The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began on January 1, 1980, and ended on December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 40.4 million people (). Global warming theory began to spread within the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
The Iran–Contra affair (Persian: ماجرای ایران-کنترا; Spanish: Caso Irán-Contra), often referred to as the Iran–Contra scandal and more rarely as the Iran Initiative, was a political scandal in the United States that occurred during the second term of the Reagan administration. Between 1981 and 1986, senior administration officials secretly facilitated the illegal sale of arms to Iran, which was subject to an arms embargo at the time. The administration hoped to use the proceeds of the arms sale to fund the Contras, an anti-Sandinista rebel group in Nicaragua. Under the Boland Amendment, further funding of the Contras by legislative appropriations was prohibited by Congress, but the Reagan administration figured out a loophole by secretively using non-appropriated funds instead.
The official justification for the arms shipments was that they were part of an operation to free seven US hostages being held in Lebanon by Hezbollah, an Islamist paramilitary group with Iranian ties connected to the Islamic Revolutionary Guard Corps. The idea to exchange arms for hostages was proposed by Manucher Ghorbanifar, an expatriate Iranian arms dealer. Some within the Reagan administration hoped the sales would influence Iran to get Hezbollah to release the hostages. (Full article...)
... that according to one reviewer, the problems that may have prompted the publication of Schooling and the Struggle for Public Life in the 1980s had "only gotten worse" by 2005?
Due to family influences, Mitterrand started his political life on the Catholic nationalist right. He served under the Vichy regime during its earlier years. Subsequently he joined the Resistance, moved to the left, and held ministerial office several times under the Fourth Republic. Mitterrand opposed Charles de Gaulle's establishment of the Fifth Republic. Although at times a politically isolated figure, he outmanoeuvered rivals to become the left's standard bearer in the 1965 and 1974 presidential elections, before being elected president in the 1981 presidential election. He was re-elected in 1988 and remained in office until 1995. (Full article...)
Image 2The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 4The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 5Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Ideas for the film began when Reiner and Penny Marshall divorced. An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards from Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. (Full article...)
Walt Disney Pictures purchased the film rights for the story in 1981. Price and Seaman wrote two drafts of the script before Disney brought in executive producer Steven Spielberg and his production company, Amblin Entertainment. Zemeckis was brought on to direct, and Canadian animator Richard Williams was hired to supervise the animation sequences. Production was moved from Los Angeles to Elstree Studios in England to accommodate Williams and his group of animators. While filming, the production budget rapidly expanded, and the shooting schedule ran longer than expected. (Full article...)
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Moodu Pani (English: The Mist) is a 1980 Indian Tamil-language psychological thriller film written, directed and filmed by Balu Mahendra. Starring his then wife Shoba and Pratap, with N. Viswanathan, Gandhimathi, Mohan and Bhanu Chander in supporting roles, it is based on two novels: Idhuvum Oru Viduthalai Thaan (1978) by Rajendra Kumar, and The Collector (1963) by John Fowles. The film follows Chandru (Pratap), who has a strong hatred towards prostitutes and would kill any such woman he encounters. He falls in love with Rekha (Shoba) and believes marrying her will end his psychological distress.
Moodu Pani was the third directorial venture of Mahendra and his second in Tamil after Azhiyatha Kolangal (1979). It also marked Mohan's debut in Tamil cinema, and the last film Shoba acted in before her death. Principal photography took place between January and April 1980, mostly in Udupi, Bangalore and Ooty. The film's similarities to Alfred Hitchcock's film Psycho (1960) have been widely discussed. The soundtrack was composed by Ilaiyaraaja, this being his 100th film, and his brother Gangai Amaran was the main lyricist. (Full article...)
Inchon's plot includes both military action and human drama. Characters face danger and are involved in various personal and dramatic situations. The film concludes with the American victory over North Korean forces in the Battle of Inchon, which is considered to have saved South Korea. Produced on $46 million with filming taking place in South Korea, California, Italy, Ireland and Japan, it encountered many problems during production, including a typhoon and the death of a cast member. Both the Unification movement and the United States military provided personnel as extras during the filming. (Full article...)
Following publication of the novel, Hjortsberg began developing the screenplay for a film adaptation, but found that no major studio was willing to produce his script. The project resurfaced in 1985, when producer Elliott Kastner brought the book to Parker's attention. Parker began work on a new script and in doing so made several changes from Hjortsberg's novel. He also met with Mario Kassar and Andrew G. Vajna, who agreed to finance the $18 million production through their independent film studio Carolco Pictures. Filming took place on location in New York and New Orleans, with principal photography lasting from March 1986 to June of that year. (Full article...)
