Michael Barrett

Michael Barrett works in a public library. For more than 20 years, he wrote a monthly video column in the San Antonio Express News stressing classic and foreign films. His national publications include Video Watchdog, Nostalgia Digest and Retro Cinema. He's also written scripts that still await their destiny.
The Living Dead’s Problems in Spanish Horror Movies

The Living Dead’s Problems in Spanish Horror Movies

These Spanish horror movies tapped into the anxieties of the final years of General Franco’s dictatorship while pretending to be merely tales set in foreign countries.

‘Six in Paris’ Cuts the City into New Wave Slices of Sex and Death

‘Six in Paris’ Cuts the City into New Wave Slices of Sex and Death

Filming with a handheld 16mm color camera, six filmmakers offer a cohesive snapshot of 1966 Paris and their obsessions with sex and death.

Mexico’s Golden Age of Cinematic Melodrama: ‘Victims of Sin’

Mexico’s Golden Age of Cinematic Melodrama: ‘Victims of Sin’

In Emilio Fernández’s Victims of Sin, a galaxy of important Mexican film and music artists collaborate on a tale of mambo music, martyred mothers, and melodrama.

Retro Monsters and Sexual Politics Dominate These Three Sci-Fi Movies

Retro Monsters and Sexual Politics Dominate These Three Sci-Fi Movies

Sci-fi movies Unknown Terror, The Colossus of New York and Destination Inner Space inject monsters into personal melodrama for masculine redemption.

Two Southern-Fried Slices of Sordid ’60s Hicksploitation Films

Two Southern-Fried Slices of Sordid ’60s Hicksploitation Films

Angry old men, sexy strumpets, moonshiners, corrupt sheriffs, and dumb farmhands populate them thar hills in these two low-budget ’60s hicksploitation films.

Familial Neurosis in ‘Never Open That Door’ Film-Noirs

Familial Neurosis in ‘Never Open That Door’ Film-Noirs

The family is the source of neurosis, and any hint of an allegedly happy ending in these three film-noirs must happen over someone’s dead body.

Feminine Discontents in ‘Back from the Dead’ and ‘The Other One’

Feminine Discontents in ‘Back from the Dead’ and ‘The Other One’

Catherine Turney, a top-drawer writer of classic films about strong women, adapts her supernatural novel The Other One for Back from the Dead.

‘Time of the Heathen’ Mixes Atomic Angst with Racial Woes

‘Time of the Heathen’ Mixes Atomic Angst with Racial Woes

Time of the Heathen is a nightmarish, hyper-edited, avant-garde freak-out as atomic angst and racial woes wend their way toward Shakespearean tragedy.

Philosophies and Ironies in Éric Rohmer’s ‘Tales of the Four Seasons’

Philosophies and Ironies in Éric Rohmer’s ‘Tales of the Four Seasons’

In Éric Rohmer’s ‘Tales of the Four Seasons’, everything exists on an elevated Expressionist plane; every detail dovetails into its hermetic philosophies and ironies.

‘World of Giants’ Is Cold War Sci-Fi Espionage with a Small Difference

‘World of Giants’ Is Cold War Sci-Fi Espionage with a Small Difference

World of Giants is catnip and dog-nip and gopher-nip for connoisseurs of classic sci-fi TV ’50s style, aka, the art of really short half-hour storytelling.

Detective Fantasy ‘You Never Can Tell’ Spoofs Film Noir

Detective Fantasy ‘You Never Can Tell’ Spoofs Film Noir

Fantasy, comedy, romance, reincarnation, animals and murder are ingredients for You Never Can Tell, a whimsical story with spoofs of film noir.

21 Beacon Street’s Impossible Missions

21 Beacon Street’s Impossible Missions

In 13 episodes, lost TV wonder 21 Beacon Street is an uncanny and legally actionable precursor to the Mission Impossible franchise.