- Tech is dominated by “true believers” and those who tag along to make money.
- Politicians seem to be forever gullible to the promises of tech.
- Management loves promises of automation and profitable layoffs.
But it seems that the sentiment might be shifting, even among those predisposed to believe in “AI”, at least in part.
This thing that we’ve been doing collectively with our relentless blog posts and pokes and tweets and uploads and news story shares, all 30-odd years of fuck-all pointless human chatterboo, it’s their tuning fork. Like when a guitarist plays a chord on a guitar and compares the sound to a tuner, adjusts the pegs, plays the chord again; that’s what has happened here, that’s what all my words are, what all our words are, a thing to mimic, a mockingbird’s feast.
Every time you ask AI to create words, to generate an answer, it analyzes the words you input and compare those words to the trillions of relations and concepts it has already categorized and then respond with words that match the most likely response. The chatbot is not thinking, but that doesn’t matter: in the moment, it feels like it’s responding to you. It feels like you’re not alone. But you are.
Once you have reduced the concept of human intelligence to what the markets will pay for, then suddenly, all it takes to build an intelligent machine — even a superhuman one — is to make something that generates economically valuable outputs at a rate and average quality that exceeds your own economic output. Anything else is irrelevant.
By describing as superhuman a thing that is entirely insensible and unthinking, an object without desire or hope but relentlessly productive and adaptable to its assigned economically valuable tasks, we implicitly erase or devalue the concept of a “human” and all that a human can do and strive to become. Of course, attempts to erase and devalue the most humane parts of our existence are nothing new; AI is just a new excuse to do it.
Robin Sloan on The Culture:
The Culture is a utopia: a future you might actually want to live in. It offers a coherent political vision. This isn’t subtle or allegorical; on the page, citizens of the Culture very frequently articulate and defend their values. (Their enthusiasm for their own politics is considered annoying by most other civilizations.)
Coherent political vision doesn’t require a lot, just some sense of “this is what we ought to do”, yet it is absent from plenty of science fiction that dwells only in the realm of the cautionary tale.
I don’t have much patience left for that genre. I mean … we have been, at this point, amply cautioned.
Vision, on the other hand: I can’t get enough.
As a self-initiated learner, being able to view source brought to mind the experience of a slow walk through someone else’s map.
This ability to “observe” software makes HTML special to work with.
The modern web is constantly, endlessly hoovering up massive amounts of data about you, only some of which is correct, and then feeding you its best guess of what will glue your eyeballs to the screen just a little bit longer, no matter what that is, whether it’s actually good for you or not.
I see what you nerds have done with AI image-creation software so far. Look at Midjourney’s “Best of” page. If you don’t know a lot about art but you know what you like, and what you like is large-breasted elf maidens, you are entering the best possible future.
On leaving the company, Hixie compares the Google of old to what it has become today:
Google’s culture eroded. Decisions went from being made for the benefit of users, to the benefit of Google, to the benefit of whoever was making the decision. Transparency evaporated. Where previously I would eagerly attend every company-wide meeting to learn what was happening, I found myself now able to predict the answers executives would give word for word. Today, I don’t know anyone at Google who could explain what Google’s vision is. Morale is at an all-time low. If you talk to therapists in the bay area, they will tell you all their Google clients are unhappy with Google.
This extract from Deb Chachra’s new book confirms that it’s a must-read. The writing fairly sings with infectious enthusiasm!
I’ve found that there’s way more good people than bad. There’s way more people willing to help than willing to hurt. Some things are really scary but there’s way more people out there willing to guide us through the darkness than we think. The cynic in me wants to say that the “powers that be” want us to be endlessly doomscrolling and losing hope and snuffing out optimism. We shouldn’t give them what they want. There’s a lot of beauty in the world still within our grasp. We’re better when we’re poets, when we’re learners and listeners, when we’re builders and not breakers.
This resonates a lot:
At some point, we told design they couldn’t sit with us anymore, and surprise! It backfired! Now, not only has the field and profession of web design suffered, but also, we build shitty websites.
I’ve seen talented people—mostly women—pushed out of making websites because their skills—mostly CSS—weren’t valued as much being a React plumber.
It fucking sucks.
Here’s the transcript of Paul’s excellent talk at this year’s UX London:
How designers can record decisions and cultivate a fun and inclusive culture within their team.
Ingesting every piece of art ever into a machine which lovelessly boils them down to some approximated median result isn’t artistic expression. It may be a neat parlour trick, a fun novelty, but an AI is only able to produce semi-convincing knock-offs of our creations precisely because real, actual people once had the thought, skill and will to create them.
Considering the average website is less than ten years old, that old warning from your parents that says to “be careful what you post online because it’ll be there forever” is like the story your dad told you about chocolate milk coming from brown cows, a well-meant farce. On the contrary, librarians and archivists have implored us for years to be wary of the impermanence of digital media; when a website, especially one that invites mass participation, goes offline or executes a huge dump of its data and resources, it’s as if a smallish Library of Alexandria has been burned to the ground. Except unlike the burning of such a library, when a website folds, the ensuing commentary from tech blogs asks only why the company folded, or why a startup wasn’t profitable. Ignored is the scope and species of the lost material, or what it might have meant to the scant few who are left to salvage the digital wreck.
Maggie Appleton:
An exploration of the problems and possible futures of flooding the web with generative AI content.
A short documentary that you can dowload or watch online:
The film explores how image banks including Getty gain control over, and then restrict access to, archive images – even when these images are legally in the public domain. It also forms a small act of resistance against this practice: the film includes six legally licensed clips, and is downloadable as an HD ProRes file. In this way, it aims to liberate these few short clips from corporate control, and make them freely available for viewing and artistic use.
Licensed under aCreative Commons 0: “No rights reserved” license.
Writing, both code and prose, for me, is both an end product and an end in itself. I don’t want to automate away the things that give me joy.
And that is something that I’m more and more aware of as I get older – sources of joy. It’s good to diversify them, to keep track of them, because it’s way too easy to run out. Or to end up with just one, and then lose it.
The thing about luddites is that they make good punchlines, but they were all people.
A great piece by James, adapted from the new edition of his book New Dark Age.
The lesson of the current wave of “artificial” “intelligence”, I feel, is that intelligence is a poor thing when it is imagined by corporations. If your view of the world is one in which profit maximisation is the king of virtues, and all things shall be held to the standard of shareholder value, then of course your artistic, imaginative, aesthetic and emotional expressions will be woefully impoverished. We deserve better from the tools we use, the media we consume and the communities we live within, and we will only get what we deserve when we are capable of participating in them fully. And don’t be intimidated by them either – they’re really not that complicated. As the science-fiction legend Ursula K Le Guin wrote: “Technology is what we can learn to do.”
This free online event is happening at 7pm UK time this evening. I saw Ben give a talk on this at Clarity, and it was excellent. There was a lot of crossover with what I’ve been trying to get at with the intersection of declarative design and culture, except Ben expresses it far more clearly than me. The bastard.
If you feel like you’re swimming upstream with your design system, it’s likely the result of a cultural problem—not a technical one. It’s time for you to look at your design system from a different angle.
I love just about every answer that Martin Rees gives in this wide-ranging interview.