Just a quick question.
Can I use 2/4 with triplets instead of 6/8; will I get the same groove?
I guess the only difference is that in the case of 2/4, my second down beat would be more accented than the second one in 6/8?
Just a quick question.
Can I use 2/4 with triplets instead of 6/8; will I get the same groove?
I guess the only difference is that in the case of 2/4, my second down beat would be more accented than the second one in 6/8?
2/4 with triplets is 6/8!!
If you mean the 2nd downbeat (the 2nd beat in 2/4 or the 4th sub-beat in 6/8), then, yes, they will have the same weight �� not quite as much emphasis as the actual 1st downbeat in the bar.
Marching pieces are often written in 2/4 (L, R) but are also found in 6/8, where beats 1 and 4 are the L and R. So, basically the same. It may also depend upon what other sub-divisions you have in the bars. Were there many triplets needed, then it would make more sense to write it all out in 6/8; otherwise, if only a few, 2/4 would suffice.
Yes, 2/4 with triplets is precisely equivalent to 6/8.
Not sure what you mean by 'second down beat'? There's only one down beat in a bar. But there's no reason to assume the second beat would be stronger in 2/4 than in 6/8.
There may be cultural connotations due to famous pieces being written in a certain time signature. Beethoven's 'Pastoral' symphony is notated in 6/8, his 'Moonlight' sonata is notated in triplets. But there are 6/8 military marches too! YOUR music won't be weakened by choosing the 'wrong' time signature.