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T Magazine

T's Oct. 2 Design & Luxury Issue

Highlights

  1. For New Yorkers, 6 p.m. Is the New 8 p.m.

    Why are restaurants in the city filling up at hours that were once unfashionably early?

     By Rachel Sugar and Jane Dickson

    Jane Dickson’s “Odeon” (2022). Since the 1970s, for her series “Times Square & the City at Night,” the New York-based artist has depicted iconic venues and their signage by visiting them after dark; for this version, made exclusively for T, she stopped by the Odeon in TriBeCa during its now-bustling twilight hours.
    CreditPhoto by Jeffrey Sturges
    Notes on the Culture

  2. In Malibu, an Inflatable Bungalow for Robert Downey Jr.

    The actor’s thin-shell home is at once an aerodynamic oddity and, perhaps, a harbinger of environmentally conscious architecture.

     By Nick Haramis and Joyce Kim

    The Downeys’ 6,500-square-foot Binishell nearly disappears into the surrounding landscape.
    CreditJoyce Kim
    By Design

  3. A Tangier House Is Given New Life, and an Extension

    An English creative revived and expanded a once-crumbling Moroccan building next to her family’s ancestral home.

     By Nancy Hass and Ana Cuba

    In the living room of Sarah Wheeler’s Tangier, Morocco, home, palm fronds and a textile fragment from Ghana above a fireplace clad in a collection of 19th-century Moroccan, Spanish and Turkish tiles face chairs and sofas upholstered in a patchwork of antique French fabrics.
    CreditAna Cuba
    by design

  4. A Sprawling Connecticut Estate Embraces the Wild

    The British landscape designer Dan Pearson has created a uniquely connected ecosystem that dances between cultivation and wilderness.

     By Nancy Hass and Ngoc Minh Ngo

    The meadow behind Robin Hill, Susan Sheehan and John O’Callaghan’s neo-Georgian mansion in Norfolk, Conn., is carefully managed for biodiversity and the enrichment of North American native species.
    CreditNgoc Minh Ngo

  5. The Kashmiri Chef Foraging on Precarious Soil

    For Prateek Sadhu, gathering native ingredients in the conflict zone where he grew up is the only way of asserting Kashmir’s tenuous place in the world.

     By Ligaya Mishan and Anu Kumar

    The chef Prateek Sadhu carrying his haul through the Kashmiri wilderness.
    CreditAnu Kumar
    Food Matters

  1. The Optimistic Art of Mary Mattingly

    The artist’s work addresses future climate crises while attempting to make the urban environment a better place to live right now.

     By Zoë Lescaze

    The artist Mary Mattingly, photographed at the site of one of her projects on Governors Island in New York City on July 11, 2022.
    CreditEmiliano Granado
    Arts and Letters

  2. An Interior Designer’s Los Angeles Home Is Also Her Laboratory

    In renovating her family’s house, Sally Breer moved nearly every wall to create a space that is both modern and kid-friendly.

     By Kurt Soller and Joyce Kim

    In the primary bedroom of the interior designer Sally Breer’s Los Angeles home, a 1970s leather love seat by Ubald Klug for De Sede, a concrete-and-brass three-legged coffee table by Material Forms, a mirror with a ceramic detail by Floris Wubben from the Future Perfect and, next to the fireplace, a stoneware and terra sigillata sculpture by Maria Moyer.
    CreditJoyce Kim
    At Home

  3. Australian Floral Designs That, at Long Last, Embrace Australian Flora

    In a land where unique species thrive, local florists are developing a gloriously twisted aesthetic all their own.

     By Besha Rodell and Victoria Zschommler

    CreditPhotograph by Victoria Zschommler. Set design by Mariska Lowri
    making it

  4. What Does Cultural Appropriation Really Mean?

    And as accusations of improper borrowing increase, what is at stake when boundaries of collective identity are crossed?

     By Ligaya Mishan

    Kaphar’s “Shifting the Gaze” (2017).
    Credit© Titus Kaphar. Photo: Christopher Gardner. Courtesy the artist and Gagosian
    social studies

  5. Unconventional Urns That Go Beyond Solemnity

    Following a period of great loss, how we talk about death has changed — so, too, has the way we think it should look.

     By Isabel Ling

    Clockwise from top left: cinerary urns in ceramic and marble by the artists Jennie Jieun Lee; John Booth; Bari Ziperstein; and Diego Perrone and Andrea Sala.
    CreditPhotograph by Mari Maeda and Yuji Oboshi. Set design by Victoria Petro-Conroy. Clockwise from top left: courtesy of Farrington Mortuary; courtesy of House of Voltaire/Studio Voltaire; courtesy of Bzippy and Sparrow; courtesy of Urne.Rip
    traditions

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