When the New Age travelers and the newly emerging ravers met in the English countryside, they had to fight for the right to party together for free. They still do.
Ramy Essam, whose protest song in Tahrir Square deemed him “a voice of the [Egyptian] revolution”, sings of suffering, longing, and torture, and uses irony to at times, make a point about certain oppressive conditions.
Singing the Cape Verde blues known as “morna”, the world-renowned Cesária Évora sang in local Creole to a slow tempo reflecting a melancholy state of mind. Her gentle, lulling timbre recounts some of the darkest moments of the volcanic island.
Pleistocene Park director Luke Griswold-Tergis talks about his eight-year filmmaking journey with a very smart, “batshit crazy” self-taught environmentalist.
Director Peter McDowell’s search for his missing brother led to the creation of Jimmy in Saigon, a documentary that also captures gay life in war-era Vietnam.
Director Antonia Kilian talks with PopMatters about unveiling the complexities of life in Northern Syria, especially for women, in The Other Side of the River.
Charlie Curran, the young director of the documentary See Know Evil, discusses the importance of telling the story of the equally young '90s fashion photographer phenomenon, Davide Sorrenti.
In this interview with documentary maker Phil Cox and producer Giovanna Stoppani, we learn how they made a film about an artist in absolute solitude, funk and soul singer Betty Davis.
An avid music film watcher with a knack for creating a web of connections between art and people, SEEYOUSOUND International Music Film Festival artistic director Juanita Apraez Murillo keeps an ear to the outlying perimeters of the world.
