science fiction

Retro Monsters and Sexual Politics Dominate These Three Sci-Fi Movies

Retro Monsters and Sexual Politics Dominate These Three Sci-Fi Movies

Sci-fi movies Unknown Terror, The Colossus of New York and Destination Inner Space inject monsters into personal melodrama for masculine redemption.

1000xResist’s Magnificent Operatic Heterotopia

1000xResist’s Magnificent Operatic Heterotopia

Set in the politically significant year of 2046, sci-fi game 1000xResist evokes Michel van der Aa’s operatic music and Hou Hsiao-hsien’s heterotopia-like films.

‘World of Giants’ Is Cold War Sci-Fi Espionage with a Small Difference

‘World of Giants’ Is Cold War Sci-Fi Espionage with a Small Difference

World of Giants is catnip and dog-nip and gopher-nip for connoisseurs of classic sci-fi TV ’50s style, aka, the art of really short half-hour storytelling.

Jules Verne’s ‘20,000 Leagues Under the Sea’ Goes Deeper Than You May Realize

Jules Verne’s ‘20,000 Leagues Under the Sea’ Goes Deeper Than You May Realize

Like its vast ocean setting, Jules Verne’s 20,000 Leagues Under the Sea goes deeper into pop culture – its tentacles reaching farther than its creature’s – than you may realize.

Director Jared Moshé on Sci-fi Film Aporia’s Moral Ambiguity

Director Jared Moshé on Sci-fi Film Aporia’s Moral Ambiguity

Following Aporia’s world premiere at Fantasia, director Jared Moshé talks about leaving his audience grappling with moral ambiguity.

‘Star Pilot’: Sixties Sexy Italian Space Opera a Go-Go

‘Star Pilot’: Sixties Sexy Italian Space Opera a Go-Go

Sixties sexy Italian Space Opera had a budget as skimpy as the costumes and the actors play the high-pressure take-offs as though they’re all mid-orgasm.

Terry Pratchett: Posthumous Sociologist Supreme

Terry Pratchett: Posthumous Sociologist Supreme

In sociological fashion, satirist/fantasy author Terry Pratchett used issues in his imagined world to show the illogic of the matters, customs, and norms in our lives.

The Punk Rock Sci-Fi of Izumi Suzuki’s ‘Hit Parade of Tears’

The Punk Rock Sci-Fi of Izumi Suzuki’s ‘Hit Parade of Tears’

Though her fiction retains elements of future conjecture and civilizational prognosis, like punk rock itself, Izumi Suzuki is more committed to the sci-fi genre as an edgy social and emotional analysis tool.

‘Silo’ Is the Smart Sci-fi Show We’ve Been Waiting For

‘Silo’ Is the Smart Sci-fi Show We’ve Been Waiting For

Combining conspiracy thriller, dystopian nightmare, and science fiction, Silo succeeds in predicting a grim future for humans but good outlooks for Apple TV+.

‘M3GAN’ Conjures the Horror of Anti-Materialism

‘M3GAN’ Conjures the Horror of Anti-Materialism

At the dark heart of M3GAN is the loneliness we fill with things because we don’t know what else to do. It conjures the horror of anti-materialism.

‘Everything Everywhere All at Once’ and the Politics of Genre

‘Everything Everywhere All at Once’ and the Politics of Genre

In genre-busting sci-fi Everything Everywhere All At Once, the multiverse is not a genre but a metaphor that invites audiences to think about the complexities and politics of genres.

The Uncomfortable Reflection in Sci-Fi ‘Landscape with Invisible Hands’

The Uncomfortable Reflection in Sci-Fi ‘Landscape with Invisible Hands’

Premiering at Sundance 2023, Cory Finley’s Landscape with Invisible Hand effectively uses sci-fi to gaze into the future and look back on humankind’s dark heritage.