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Highlights

  1. Review: ‘Dämon: El Funeral de Bergman’ Brings Electricity to Avignon

    The Spanish director and performer Angélica Liddell elicited a standing ovation at the Avignon Festival in spite of her attacks on critics.

     By Laura Cappelle

    The performer Angélica Liddell opened the Avignon Festival in France with “Dämon: El Funeral de Bergman” at the most prized venue, the open-air Cour d’Honneur at the Palais des Papes.
    CreditChristophe Raynaud de Lage/Festival d'Avignon

  2. Where Can Sondheim’s Operatic Musicals Find a Home?

    Jonathan Tunick, Stephen Sondheim’s longtime collaborator, unveiled a grand orchestration of “A Little Night Music” that deserves more than a concert.

     By Joshua Barone

    Ron Raines, left, and Susan Graham in “A Little Night Music” at David Geffen Hall, where Jonathan Tunick is conducting his new orchestration of the musical.
    CreditJoan Marcus
    Critic’s Notebook

  3. ‘N/A’ Review: For Nancy Pelosi and A.O.C., It’s a House Divided

    Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.

     By Jesse Green

    Do you recognize these Democrats? Holland Taylor, left, as N and Ana Villafañe as A in Mario Correa’s play “N/A.”
    CreditSara Krulwich/The New York Times

  4. Second Stage Becomes First Broadway Nonprofit in Decades to Name New Leader

    The organization, which won this year’s best play revival Tony Award for “Appropriate,” has chosen Evan Cabnet as its next artistic director.

     By Michael Paulson

    “My commitment is, and has always been, to new work, and contemporary American work, and new voices,” Evan Cabnet said.
    CreditEvan Zimmerman

  5. Review: A ‘Ulysses’ That Squeezes Bloomsday Into 2 Hours, 40 Minutes

    Elevator Repair Service’s staged reading of the huge James Joyce novel retains much of its humor, pathos and bawdiness.

     By Jesse Green

    Vin Knight, left, as Leopold Bloom in the Elevator Repair Service production of “Ulysses.”
    CreditMaria Baranova
    Critic’s Pick

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