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Classical music
July 2024
Other lives
Richard Macnutt obituary
When Putin invaded my country, I couldn’t take up arms – I raised my conductor’s baton instead
Keri-Lynn Wilson
Nigel Kennedy: why I’m going on stage to play jazz with my ‘young cats’
The week in classical: BBC Proms week one review – hallelujahs all round
Prom 9: BBC Scottish SO/Wigglesworth review – meticulous making of unexpected connections
Holmès: Symphonic Poems album review – Francis underscores Wagner’s influence on this rediscovered female composer
Gerhard: Don Quixote; Suite from Alegrías; Pedrelliana album review – deft, exuberant work from the BBCPhil
John Eliot Gardiner’s departure could usher in generational change for period-instrument performance
Andrew Clements
John Eliot Gardiner leaves Monteverdi Choir and Orchestras after assault allegation
Prom 6/7: Verdi’s Requiem/Jakub Józef Orliński review – choral glories, bel canto and breakdancing
Prom 5: BBCNOW/Bancroft review – full-blooded return to the birth of modernism
Prom 4: Hallé/Elder review – a farewell eclipsed by the quality of the music-making
Acis and Galatea review – a hectic take on Handel’s perfectly formed confection
Home listening
Bliss: Works for Brass Band review – a breath of fresh air
The week in classical: Il segreto di Susanna/Pagliacci; Spring Snow; Giorgi Gigashvili – review
First Night of the Proms review – a thrilling adventure ride
Breaking Glass Ceilings: Music by Unruly Women album review – a celebration of defiant female composers
Jan Lisiecki review – titanic moments in one man’s fight to free the prelude
Contemporary album of the month
Beyza Yazgan: Human Cocoon review – from Middle Eastern classical to American minimalism
Lang: Composition as Explanation album review – Gertrude Stein set to music
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