Movies

The film was supposed to hit theaters on Aug. 16, but that plan was scrapped after the first chapter of the Western saga disappointed at the box office.

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The actor is accused of involuntary manslaughter in the fatal shooting of the cinematographer on the film “Rust.” He has pleaded not guilty.

In this month’s sci-fi picks, life on Mars, a social dystopia set in near-future London and a meet-cute after a spaceship accident.

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.

A stubborn matriarch played by Ellen Burstyn lodges in a furniture store and wages emotional warfare with her adult children.

This poignant animated film casts the world of imaginary friends as an arena to reckon with emotional turmoil and loss of innocence.

What begins as a romantic rescue becomes a blood bath when bandits on a train attack and rob passengers and our Romeo cracks multiple heads in return.

Mia Goth returns to Ti West’s horrorverse as an actress fleeing a mysterious stalker and a traumatic past.

Mr. Jacquot, 77, was accused of assaulting two actresses and barred from working with minors. He has denied any wrongdoing.

The crew is back, but this time around they need to lie low. Sort of.

Akira Kurosawa’s epic has always been known for its action-film artistry, but there is emotional heft and nuance as well.

In a lightweight comedy, the actress plays a bartender who dreams of becoming an astronaut. One problem: She has no qualifications for the job.

The film director grew up in Sweden with a love of American movies. Now he would like you to see his surreal debut, “Mother, Couch,” in a theater.

An indie comedy set in an Airbnb leans into the ways we distance ourselves from one another.

Celebrated for his mastery of dialogue, he also contributed (though without credit) to the scripts of “Bonnie and Clyde” and “The Godfather.”

Eddie Murphy struggles to revive the moribund action-comedy franchise.

The star of “Ripley” and “All of Us Strangers” has become one of our most reliably excellent actors.

Still ambitious, she’s also starring in Scarlett Johansson’s directing debut. “I have always had this sense that I am going to get what I wanted.”

The model-turned-actress-turned-businesswoman is the new president of Actors’ Equity. In an interview, she explained what she’s doing there.

“Sausage Party: Foodtopia,” “Lady in the Lake,” “Love Lies Bleeding” and “Those About to Die” arrive, and “Snowpiercer” returns.

The writer and director, famous for making theatergoers squirm in their seats, says he feels most at home wherever the outsiders gather in his native city.

The breakout character was initially envisioned as a monster. But when the filmmakers saw it wasn’t working, they found their way to a softer antagonist.

David Marchese talks to the comedy legend about navigating the minefield of fame, “Family Feud” and changing Hollywood forever.

Wearing a costume from “Frozen” in daily life has become a pastime for many children who identify with the character, regardless of gender.

The actress stars in the new “Beverly Hills Cop” movie, but off-camera, she’s reading several books at once and streaming both YouTube and the Criterion Collection.

Dr. Alex Arroyo, a director of pediatric medicine in Brooklyn, gets to live out his “Star Wars” dreams, practice jujitsu and make a big mess while cooking for his family.

The French filmmaker Catherine Breillat has been exploring relationships between girls and older men since the 1970s. Her latest, “Last Summer,” flips the script.

This month’s selections include a Japanese serial-killer thriller, a Pride Month pick from Sri Lanka, a Malaysian drama about undocumented street hustlers and more.

A bunch of major titles are leaving for U.S. subscribers this month, including films by George Lucas and Ang Lee. See them while you can.

A new Balmain collection pays homage to the Disney film on a milestone anniversary. Plus, a preppy designer makes a comeback.

Even as the technology advances, stubborn stereotypes about women are re-encoded again and again.

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.

The playwright Jeremy O. Harris’s “Slave Play. Not a Movie. A Play.” wears its intellectual references on its sleeve.

“How to Come Alive With Norman Mailer” hits on an ingenious structure that avoids hagiography even as it includes friends and family.

When Zara (Joey King) realizes that her mom (Nicole Kidman) is dating her boss (Zac Efron), she tries to split them up.

“The Apprentice,” a dramatized origin story about Donald J. Trump, has faced fierce criticism from the former president and his allies.

The chills are more effective than the thrills in this prequel to the “A Quiet Place” franchise.

In the first of a projected four-film cycle, Kevin Costner revisits the western genre and U.S. history in a big, busy drama.

Few directors get as deeply under the skin as Catherine Breillat, a longtime provocateur who tests the limits of what the world thinks women should do and say and be.

In Penny Lane’s newest film, she turns the camera on herself to document her experience donating a kidney to a stranger.

This month’s picks look at a summer in Paris, a summer at the Olympics and the heat of the erotic thriller.

An endangered French aristocrat is stranded with a benighted rural family in this tragicomic fairy tale.

An ethereal, experimental new drama retells the story of the mythical Greek hero.

Jake Paltrow’s film braids three fictional stories around the 1962 execution of Adolf Eichmann, the Nazi official and war criminal.

This debut feature about a missing woman on an Oklahoma reservation is an imperfect but palpably emotional portrait of desperation and hard-won hope.

Sean Penn and Dakota Johnson outclass a humdrum script as two people who talk — and talk — in a New York City taxicab.

It’s clear that Rita’s life in rural Argentina could use a bit of magic. But her willingness to bend the truth to achieve it heralds disaster.

Michael Moore’s hit documentary isn’t a prosecutor’s brief but a political and emotional appeal, rooted in the ways in which the country’s burdens are unequally borne.

It’s been a challenge to follow the case. Here are its many twists and turns.

