You are viewing a humanly curated list of fine personal & independent email newsletters that are updated regularly. No algorithms ever!
And remember: you can subscribe to most newsletters via RSS rather than email.
The modern web is constantly, endlessly hoovering up massive amounts of data about you, only some of which is correct, and then feeding you its best guess of what will glue your eyeballs to the screen just a little bit longer, no matter what that is, whether it’s actually good for you or not.
I know I sound like an old man when I go on and on about RSS, but really, it’s sitting right there and is apparently what a lot of people miss.
If you care about the indie web growing, by all means write, by all means create, by all means curate. But most of all, just read. Or listen, or experience. Spend an afternoon clicking around, like everybody used to. The more people who do that, the more everything else will slot into place without even having to think much about it.
The return of RSS and POSSE points to a revival of the personal website ecosystem that thrived in the early blog era. Writers, researchers, technologists and more are relaunching their independent homepages, complete with feeds, as both a public notebook and a channel for sharing insights. The personal website is the ultimate sovereign territory online, enabling creators to share content on their own terms.
I feel like Joan Westenberg has come up with the perfect tag line for personal websites (emphasis mine):
By passing high-quality, human-centric content through their own lens of discernment before syndicating it to social networks, these curators create islands of sanity amidst oceans of machine-generated content of questionable provenance.
I’ve shaped this timeline over five months. It might look simple, but it most definitely was not. I liken it to chipping away at a block of marble, or the slow process of evolving a painting, or constructing a poem; endless edits, questions, doubling back, doubts. It was so good to have something meaty to get stuck into, but sometimes it was awful, and many times I considered throwing it away. Overall it was challenging, fun, and worth the effort.
Simon describes the process of curating the lovely timeline on his personal homepage.
My timeline is just like me, and just like my life: unfinished, and far from perfect.
Some time ago I was going through the backlog of around 90 unread articles on Design Systems. About 80 of those were Medium articles and about 40 of those took me to either their user-hostile “you ready a lot and we like that” pop-up or their money-grabbing “you’ve read lots this month, pay us to read some more.”, it turns out that Medium only likes you reading things when you give money to do so.
Therefore I’ve started to add a little warning notice to each article that’s on Medium.
Jason contemplates his two decades of blog posts, some of which he now feels very differently about:
Tim Berners-Lee’s idea that cool URIs don’t change is almost part of my DNA at this point, so deleting them seems wrong. Approximately no one ever reads any post on this site that’s more than a few years old, but is that an argument for or against deleting them? (If a tree falls in the woods, etc…) Should I delete but leave a note they were deleted? Should I leave the original posts but append updates citing my current displeasure?
We asked you to tell us what you’d put on a new Golden Record. Here’s what you chose.
Ever thought about what you’d put on the Voyager golden record? Well, what are you waiting for? Your website can be your time capsule.
You can’t log into the same Facebook twice.
The world as we experience it seems to be growing more opaque. More of life now takes place on digital platforms that are different for everyone, closed to inspection, and massively technically complex. What we don’t know now about our current experience will resound through time in historians of the future knowing less, too. Maybe this era will be a new dark age, as resistant to analysis then as it has become now.
In the name of holy engagement, the native experience of products like Twitter, Facebook, and Instagram are moving away from giving people the ability to curate. They do this by taking control away from you, the user. By showing what other people liked, or by showing recommendations, without any way to turn it off, they prevent people from creating a better experience for themselves.
The museum exhibits over 800 carefully selected and sorted web sites that show web design trends between the years 1995 and 2005.
Brewster Kahle outlines his vision for library collaboration in curating and distributing digital works.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Marc and I have chatted before about the challenges involved in arranging the flow of talks at a conference. It’s great that he’s sharing his thoughts here.
Sam Greenspan from the brilliant 99% Invisible podcast has created a Huffduffer feed based on his “You Should Listen To Friday” Tumblr blog.
If you have a Huffduffer account, add this to your collective.
And definitely subscribe to this RSS feed in your podcast app of choice.
Here’s one to add to Instapaper or Readability to savour at your leisure: Aaron Straup Cope’s talk at Museums and the Web 2010:
This paper examines the act of association, the art of framing and the participatory nature of robots in creating artifacts and story-telling in projects like Flickr Galleries, the API-based Suggestify project (which provides the ability to suggest locations for other people’s photos) and the increasing number of bespoke (and often paper-based) curatorial productions.