFest. Thanks! 🤟 https://lnkd.in/epr9JmvH #indiegames #Entrepreneurship #gamedev

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Hello, Today I'm happy to finally release the framework I've been using to do my animation paper study videos. You can have a look at the package at https://lnkd.in/e6q2tsxi It allowed me to release the source code of the videos also at https://lnkd.in/euwivcux Hope it will be useful to some. #gamedev #python #jupyterlab #openusd #3danimation

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🎉 Exciting News! 🎉 For the past 2.5 years, my brother and I have been hard at work on our very first video game, and we’re thrilled to announce that the demo for the pre-alpha of The Executive is now available on Steam! 🎮 The Executive is a tycoon game that lets you relive the history of the Hollywood movie industry from the 70s to today. Imagine Game Dev Tycoon set in Hollywood! As the founder of a new production company, you can create the movies you've always dreamed of, hire a top-notch team, research new technologies, and grow your annual Box Office to become a Major Studio. 🎬 We’ve poured a lot of passion and effort into this project, and now it's time for you to experience it firsthand. Here’s how you can support us: 1. Wishlist the Game: Adding The Executive to your wishlist on Steam is a huge help. It boosts the game's visibility and ensures you get notified when the full game is released. https://lnkd.in/eWPtnaxt 2. Try the Demo and Give Feedback: Download and play the demo on Steam. We’d love to hear your thoughts and feedback on our Discord! https://lnkd.in/ePjuMcpd 3. Spread the Word: Share the game with your friends, family, and on social media. Every bit of support counts and helps create a buzz around the game. For my non-gamer friends, a trailer is available here: https://lnkd.in/evCkPChF Feel free to reach out if you have any questions or need help with anything. Your support means the world to us, and I can't wait for you to dive into the world of The Executive. A huge thanks to everyone involved in one way or another on this project: Geoffroy F., François-Régis MECHKAK, Mike Bridge, Pascal LAMARQUE, Bob Hands, Carla Graffeo, Thomas Berneau, Nicolas Godement, Luc Heninger, Johann Verbroucht, Guillaume Michaud, Amaury Bautier, Alexis Daumain, Goblinz Studio, Capital Games, Région Ile de France... and to everyone who supported us on this journey! #IndieGameDev #GameDev #TycoonGame #TheExecutive #SteamRelease #GamingCommunity #AnikiGames

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