Brian Eno, Holger Czukay, and J. Peter Schwalm Provide Food for Thought
After more than 25 years, Brian Eno’s Sushi! Roti! Reibekuchen!—a once-in-a-lifetime gig by three experimental giants—finally sees the light of day.
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Brian Eno’s ‘Here Come the Warm Jets’ After 50 Years
Brian Eno’s approach captured the best of what we wanted from punk, new wave, prog, glam, and classic ’60s pop and channeled their excesses by relying on chance.
Brian Eno Soundtracks the Anthropocene in FOREVERANDEVERNOMORE’s ‘Forever Voiceless Edition’
Are words of equivalent value to sound in the making and understanding of modern music? Brian Eno’s Forever Voiceless Edition confronts these issues.
The Orielles Break Old Patterns with a Film and a Card Deck
From releasing films as a band to using Brian Eno’s card deck to help guide the sound of their epic new double-LP, the Orielles remain as indescribable as ever.
What Donna Summer’s ‘I Feel Love’ Did to Brian Eno and Giorgio Moroder (Excerpt)
In this excerpt from Thompson’s I Feel Love, which explores the far-reaching influence of song and singer, the disco groove moves Brian Eno and Giorgio Moroder.
A Year Again with Brian Eno
Published diaries are a tricky business. Brian Eno’s 25th Anniversary Edition of ‘A Year With Swollen Appendices’ is no less so.
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‘What a Fantastic Death Abyss’: David Bowie’s ‘Outside’ at 25
David Bowie's Outside signaled the end of him as a slick pop star and his reintroduction as a ragged-edged arty agitator.
Brian and Roger Eno’s ‘Mixing Colours’ Is a Celebration of Contemplative Slowness
Brian and Roger Eno's Deutsche Grammophon debut, Mixing Colours, represents a refreshing antithesis of today's harsh and accelerated times.
Nihilistic ‘Jubilee’ Sought Fit to Celebrate Nothing
Much like his former colleague Ken Russell, Derek Jarman knew which buttons to press when seeking to outrage the UK's moral majority.
The Roots of Romanticism in David Bowie’s Berlin Triptych
In its response to modernity, Romanticism's grand enterprise inspires us to question the current state of things, to ponder how we might "be heroes / just for one day".
Coldplay: Kaleidoscope EP
This is Coldplay in 2017, saying "hi" to the mainstream by pandering to pop, and actually managing to do a not-half-bad job of it.
Dark Blue-Grey With Neon Pink Flashes: An Interview With Jon Hopkins
Transcendent electronic musician Jon Hopkins reflects on two decades of composition and collaboration and hints at what’s on the horizon.