Unlike Her Music ‘I Am: Céline Dion’ Is Not a Mournful Drama
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Thriller short film The White Rabbit ensnares viewers with a joke, a nightmare, and an illusion in a sly interplay that evokes Hitchcock’s Rear Window.
In Emilio Fernández’s Victims of Sin, a galaxy of important Mexican film and music artists collaborate on a tale of mambo music, martyred mothers, and melodrama.
A dead body adds to the lively mix of family dysfunction and the pressure of making a good impression in Dan Robbins’ affable black comedy, Bad Shabbos.
Jussi Adler-Olsen’s Department Q crime thriller The Hanging Girl unravels in its 2024 film adaptation by Ole Christian Madsen, Boundless.
Nothing But a Man is about battling discrimination on an uneven playing field but also about tenaciously preserving friendships and families.
With horror film I Saw the TV Glow, Jane Schoenbrun creates an eerie, emotional journey into the intersection of identity and popular culture.
Nicholas Ma’s humorous, warm and sensitive directorial feature debut, Mabel, embraces the messy uncertainty of life, for children and adults.
Fantasy, comedy, romance, reincarnation, animals and murder are ingredients for You Never Can Tell, a whimsical story with spoofs of film noir.
Rachel Lambert’s sensitive and observant comedy drama Sometimes I Think About Dying isn’t a film that will turn popcorn into projectiles.
The Jungian shadow looms over We Were Dangerous, a dramatic and rebellious drama about moral panic and juvenile and sexual delinquency in 1950s New Zealand.
Today’s discord and desperation over abortion in America has roots in Philip Dunne’s faded Blue Denim, one of the first Hollywood films to address the issue.