Le Dernier Combat (French:[lədɛʁnjekɔ̃ba]; English: The Last Battle) is a 1983 French post-apocalyptic film. It was the first feature film to be directed by Luc Besson, and also features Jean Reno's first prominent role. Music for the film was composed by Éric Serra. The film was the first of many collaborations between Besson, Reno and Serra. A dark vision of post-apocalyptic survival, the film was shot in black and white and contains only two words of dialogue. It depicts a world where people have been rendered mute by some unknown incident. (Full article...)
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Wings of Desire (German: Der Himmel über Berlin, pronounced[deːɐ̯ˈhɪml̩ˈʔyːbɐbɛɐ̯ˈliːn]ⓘ; lit.'The Heaven/Sky over Berlin') is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of its human inhabitants, comforting the distressed. Even though the city is densely populated, many of the people are isolated or estranged from their loved ones. One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. The angel chooses to become mortal so that he can experience human sensory pleasures, ranging from enjoying food to touching a loved one, and so that he can discover human love with the trapeze artist.
Inspired by art depicting angels visible around West Berlin, at the time encircled by the Berlin Wall, Wenders and author Peter Handke conceived of the story and continued to develop the screenplay throughout the French and German co-production. The film was shot by Henri Alekan in both colour and a sepia-toned black-and-white, the latter being used to represent the world as seen by the angels. The cast includes Otto Sander, Curt Bois and Peter Falk. (Full article...)
Stone made the film as a tribute to his father, Lou Stone, a stockbroker during the Great Depression. The character of Gekko is said to be a composite of several people, including Dennis Levine, Ivan Boesky, Carl Icahn, Asher Edelman, Michael Milken, and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on British financier and corporate raider Sir James Goldsmith. Originally, the studio wanted Warren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wanted Richard Gere, but Gere passed on the role. (Full article...)
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L.A. Takedown, also called L.A. Crimewave and Made in L.A., is a 1989 American crimeaction film written and directed by Michael Mann. Originally filmed as a pilot for an NBC television series, the project was reworked and aired as a stand-alone TV film after the series was not picked up. The film was later released on VHS and, in Region 2, on DVD.
In 1973, Coppola began development of a film based on the life of Tucker, originally with Marlon Brando in the lead role. Starting in 1976, Coppola planned Tucker to be both a musical and an experimental film with music and lyrics written by Leonard Bernstein, Betty Comden and Adolph Green. The project eventually collapsed when Coppola's American Zoetrope experienced financial problems. Tucker was revived in 1986 when Coppola's friend, George Lucas, joined as an executive producer. (Full article...)
Rudraveena focuses on the ideological conflicts between 'Bilahari' Ganapathi Sastry, a reputed carnatic musician and his younger son Suryanarayana "Suryam" Sastry. Sastry's discrimination towards the people belonging to lower castes is criticised by his son, Suryam, who believes in society's welfare and walks out for good later. The events that led to the change in Sastry's views form the remaining part of the story. Ganesh Patro wrote the film's dialogue and worked on the script with Balachander for two months, though it was tweaked many times during the shoot. Ilaiyaraaja composed the soundtrack and background score. R. Raghunadha Reddy was the director of photography. Ganesh Kumar edited the film and Mohanam was the art director. (Full article...)
Harold Becker and David Lean were originally to direct before Spielberg came on board, initially as a producer for Lean. Spielberg was attracted to directing the film because of a personal connection to Lean's films and World War II topics. He considers it to be his most profound work on "the loss of innocence". The film received positive reviews, with praise towards Bale's performance, the cinematography, the visuals, Williams's score and Spielberg's direction. However, the film was not initially a commercial success, earning only $22 million at the US box office, although it eventually more than recouped its budget through revenues in foreign markets, home video, and television. (Full article...)
Gerolmo began writing the script in 1986 after researching the 1964 murders of James Chaney, Andrew Goodman and Michael Schwerner. He and producer Frederick Zollo presented it to Orion Pictures, and the studio hired Parker to direct. The writer and director had disputes over the script, and Orion allowed Parker to make uncredited rewrites. The film was shot in a number of locations in Mississippi and Alabama, with principal photography from March to May 1988. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
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