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The Magazine

November 20, 2023

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Goings On

The Food Scene

Nigerian Food with a Little Times Square Glitz

If you can handle the night-club vibes at Lagos TSQ, you’ll be rewarded with a bold celebration of West African cuisine.
Goings On

The Splendid Notebooks of Picasso

Also: “The Curse,” Bob Dylan, Spike Lee, and more.

The Talk of the Town

Benjamin Wallace-Wells on Biden’s poll numbers; a delegation of Israeli survivors; costuming Malcolm X; Leonard Bernstein’s children; the art of the uniform.

In Uniform

Stan Herman, the People’s Designer

The nonagenarian, whose vast uniform portfolio includes McDonald’s and FedEx, inspects new work for the Central Park Conservancy and for Bryant Park’s bathroom attendants.
The Pictures

Lenny’s Offspring Like the Nose

Jamie, Alexander, and Nina Bernstein compare notes on “Maestro,” Bradley Cooper’s film about their dad.
High Note Dept.

Dressing Malcolm X (and a Chorus of Time Travellers)

Dede Ayite, the costume designer for the Metropolitan Opera’s biographical production, drew inspiration from Miss Universe and Cameroonian royals.
Comment

A Week of Good and Bad News for Joe Biden

Could it really be the case that voters want what the Democrats are offering, while recoiling from their President?
L.A. Postcard

L.A. Hosts a Delegation of Survivors from Israel and Families of Hostages

While listening to the harrowing stories of visitors, a movie producer said, “Degrees of Judaism disappear in these moments.”

Reporting & Essays

Onward and Upward with Technology

Holly Herndon’s Infinite Art

The artist and musician uses machine learning to make strange, playful work. She also advocates for artists’ autonomy in a world shaped by A.I.
Annals of Law Enforcement

Does A.I. Lead Police to Ignore Contradictory Evidence?

Too often, a facial-recognition search represents virtually the entirety of a police investigation.
Profiles

Why the Godfather of A.I. Fears What He’s Built

Geoffrey Hinton has spent a lifetime teaching computers to learn. Now he worries that artificial brains are better than ours.
Personal History

A Coder Considers the Waning Days of the Craft

Coding has always felt to me like an endlessly deep and rich domain. Now I find myself wanting to write a eulogy for it.

Shouts & Murmurs

Shouts & Murmurs

Dear Parents

Fiction

Fiction

According to Alice

If I saw my mother, I would cry. Why wouldn’t I? She doesn’t think of me as a computer. She loves me unconditionally.

The Critics

Musical Events

Secrets of the East German Oboe Underground

Oboists rarely strike out on their own. James Austin Smith’s recent program at Brooklyn’s National Sawdust—pieces culled entirely from the vaults of the German Democratic Republic—was a true solo mission.
Books

The War on Charlie Chaplin

He was one of the world’s most celebrated and beloved stars. Then his adopted country turned against him.
A Critic at Large

The Sphere and Our “Immersion” Complex

The concept has become ubiquitous in art and entertainment. But is it about capturing our attention—or deceiving it?
Books

Briefly Noted Book Reviews

“Flee North,” “Mapping the Darkness,” “A Council of Dolls,” and “January.”
Books

What the Doomsayers Get Wrong About Deepfakes

Experts have warned that utterly realistic A.I.-generated videos might wreak havoc through deception. What’s happened is troubling in a different way.
On Television

“The Curse” Holds a Mirror Up to Marriage

The new Showtime series, starring Nathan Fielder and Emma Stone, takes aim at everything from reality television to white-liberal virtue signalling—but it works best as the study of an unhappy couple.
The Theatre

Off Off Broadway Serves Up Comedy Three Ways

“FOOD,” “Redwood,” and “Faust (The Broken Show)” mask serious intent behind laughter.

Poems

Poems

Gonzo

Poems

The Keep

Cartoons

1/16

Cartoon by Adam Douglas Thompson

Cartoon Caption Contest

Puzzles & Games Dept.

Crossword

The Crossword: Wednesday, November 8, 2023

A lightly challenging puzzle.
The Mail
Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.