T’s Aug. 19 Women’s Fashion Issue

Highlights

Fall Fashion: The Shape of Things to Come, Starring the Season’s Freshest Faces
For T’s latest cover story, the models of the moment try on a mix of supersize streetwear and pumped-up couture details.

CreditPhotograph by Willy Vanderperre. Styled by Alastair McKimm
These Actresses Dominate Not Just the Stage, but the Screen Too
The most memorable performances in any medium are being given by a remarkable group of industry veterans — Judith Light, Allison Janney and Audra McDonald, among them.
By Jon Robin Baitz
CreditPhotographs by David Hilliard. Styled by Haidee Findlay-Levin
Money for Sale, Heroin-Injected Lasagna: How One Artist Is Defining Our Era
As playful as he is provocative, Darren Bader interrogates the meaning of art itself. Plus, four works he created exclusively for T.
By Nikil Saval
CreditDomingo Milella
‘A Dress Is Like a Passaporto, No?’ Welcome to Pierpaolo Piccioli’s Valentino
The newish, low-profile creative director of the storied fashion house has managed to honor its legacy while making it completely, and refreshingly, his own.
By Megan O’Grady
CreditPhotograph by Johnny Dufort. Styled by Suzanne Koller

Fall Fashion: The New Take on Dressing Smart
Lace-embellished separates, oversize knits and tweed suiting combine to create looks for the woman deep in thought.

CreditPhotograph by Harley Weir. Styled by Suzanne Koller
How Le Corbusier Became Big in Japan
His legacy seems to be one building in Tokyo. But most of the country’s Modernism can be traced back to him — and the struggle to place his ideas into Japanese identity.
By Nikil Saval
CreditAnthony Cotsifas
Oscar Niemeyer Defined Modern Brazil. Now, an Artist Is Rethinking One of His Houses.
Set against the dramatic hills of Rio de Janeiro, Adriana Varejão’s recently renovated home brings the architect’s vision to startling new life.
By Thessaly La Force
CreditStefan Ruiz
Reviving a Centuries-Old Japanese Confectionery Art
Amezaiku, a candy-making technique that calls for sculpting molten sugar syrup, nearly went extinct. Now, it’s seeing new life among a dedicated group of Tokyo craftsmen.
By Ligaya Mishan
CreditPhotograph by François Coquerel. Styled by Theresa Rivera
T’s Fall Women’s Fashion Issue: An Education
A successful magazine is a collection of disparate personalities with disparate interests who are all trying to tell stories using the language in which they are most fluent.
By Hanya Yanagihara
CreditArtwork by Andrew Kuo
Letter From the Editor

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People, Places and Things to Know: London’s Fashion Rebels, Animal-Print Accessories and More
T’s cultural compendium of what’s new.
A Guide to Rio de Janeiro’s Coastal Cool
From historical gardens to feats of Modernist architecture, what to see and where to stay in the beloved Brazilian city.
By Thessaly La Force
TimesVideo
The Scalding, Hands-On Art of Amezaiku
Watch the Japanese candy artist Shinri Tezuka create a lifelike goldfish out of blistering hot sugar syrup in his Tokyo studio.
By Beige
A Midcentury Modern House Where You Can Browse Clothes and Linger by the Pool
The women’s wear line Co has taken up in the Fitzpatrick-Leland house, designed by Rudolph M. Schindler, in Laurel Canyon.
By Kate Guadagnino
A Contemplative State
Beaded pantsuits, high collars and other looks to fit a woman deep in thought.
Notes on the Culture
Keanu Reeves Is Doing a New Thing: Publishing Books
The actor and his business partner, the visual artist Alexandra Grant, have created X Artists’ Books, an imprint full of esoteric titles.
By Max Lakin
In Studio
In the Studio With a Pair of Ethical Taxidermists
Outside of Amsterdam, Jaap Sinke and Ferry van Tongeren make magic in their mad-scientist lab.
By Stephen Heyman
The Shape of Things to Come
Voluminous proportions for fall, layered for maximal impact.
Inside Angela Missoni’s Rainbow-Colored World
The Italian designer has a photographic memory of every fabric, look and accessory that her family’s brand has ever made.
By Lindsay Talbot
On Architecture
In Zurich, a Building That Dances
An architect takes the concept of a mechanized, movable structure in a colorful new direction.
By Fred A. Bernstein