The singer’s over-the-top sincerity and expressiveness were once seen as irredeemably uncool. In the new documentary “I Am: Celine Dion,” they have become her superpowers.

After an accidental on-set shooting death — and two years of bitter legal combat — the movie star is about to have his day in court.

The service is an art house answer to what’s missing on some of the more popular streamers.

Irene Taylor, director of the new documentary “I Am: Celine Dion,” talks about the decision to include a grueling scene of the pop star in crisis.

Mr. Majors, who was sentenced to a year of domestic violence programming and was dropped by Marvel, is set to star in the independent thriller “Merciless.”

The Wayans brothers’ subversive comedy is smarter than you remember.

Dion’s voice made her a star. A new documentary on Amazon Prime Video brings her back to Earth, showing her intimate struggles with stiff person syndrome.

To make “Horizon,” he put his own money on the line and left “Yellowstone,” the series that revived his career — all with little Hollywood support.

The actor was playing a young Michael Jackson when Elton John spotted him. Three decades later, the new attention to his legacy is “gratifying.”

Amid challenges in Hollywood, the Academy of Motion Picture Arts and Sciences renewed its chief executive’s contract a year early.

The company’s latest internal memo about its corporate culture is more about how it expects employees to behave than what it wants to become.

In a way that’s both cathartic and devastating, Pixar’s latest portrays how anxiety can take hold, our critic writes.

In a three-decade career, he’s developed an impressive range without forgetting how to have fun.

The actor and director is turning his attention to his ambitious film series about post-Civil War America.

The British filmmaking team were maestros of Technicolor and so much more. If you don’t know their work, your favorite directors do.

Whether in the lead or a supporting role, the actor’s immense talent and range were apparent in six decades of performances.

This month’s picks include demon baby, a cursed chef and all kinds of people trapped in hellish situations.

*That’s his opinion. And yet he’s setting a new standard for what life after late-night can look like. (Hint: It’s a lot like what he did on talk shows.)

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.

The playwright Annie Baker shares the artistic influences behind her feature film debut.

This new documentary unearths footage from a World Cup event that even veteran players didn’t know about. It’s both exhilarating and infuriating.

The actor understood the range of human feeling, but he came of age when movies distrusted institutions, and that suspicion was part of his arsenal.

In a wide-ranging career (from “M*A*S*H” to “Ordinary People” to “The Hunger Games”), he could be endearing in one role, menacing in another and just plain odd in a third.

Agnieszka Holland focuses on the Polish-Belarusian border as a Syrian family tries to make it to the European Union.

A new documentary follows the Swiss tennis star from his 2022 retirement announcement to his final match.

The young directors Silvia Del Carmen Castaños and Estefanía (Beba) Contreras stargaze, watch fireworks and discuss their lives in this documentary filmed in Laredo, Texas.

The remarkable June Squibb plays a vengeful scam victim in this ludicrous action-movie spoof.

This stark psychological horror movie tracks the mental deterioration of an 18th-century peasant woman.

Yorgos Lanthimos returns with a twisted fable triptych about dominating and being dominated.

Russell Crowe stars as an actor playing an exorcist who’s battling his own demons.

Annie Baker’s debut feature film is a tiny masterpiece — a perfect coming-of-age story for both a misfit tween and her mother.

Austin Butler, Jodie Comer and Tom Hardy star in a romanticized drama about a fictional motorcycle club in the 1960s.

A new Netflix documentary explores what led to the release of Black Barbie in 1980, both celebrating her existence and recognizing her limitations.

Paul Lynde, Charles Nelson Reilly and Rip Taylor get a cursory mention in a new documentary about queer stand-up, but they were groundbreaking.

“Elvis” and “Dune” established him as a chameleonic movie star. Now, with “The Bikeriders,” something closer to the real Butler is being revealed.

The French star created characters who could be fantasies or enigmas, but they always intrigued, even when she was miscast in Hollywood.

Participants at De Niro Con in Tribeca could talk like Travis Bickle, shadowbox like Jake LaMotta or get a tattoo like Max Cady. Yes, a real tattoo.

A new Netflix documentary showcases comedy as a source of queer liberation, featuring Margaret Cho, Tig Notaro, Joel Kim Booster and more.

The visual effects supervisor, hurt in one of three recent accidents on Amazon film sets, has sued, but the company says it is not to blame.

Speculative science fiction, period drama and sly thrillers are among this month’s off-the-beaten-path recommendations from your subscription streamers.

This quick quiz challenges you to identify a film’s source material based on a photo. Click here to play!

“Merrily We Roll Along” is Radcliffe’s fifth show on Broadway, but the first for which he was even nominated for a Tony Award.

The sequel was expected to collect at least $155 million in the United States and Canada over the weekend, about 70 percent more than anticipated.

Back in New York City after filming a movie, the actress has been racing to shows while also rehearsing for Sunday night’s ceremony.

“Firebrand” focuses on his sixth spouse as she tries to outlast the ailing king and his treacherous court. “I thought of it as a thriller,” the director says.

In his decade at ABC, long the doormat network in prime time, he helped guide it toward the No. 1 spot. He later produced “Nashville” and won an Emmy for “Friendly Fire.”

A new emotion has taken over Riley’s teenage mind. And she has lessons for us all.

This month’s picks include bruised bodies and bruised male egos.

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.

The director Kelsey Mann narrates a sequence from his film, which pits Joy (voiced by Amy Poehler) against Anxiety (Maya Hawke).