K-Pop Finally Has Its Meta-Moment with the Dynamic Art of ARTMS
The K-pop market is oversaturated, but ARTMS cuts through the technicolor noise by remixing and defying lore conventions to create something drastically new.
The K-pop market is oversaturated, but ARTMS cuts through the technicolor noise by remixing and defying lore conventions to create something drastically new.
By putting Joan of Arc’s collected works in a dynamic box set, Tim Kinsella gauges how fans and critics are reconciling with the band’s work with modern ears.
The sad queer folk rock anthems of Ohio’s the Ophelias have pierced through the noise, and now, no matter how unusual the venue, they’re road-testing new tunes.
Nearly a decade since their last album, T3 and Young RJ continue Slum Village’s legacy as a duo, bringing the group’s sound into a mature yet danceable space.
Paul Weller, one of the most revered figures in British rock, is releasing his 17th studio LP. He discusses creative collaboration, John Coltrane’s influence, and more.
CXLOE’s Shiny New Thing is hook-forward pop music, an unrelenting collection of emoto-bangers, and an arch response to a clueless music executive.
To encounter Scott H. Biram live-and-in-person, you’d figure Motörhead’s Lemmy Kilmister had kin in Caldwell County, a distant cousin steeped in Willie Dixon and Lightnin Hopkins.
Getting heard in a band of super-powered women can be challenging, but the Beaches’ Eliza Enman-McDaniel does so much more than bang her drum all day.
Nicholas Ma’s humorous, warm and sensitive directorial feature debut, Mabel, embraces the messy uncertainty of life, for children and adults.
Two decades ago, the hushed indie-rock luminaries Grizzly Bear released a buzzy acoustic debut. A year later, it got a wild remix LP. This is its story.
When the New Age travelers and the newly emerging ravers met in the English countryside, they had to fight for the right to party together for free. They still do.
Shudder to Think’s Pony Express Record is one of the most enduring releases of the 1990s, evergreen for the very reasons it wasn’t a massive hit upon release.