Pretty When She Cries: Lana Del Rey’s ‘Ultraviolence’ at 10
Lana Del Rey’s Ultraviolence used rock to kickstart a new career direction that culminated in autobiographical work without spoiling the mystery of her persona.
Matthew Dwyer
Matthew Dwyer, a graduate of American University's School of International Service in Washington, D.C currently works in education and writes about pop culture, music, TV, and film on a freelance basis. He is a traveler, writer, and creative thinker. You can find him on Twitter @md_writing
Alec Benjamin Hits the Right Note on ’12 Notes’
Alec Benjamin writes anthologies, and his fourth album, 12 Notes, is no different. This style of writing suits Benjamin’s propensity for parables.
Florals, for Spring? The Met Gala 2024 Red Carpet
The incongruity of looks on the red carpet at this year’s Met Gala created a diverse showing of cartoonish creativity, the hallmark of fashion’s biggest night.
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Jennifer Lopez’s Music Industry Fairytale ‘This Is Me…Now’
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Doomsday Is a Fresh Start on Madilyn Bailey’s Debut
Madilyn Bailey’s debut Hollywood Dead makes the pitfalls of the entertainment industry into their own form of entertainment through solid pop ballads.
The Era of Taylor Swift Has Just Begun
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Joni Mitchell at Newport: Still Sees Life From Both Sides
Cementing her legacy as pop’s greatest storyteller, Joni Mitchell doesn’t shy away from the grey areas of her work even as her career enters its twilight.
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Billy Joel’s An Innocent Man laid the foundation for him to become a vessel for nostalgia that would far outlast the album’s 1950s references.