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Jonathan Jones

Jonathan Jones writes on art for the Guardian and was on the jury for the 2009 Turner prize

July 2024

  • The Wrex files … name installed on Bersham Bank soon after the Hollywood actors bought the football club.

    ‘Welcome to Wrexham!’ Is my old hometown about to become a hothouse of culture?

  • Incubator, 1986, by Peter Kennard.

    Art Weekly newsletter
    Mind-altering montage, Taylor Swift’s costume crawl and Constable goes west – the week in art

  • Surface tension … The Champion Single Sculls by Thomas Eakins, from 1871.

    It’s the art Olympics! The 20 greatest ever sporting artworks

  • Brushes with greatness … Oscar Murillo’s The Flooded Garden at Tate Modern in London.

    Oscar Murillo: The Flooded Garden review – my inner Pollock could not be contained

  • Art Weekly newsletter
    Modernist Paris, a Monet adventure park and the death of life drawing – the week in art

  • ‘Is this what a second Trump presidency will be like?’ – our art critic on the chilling shooting image

  • Bill Viola made video art ask the biggest, most universal questions

    Jonathan Jones

  • Art Weekly newsletter
    A very British surrealist and the Tories’ legacy in cartoons – the week in art

  • Leonora Carrington: Rebel Visionary review – wild dreams of a titan of surrealism finally get their due

  • ‘It’s like Where’s Wally in broken Britain’: Ben Jennings on his Tory-era take on A Rake’s Progress

  • Art Weekly newsletter
    Barbie graces London and the Rokeby Venus heads to Liverpool – the week in art

  • Lonnie Holley review – America’s wreckage made into magical art

  • Dominique White: Deadweight review – a beautiful, twisted sea monster

June 2024

  • Sharpening the Saws by Oleksandr Bohomazov, 1927.

    Art Weekly newsletter
    Giants of Ukrainian art, Henry Moore goes to war and Chris Ofili’s myth making – the week in art

  • Tubeway army … Four Figures in a Setting.

    No perky cockneys? How Henry Moore’s sheltering souls puncture our blitz bravado

  • a detail of Protection, 2024, by Claudette Johnson.

    Art Weekly newsletter
    Blue Black portraits, electric light relief and sugar in space – the week in art

  • Yoshida Toshi, Unknown (Michi no), 1968.

    Yoshida review – brilliant prints bleached of historical colour

  • Art Weekly newsletter
    Love through the lens, a dynasty of Japanese printmaking and Leeds’s finest – the week in art

  • Royal Academy Summer Exhibition review – a gasping death-rattle of conservative mediocrity

  • Art Weekly newsletter
    Anti-apartheid art, Keith Haring graffiti and new life for fallen trees – the week in art

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