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The War at Sea from Hawaii to Malaya

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The War at Sea from Hawaii to Malaya
Theatrical release poster
Directed byKajiro Yamamoto
Special effects byEiji Tsuburaya
Written byKajiro Yamamoto
Produced byNobuyoshi Morita
StarringKaoru Ito
Susumu Fujita
Akitake Kohno
Setsuko Hara
CinematographyAkira Mimura
Mitsuo Miura
Edited byFusao Hata
Music bySeiichi Suzuki
Production
company
Distributed byFilm Distribution Corporation [ja]
Release date
  • December 3, 1942 (1942-12-03) (Japan)
Running time
117 minutes
CountryJapan
LanguageJapanese
Budget¥1 million[1][a]

The War at Sea from Hawaii to Malaya (Japanese: ハワイ・マレー沖海戦, Hepburn: Hawai Mare Oki Kaisen) is a 1942 Japanese epic war film directed by Kajiro Yamamoto, with special effects by Eiji Tsuburaya. Produced by Toho and distributed by Film Distribution Corporation [ja], the film is propaganda produced with support from the Navy Ministry that was intended to influence the Japanese public into believing they could prevail in the Pacific War.

The military reportedly converted the idea of a documentary film on the attack on Pearl Harbor that featured special effects since it was difficult to record footage of the attack. Prior to the attack and Japan's subsequent entry into World War II, an Imperial Japanese Navy official met Tsuburaya and requested the production of a film about the attack as soon as possible when the war broke out. Production took place from May to November 1942, on a record breaking budget of ¥770,000.

The War at Sea from Hawaii to Malaya was released on December 3, 1942, to critical acclaim. The film won Kinema Junpo's Best Picture Award and Tsuburaya received an award for his special effects. Reportedly viewed by 100 million people in Japan and its occupied territories, it became the highest-grossing film in the history of Japanese cinema upon its distribution.

Plot

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Full film with English subtitles.

In 1936, Imperial Japanese Navy pilot Tadaaki Tachibana visits his aunt's farm, where younger cousin Yoshikazu Tomoda expresses his wish to become a pilot. Tadaaki encourages Yoshikazu only after challenging him to a cliff jump.

Yoshikazu undergoes basic training from 1937, participating in rowing, kendō, wrestling, and rugby. His drill instructor introduces the notion of facing adversity with the proper "spirit". One morning, the Marco Polo Bridge Incident is reported in the cadets' newspaper. The cadets intensify their training as the events of the Second Sino-Japanese War and the Second World War in Europe unfold. Their drill instructor declares that the situation in China may only be resolved through the defeat of the United States and the British Empire.

After a brief visit to his family, Yoshikazu progresses to training as a fighter pilot. He experiences survivor guilt when another cadet dies during a training exercise aboard an aircraft carrier. Tadaaki advises him not to give up his training, citing his own experiences in the military. Yoshikazu's sister Kikuko is concerned about the explosion of a world war, but informs him that their mother has accepted his decision to fight.

In late 1941, Yoshikazu is among those aboard an aircraft carrier destined for Pearl Harbor, although their mission is not immediately clear. As the pilots prepare for the attack, the officers listen for results over an American radio station. The mission is portrayed as a success: the torpedoes hit their intended target ships, and reinforcements engage in a dogfight with USAAF fighter planes. However, in a "precious sacrifice", one damaged Japanese plane crashes into an American hangar.

Meanwhile in Japanese-occupied French Indochina, a separate unit receives a briefing concerning the movements of HMS Repulse and HMS Prince of Wales. An initial attempt to bomb the ships during their nighttime departure from Singapore is aborted. Despite the ships leaving the range of the bombers, their crews are instructed to re-attempt the mission. The crew of one bomber, acknowledging that they lack the fuel to return home, proceeds with the attack on the British fleet. This mission too is successful, although the Prince of Wales incidentally sinks after the bomber runs out of ammunition.

Yoshikazu's family listens to a report of the attack on the radio, as do the officers aboard the aircraft carrier. One officer expresses his pleasure at Japan's strategic position.

Cast

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Production

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Preproduction

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Before Japan officially entered the war on the same day as the Pearl Harbor attack, Michibu Navy Major Shōichi Hamada reportedly met Tsuburaya and requested the production of a film about the attack as soon as possible when the war broke out.

Filming

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Film making; miniature set of the Pearl Harbor and American warships

Hawai Mare oki kaisen was the most costly film made in Japan up to that time, costing over $380,000, when a typical film cost no more than $40,000.[4][5] It used special effects and miniature models to create realistic battle scenes. These were intercut with genuine newsreel material to make the appearance of a documentary. The film was released during the week of the first anniversary of the Japanese attack on Pearl Harbor.

The special effects are by Eiji Tsuburaya.[6]

Reception

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Box office

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Within its first eight days at the Japanese box office, the film had grossed ¥1,115,000.[3] According to Toho, it was viewed by 100 million people in Japan and the country's occupied territories.[7]

Critical response

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Joseph L. Anderson comments that Hawai Mare oki kaisen was "representative of the national-policy films", with the aim of dramatizing "the Navy Spirit as culminated at Pearl Harbor." Critics at the time considered it the best film of 1942.[4]

Douglas MacArthur's response

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The War at Sea from Hawaii to Malaya was confiscated by Supreme Command Allied Powers after the war, who mistook it for genuine news footage of the attack, and it was released by Movietone as such.[4][5]

Accolades

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Award Category Recipient(s) Result Ref(s)
Kinema Junpo Awards Best Picture Award The War at Sea from Hawaii to Malaya Won [8]
Japan Motion Picture Cinematographers Association Visual Effects Eiji Tsuburaya Won [8]

See also

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Notes

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  1. ^ The film had a production budget of ¥770,000, with advertising costing an additional ¥150,000.[2][3] Joseph L. Anderson stated that its budget was over US$380,000.[4]

References

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  1. ^ 映画渡世・地の巻 マキノ雅弘自伝 [Film Passage: Earth Volume: Autobiography of Masahiro Makino] (in Japanese). Heibonsha. 2002. ISBN 978-4582282023.
  2. ^ Tanaka, Jun'ichirō (1957). 日本映画発逹史 [History of the Origin of Japanese Cinema] (in Japanese). Vol. 2. Chuokoron-Shinsha. p. 322.
  3. ^ a b Hirano, Kyōko (20 January 1998). 天皇と接吻 アメリカ占領下の日本映画検閲 [The Emperor and the Kiss: Japanese Film Censorship Under U.S. Occupation] (in Japanese). 草思社. p. 327. ISBN 9784794207760.
  4. ^ a b c d Anderson, Joseph L. (1982). The Japanese Film: Art and Industry. Princeton University Press. p. 131. ISBN 0-691-00792-6.
  5. ^ a b McDonald, Jason (2007). "Hawai Mare Oki Kaisen". Retrieved 11 March 2015.
  6. ^ IMDB: Cast. Accessed 19 January 2009
  7. ^ Ryfle, Steve; Godziszewski, Ed (2017). Ishiro Honda: A Life in Film, from Godzilla to Kurosawa. Wesleyan University Press. p. 30. ISBN 9780819570871.
  8. ^ a b Ragone, August (6 May 2014). Eiji Tsuburaya: Master of Monsters (paperback ed.). Chronicle Books. p. 28. ISBN 978-1-4521-3539-7.
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