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“May we simply declare that no one has ever composed for jazz the way Rebecca Trescher does?” (Frankfurter Allgemeine Zeitung)
Rebecca Trescher was born in Tübingen in 1986. She lives and works as a freelance composer, clarinetist, and bandleader in Nuremberg and Berlin. Driven by boundless curiosity and the joy of experimenting with both jazz and symphonic contemporary music, she has acquired an outstanding reputation in the German and international jazz scene. Her compositional ideas are closely related to nature: her music is both grounded and ethereal. Her role models include musicians as varied as Björk, Bob Brookmeyer, Miles Davis, Gil Evans, Radiohead, Maurice Ravel, Wayne Shorter, Igor Stravinsky, and Questlove. In her compositions, Trescher creates a unique sound world that is associative and organic rather than provocative. Critics and audiences alike have been fascinated by her ability to use only a few notes to transform a serene musical atmosphere into poetic arcs of tension at a symphonic scale.
Rebecca Trescher is a frequent guest at prominent festivals. Her concerts are regularly recorded and streamed by the Bavarian Radio and Arte. On international concert stages, she performs most frequently with the Rebecca Trescher Tentet and the Rebecca Trescher Quartet, but also as a soloist and as a duo with the Greek guitarist Giorgos Tabakis. She has received numerous prizes and scholarships, including the German Jazz Prize for “Composition of the Year 2022”. In that same year, she won DownBeat magazine’s international critics’ poll as “Rising Star Clarinet”.
About „Character Pieces“
At high altitudes, it’s comforting when a melody inspires trust. Wild dreams begin peacefully. Cloud travelers move forward with uneven meters. But what would a night without harp be like? Layer by layer, new and constantly changing vistas open. In the riverbed, wild frothing waters run deep. And what is the mustard maker doing?
In the character pieces that Rebecca Trescher composed for her Tentet, there is much to hear, to experience, to think about. Subtly orchestrated symphonic sound colors merge into one another. Arcs of tension stretch to the horizon, full of intensifications, changes of direction, and rhythmic transformations. All of this is interspersed with spaces for improvisation as well as seamless transitions between combo passages and multi-voiced activity – always with great clarity. Rebecca Trescher plays the clarinet and loves melodies. Melodies are not linear. In the contexts where she employs them, they have a shimmering ambiguity. Trescher’s Tentet is an experienced team. Every member contributed an idea to this project. The bandleader used these ideas to make something of her own and returned them to the group, where the material fell on fertile soil – the result of the group’s years of working together.
When the players improvise, they are not necessarily playing jazz. Every member of the group is able to take on a constantly shifting array of roles, languages, and personal characteristics. Each player contributes their own version of the developing collective narrative, and all of these paths point in the same direction.
In Rebecca Trescher’s music, things are never as one might expect. No trusted formulas, no predictable changes, no hastily constructed comfort zone. It’s more complex. Always. A number of people, musical approaches, ideas, and dynamic or rhythmic proclivities are consistently involved, often simultaneously. And everything is significant.
Band:
Rebecca Trescher – Clarinet, Bass Clarinet, Composition, Arrangement, Conception
Julian Hesse – Trumpet, Flugelhorn
Joachim Lenhardt – Tenor Saxophone, Flute
Markus Harm – Alto Saxophone, Soprano Saxophone, Clarinet
Anton Mangold – Concert Harp, Alto Saxophone, Flute
Juri Kannheiser – Cello
Andreas Feith – Piano
Roland Neffe – Vibraphone
Christian Diener – Double Bass
Silvio Morger – Drums
Includes unlimited streaming of Rebecca Trescher Tentet | Character Pieces
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
...more
“May we simply declare that no one has ever composed for jazz the way Rebecca Trescher does?” (Frankfurter Allgemeine Zeitung)
Rebecca Trescher was born in Tübingen in 1986. She lives and works as a freelance composer, clarinetist, and bandleader in Nuremberg and Berlin. Driven by boundless curiosity and the joy of experimenting with both jazz and symphonic contemporary music, she has acquired an outstanding reputation in the German and international jazz scene. Her compositional ideas are closely related to nature: her music is both grounded and ethereal. Her role models include musicians as varied as Björk, Bob Brookmeyer, Miles Davis, Gil Evans, Radiohead, Maurice Ravel, Wayne Shorter, Igor Stravinsky, and Questlove. In her compositions, Trescher creates a unique sound world that is associative and organic rather than provocative. Critics and audiences alike have been fascinated by her ability to use only a few notes to transform a serene musical atmosphere into poetic arcs of tension at a symphonic scale.
