Sharp Men’s Wear Silhouettes, Tailored for the Female Form
We photographed the season’s crisp shirting and men’s-style suiting for the cover of T’s new Women’s Fashion issue.
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We photographed the season’s crisp shirting and men’s-style suiting for the cover of T’s new Women’s Fashion issue.
The Japanese designer has developed a singular, theatrical vision. T goes inside his strange, beautiful world.
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Borders of all kinds have become touchstones for a new crop of artists.
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When paired with tough boots or crisp shirting, these pieces can carry you through the fall season.
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An Architect and an Artist Walk Into a Barn
On a former horse farm in New Jersey, Frank Gehry built Cai Guo-Qiang’s dream home.
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One writer considers wagashi, Japanese tea-ceremony treats, as bittersweet pleasures for stressful times.
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Memphis in Paris: A Classic French Home Filled With Sottsass
The late designer may be finally getting his due, but his most passionate collector refuses to take him too seriously — just as Sottsass himself would have wanted.
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Just a handful of Europe's rattan ateliers are still in operation. The three finest have been weaving furniture according to ancient techniques for the last hundred years.
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Of all the ways in which art and design test our understanding of the world, one of the most important is how they make us question what exactly beauty is.
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A visual diary in celebration of the melancholy of things that cannot stay, like the sweet ache of summer’s end.
In T’s Fall Women’s issue, we celebrate the beauty of impermanence.
From sketch to explosion, a close look at the artist Cai Guo-Qiang's process.
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This season, oversize carryalls with subtle details and shapely construction are practical magic.
How the shoot and story came together with the enigmatic Japanese designer of Undercover.
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Judy Chicago gets her due, painted earrings, Coqui Coqui in Bora Bora — and more.
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Behind the scenes at a photo shoot in Tokyo with the designer Jun Takahashi of Undercover.
By Niels Alpert and Philip-Lorca Dicorcia
This season’s sharp men’s wear silhouettes are tailored to fit the female form.
The sculptures tend to appear at moments of political turmoil and social upheaval. But they don’t exactly symbolize defeat.
By Christine Smallwood
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