Critic's Picks

Mia Goth returns to Ti West’s horrorverse as an actress fleeing a mysterious stalker and a traumatic past.

Spice Brothers is a showcase for the power of cinnamon, turmeric and other flavors of the Middle East.

His second album, “God Said No,” delves into a breakup with all its complications, transformed into pensive alt-R&B.

Few directors get as deeply under the skin as Catherine Breillat, a longtime provocateur who tests the limits of what the world thinks women should do and say and be.

Elevator Repair Service’s staged reading of the huge James Joyce novel retains much of its humor, pathos and bawdiness.

Resetting the “Memory” musical in the world of ballroom competitions makes for a joyful reincarnation.

Agnieszka Holland focuses on the Polish-Belarusian border as a Syrian family tries to make it to the European Union.

The young directors Silvia Del Carmen Castaños and Estefanía (Beba) Contreras stargaze, watch fireworks and discuss their lives in this documentary filmed in Laredo, Texas.

Yorgos Lanthimos returns with a twisted fable triptych about dominating and being dominated.

Annie Baker’s debut feature film is a tiny masterpiece — a perfect coming-of-age story for both a misfit tween and her mother.

Austin Butler, Jodie Comer and Tom Hardy star in a romanticized drama about a fictional motorcycle club in the 1960s.

Marin Ireland’s play opens with Tatiana Maslany in a rotating cast of stars, and “What Became of Us” continues its own experiment with changing casts.

A new tier of knights, monsters and freaks often exceeds the most demanding late-game adversaries of Elden Ring. Belief in yourself will be stretched to its limit.

A new Netflix documentary showcases comedy as a source of queer liberation, featuring Margaret Cho, Tig Notaro, Joel Kim Booster and more.

A somber yet witty play set in 18th-century England is a clever perversion of a courtroom drama that features strong performances from an ensemble cast.

A triumph of sensitivity, Noah Schamus’s debut feature tracks a rural reunion between old friends struggling to recover their bond.

Myth and the changes of puberty combine in Amanda Nell Eu’s fierce, funny debut feature.

Maury Yeston’s score, stupendously played and sung, is the star of the final production of an excellent Encores! season at New York City Center.

Anxiety meets Joy in Pixar’s eager, predictably charming sequel to its innovative 2015 hit. Sadness is still around, too, as are Fear and Disgust.

Almost everything on the menu at this sibling of Claud contains seafood. You sit at a counter to eat it. The only surprise is how well it all works together.

At the Park Avenue Armory, a five-hour selection of pieces from the 29-hour “Licht” cycle is best appreciated as a marathon performance.

The film, which stars Rachel Sennott as a stand-up comedian, looks at the aftereffects of trauma on a character who wields quips as both weapon and shield.

The first survey of Auriea Harvey, an influential Net artist turned game developer, traces the evolution of digital art from the 1990s to today.

Julia Louis-Dreyfus journeys from denial to acceptance in this imaginative fantasy-drama about grief and motherhood.

The choreographer’s “Navy Blue” is the rare work to express the emotions of life in pandemic lockdown.

In their latest buddy cop movie, Will Smith and Martin Lawrence are still speeding through Miami. The franchise has rarely felt so assured, relaxed and knowingly funny.

Mortensen gives his film a nested, at times unnecessarily complicated structure, but with performances this good, it’s hard to mind much.

Jessica Lange is ideally cast as a grande dame of the theater who is facing a reckoning in this well-crafted melodrama by Michael Cristofer.

Chris Nash’s ultraviolent horror movie is an unexpectedly serene, almost dreamlike meditation on a murderous psyche.

This animated film from Pablo Berger is a silent wonder that says everything about love.