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Catherine Shoard

Catherine Shoard is film editor, Guardian News & Media

July 2024

  • Maya Hawke’s character Anxiety in Inside Out 2.

    Inside Out 2 becomes highest-grossing animation of all time

  • George Lazenby in 2022.

    ‘It’s been a fun ride’: former Bond George Lazenby announces retirement at 84

  • Jennifer Aniston.

    Jennifer Aniston criticises JD Vance’s ‘childless cat ladies’ comment

  • Rob Delaney promoting Deadpool & Wolverine.

    The reader interview
    Rob Delaney: ‘The average British citizen is funnier than the average American’

  • From Twister to Titanic: writers on their favourite disaster movies

  • ‘His skincare regime alone would bankrupt you’: Ryan Reynolds and Hugh Jackman bring banter and bromance to London

  • Shelley Duvall, star of The Shining and Annie Hall, dies aged 75

  • ‘Rage is your gift’: Paul Mescal battles Pedro, Denzel and a rhino in first Gladiator II trailer

  • The Devil Wears Prada sequel in the works about declining advertising revenues for print media

  • ‘Beyond marketing, beyond explanation’: how Inside Out and Despicable Me saved the summer

  • ‘This sucks. I want to go back to being famous’: Kevin Bacon’s experiment as a ‘regular person’

  • Lily Gladstone likens Golden Globes to Squid Game: ‘You’re in shapewear, you need to pee’

  • Steve McQueen’s Blitz to open the London film festival

June 2024

  • Mike Leigh at the Mediterrane film festival in Malta.

    Mike Leigh: Peterloo protesters would be ‘horrified’ by voter abstention

  • Inside Out 2.

    Inside Out 2 becomes biggest film of the year on second week of release

  • INSIDE OUT 2 - press film still

    Now you've seen it
    Inside Out 2: Joy v Anxiety, puberty, and the big secret – discuss with spoilers

  • Inside Out 2 has already made back its $200m budget.

    Joy for Pixar as Inside Out 2 smashes expectations – and box office records

  • ‘It always destroys me’: our writers on their saddest movie deaths

  • Divine comedies: the best jokes for the Pope

  • Amy Poehler: ‘If we want young people to fix everything, why do we make fun of them?’

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