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The New Review
Culture, reviews and features from the Observer
29 July 2024
Adam by Gboyega Odubanjo review – in memory of the missing
Book of the day
Wife by Charlotte Mendelson review – bravura portrait of a marriage in meltdown
28 July 2024
No Name in the Street; Going to Meet the Man by James Baldwin – review
The Echo review – insightful study of an isolated community
All the Worst Humans: How I Made News for Dictators, Tycoons and Politicians by Phil Elwood review – a spin doctor for despots
‘People of all ages get very emotional at our gigs’: how ‘trad punk’ folk band the Mary Wallopers became a live sensation
Barnum review – dazzling all-singing, all-juggling musical
Your Lie in April review – new musical of the manga romance somehow works
Who’s on the 2024 RA Dorfman prize shortlist? A lingerie factory turned weekend home, Ukrainian volunteer roofers – and more
They Dream in Gold by Mai Sennaar review – love and identity on the 1960s music scene
I Saw the TV Glow review – powerfully unnerving teen misfit drama
The week in theatre: Hello, Dolly!; The Hot Wing King; Fangirls – review
CDs sales are growing. How I wish I hadn’t given my beloved collection away
The end is nigh. For insects, bats, protest, the planet…
Stewart Lee
Venice Dance Biennale: Alan Lucien Øyen: Still Life; Sankofa Danzafro: Behind the South: Dances for Manuel – review
Observer New Review Q&A
Paapa Essiedu: ‘Is this part harder than Hamlet? Yeah, it’s different gravy, mate’
Observer TV reviews
The week in TV: Art Matters; Surviving the Post Office; The Decameron; Time Bandits – review
In brief: Banal Nightmare; Feeding the Monster; Burning Angel and Other Stories – review
Peter Kennard: Archive of Dissent review – definitive protest images that go beyond words
Straight to your inbox: meet the journalists shaking up local UK news
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