Rebecca Trescher is a frequent guest at prominent festivals. Her concerts are regularly recorded and streamed by the Bavarian Radio and Arte. On international concert stages, she performs most frequently with the Rebecca Trescher Tentet and the Rebecca Trescher Quartet, but also as a soloist and as a duo with the Greek guitarist Giorgos Tabakis. She has received numerous prizes and scholarships, including the German Jazz Prize for “Composition of the Year 2022”. In that same year, she won DownBeat magazine’s international critics’ poll as “Rising Star Clarinet”.
About „Character Pieces“
At high altitudes, it’s comforting when a melody inspires trust. Wild dreams begin peacefully. Cloud travelers move forward with uneven meters. But what would a night without harp be like? Layer by layer, new and constantly changing vistas open. In the riverbed, wild frothing waters run deep. And what is the mustard maker doing?
In the character pieces that Rebecca Trescher composed for her Tentet, there is much to hear, to experience, to think about. Subtly orchestrated symphonic sound colors merge into one another. Arcs of tension stretch to the horizon, full of intensifications, changes of direction, and rhythmic transformations. All of this is interspersed with spaces for improvisation as well as seamless transitions between combo passages and multi-voiced activity – always with great clarity. Rebecca Trescher plays the clarinet and loves melodies. Melodies are not linear. In the contexts where she employs them, they have a shimmering ambiguity. Trescher’s Tentet is an experienced team. Every member contributed an idea to this project. The bandleader used these ideas to make something of her own and returned them to the group, where the material fell on fertile soil – the result of the group’s years of working together.
When the players improvise, they are not necessarily playing jazz. Every member of the group is able to take on a constantly shifting array of roles, languages, and personal characteristics. Each player contributes their own version of the developing collective narrative, and all of these paths point in the same direction.
In Rebecca Trescher’s music, things are never as one might expect. No trusted formulas, no predictable changes, no hastily constructed comfort zone. It’s more complex. Always. A number of people, musical approaches, ideas, and dynamic or rhythmic proclivities are consistently involved, often simultaneously. And everything is significant.
credits
released May 3, 2024
Band:
Rebecca Trescher – Clarinet, Bass Clarinet, Composition, Arrangement, Conception
Julian Hesse – Trumpet, Flugelhorn
Joachim Lenhardt – Tenor Saxophone, Flute
Markus Harm – Alto Saxophone, Soprano Saxophone, Clarinet
Anton Mangold – Concert Harp, Alto Saxophone, Flute
Juri Kannheiser – Cello
Andreas Feith – Piano
Roland Neffe – Vibraphone
Christian Diener – Double Bass
Silvio Morger – Drums
supported by 10 fans who also own “Rebecca Trescher Tentet | Character Pieces”
Unlike any other. Its feel is both reflective and down to earth, and the compositions are easily differentiated despite their relative shortness. Not only a pleasure to listen to, this album is rhythmically complex, but not in a maddening, hard to process way. Also, very clever album title. ianjworsomething
supported by 9 fans who also own “Rebecca Trescher Tentet | Character Pieces”
Mary Halvorson is a genius composer and guitarist who has developed her own musical language, and with Code Girl she has incorporated poetry into that language. Incredible compositions and lyricism (each track is a different kind of poem). Halvorson's playing is as great as usual, and all the other members of the band sound great. Robert Wyatt's singing in particular works extremely well in the tracks he's featured. Highly, highly recommend. rat
