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T’s March 24 Design Issue

Highlights

  1. Fashions for the Future

    Today, designers’ visions are dark and sparse, hinting at some shadow of the truth. But not so long ago, the view was far less gloomy.

     By

    CreditColin Dodgson
  1. A Landscape Designer’s Wild Garden

    At her Long Island home, Deborah Nevins finds respite from the opulent environments she’s celebrated for creating.

     By

    The house was oriented toward mature cedar and oak trees.
    CreditChristopher Sturman
  2. The Pioneers of Postmodern Dance, 60 Years Later

    The movement upended all notions of what the form could be. Today, it’s still shaping how we see the world around us.

     By

    From left: Lucinda Childs, Yvonne Rainer and Deborah Hay, photographed at a dance studio in downtown Manhattan in February, 57 years after the first Concert of Dance at the Judson Memorial Church in Greenwich Village, which, from 1960 to 1964, served as a stage for avant-garde movement.
    CreditLuke Paige
    Social Studies
  3. Max Mara’s Creative Director on His Punk Past and Nancy Pelosi’s Coat

    Ian Griffiths won a student competition to work at the Italian fashion house in 1987 and has remained there ever since.

     By

    CreditPortrait by Anders Christian Madsen, artwork by Richmond Burton, “Thought Plane Assembly 1,” 1990-91, oil on canvas and wood © the artist, courtesy of Collezione Maramotti, Reggio Emilia
    Profile in Style
  4. Why Baltimore Persists as a Cultural Beacon

    The city (population 600,000) has produced an eclectic variety of artists, including John Waters, Joyce J. Scott, David Simon and Abdu Ali.

     By

    Three of the most iconic bards of Baltimore (from left): the writer and director John Waters, the novelist Anne Tyler and the television writer and producer David Simon. Each broke important ground in defining the city to a larger audience.
    CreditMatt Lipps
    Notes on the Culture
  5. T’s Design Issue: In Context

    As long as there are humans, there will be art — and nothing will ever stop us from trying to make our lives more beautiful.

     By

    The medieval Castello di Potentino, a dilapidated fortress in the Italian countryside revitalized by Charlotte Horton and her family, is featured in T’s March 24 Design issue.
    CreditPhotograph by Henry Bourne. Photo assistant: Kensington Leverne
    Letter from the Editor

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  1. Life, the Etruscan Way

    Inside the dilapidated fortress in the Italian countryside revitalized by Charlotte Horton and her family.

     
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  4. Of a Kind

    A Jewelry Designer’s Opals, Illustrated

    The creative director for Dior fine jewelry, Victoire de Castellane, became captivated by the stone at age 6 upon seeing one of her grandmother’s rings.

    By John Wogan and Illustrations by Aurore de La Morinerie

     
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