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Rejoice!

by Yang

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1.
Step Inside 05:02
Step outside, Live my life, Dance with me, Spit your fire, Hold head high, Light your eyes, Laugh at fear, Laugh at lies. Fight no more, Grow your soul, Think you’re free, Free your core, Play the fool, Break the rules, Count to three, Rise up in the light! Step inside, Live your life, Talk with you, Smouldering fire, Hold head tight, Close your eyes, Strangle fear, Strangle lies. Fight for more, Blow your soul, Set you free, Trust your core, Play your tools, Set your rules, Grow your tree, Branches to the sky!
2.
My own weight to carry My own ways to decide And my sins to bury or to reveal, choice is mine Never should anyone Not even you, not even you, Take the blame for my pain What I hold in my chest My life, my love, my weaknesses, Radiates from under my skin I, the owner of my guilt, Carry the burden of my flaws, Am the builder of my chains And here we are, covered with ashes, Hollowed by unsubstantial feelings, Under conventional acceptance Am I real or am I slowly Diving in delusion? [Chorus] Come, emptiness! be our vessel unfilled Come, stillness! and make our limbs unmoving [Voice] I feel the pain, embracing pain, embracing anger, I feel no fear. When grounds shake, should we blame the Earth? When lightning strikes, should we blame the Sky? I’m a piece of the game I’m a piece of the game I’m a piece of the game.
3.
Concretion 07:24
4.
Get Lost 06:16
Broken, lost, terrified, Forgetting rules of peace, Unattainable paradise. Loosing faith, loosing patience. What comes next? What comes now? One more dreamless night? Forget rules, forget time and get past, Forget me, forget them and get past, Forget roots, forget gravity… Another lane, another step and you’re passed, Another word, another tale and you’re passed, Another home, another land, another day! Forget rules, forget time and get lost, Forget me, forget them and get lost, Forget roots, forget gravity… Another lane, another step and you’re lost, Another word, another tale and you’re lost, Another home, another land, another day! No, no no. I must get back on the ground, Even further, down to the underground. Hidden, in a place no one can find. Here, in my night, I feel safe, No more fight, no more fight. However low, however high, we are one However dark, however bright, we are one However cruel, however sensitive, Now in a pit, then in the light, we are one Taking a hit, having a fight, we are one Even a fool, even a cheat, even a saint. Forget rules, forget time and get lost, Forget me, forget them and get lost, Forget roots, forget gravity… Another lane, another step and you’re lost, Another word, another tale and you’re lost, Another home, another land, another day!
5.
Fire and Ashes, boundaries of our mind (however smart we are) Fire and Ashes, through the ages of life (however old we are) Burning cinders once again on our heart (ripping flesh, drying blood) And those endless fires call the ruin of all love (however strong is our spine) Beware, beware, beware now Blades and lashes penetrate our skin (however hardened we are) Fights and crashes dislocate our soul (however pure we are) Scars and slashes decorate our mask (drawing lines, carving cracks) We know Fires and Ashes will remain in our core (however bright is our light) Beware, beware, beware now Fire and Ashes Fire and Ashes Burning cinders Endless fires
6.
Entanglement 05:15
Ferme les yeux endors toi dans mes bras, là. Et maintenant, pars, sans savoir où tu vas, Laisse toi porter loin, Très très loin de moi. N’importe où, de n’importe quel point, Je peux voir tes yeux, et je peux tenir tes mains. Come, let us drive, singing all along, But all this land has never been big enough for us Tell me again We’re not at the end of our trail, Tell me again, from wherever I am, If I whisper your name, I’ll feel you running in my veins. Look! we are the flow, we’re the same river. All along we go, the elements affect us both alike, again. We’re running so fast, We could just pull apart, but you can be sure: Where we end, and wherever I am, I will see your eyes, and I will hold your hand.
7.
8.
Rejoice! 05:34
Rejoice! Rejoice! We are made of bold asymmetries, All of us are nervous, weak, worried, Incapable of wanting what we need Rejoice! Rejoice! We believe in all imperfection Taking pride in errors, lacks, failings, Glorifying susceptivities. Give me your hand, And let us take a walk around there… Breathe! can you smell the air, thin, perfumed? We are carriers of unexpected savagery Rooted in fear, ignorance, resentment, Triggered by discomfort, phobia and mimicry Rejoice! We have now the power to decimate our species, But we still are wisps, twigs, feathers, Easily swept away by the first storm! Give me your hand, And let us start a dance. Maybe not what you have dreamed of. But I feel that we should celebrate All of the mysteries we can still discover right on our way, Even if now and then, we dive in despair. And now and then cities and harbours are burning, Also now and then new loves are flowering. And everywhere there are Dancers who remain.
9.
All your branches, all branches, Will be unforsaken. All your lapses, your lapses, May they be forgiven. Endors-toi, Sinner, Endors-toi now Endors-toi, Sinner, Endors-toi Endors-toi, River, Endors-toi now Endors-toi, River, Endors-toi You meander, you linger, Who could really follow? Unbeliever, escorted by Loneliness and sorrow! Endors-toi, Sinner, Endors-toi now Endors-toi, Sinner, Endors-toi Endors-toi, River, Endors-toi now Endors-toi, River, Endors-toi
10.
11.
Surrender 04:28
Anger, turn it down. Sadness, turn it down. Confusion, suspicion, Resentment, devoure you, And tiny pieces of your heart. Defiance, give it up. Diffidence, clean it up. Hollowness, outrages, Compassion, submerging you To hidden corners of your soul. Surrender old friend. Surrender, come to an end. Chorus Just leave it to me, Give up and leave it to me Leave it to me, leave it to me Ouvre les mains, Ferme les yeux enfin. Surrender to reality, Surrender, set yourself free. Bitterness discarded Horizon expanded
12.
We are the Singers of unspeakable Words, Nameless Thoughts and covered Secrecies. We are the Speakers of unbearable Truths. We are Awakeners of unremembered Dreams. We are Rememberers of buried Memories, Regaining airiness of our Souls.
13.
Night and day Everyday Night and day Over the land Fiery sand Falls Close of day Everyday End of day Everyone's Horizon Burns Tidal day Wave after wave Through the day To pregnant moon All will soon Fly Close of day Everyday End of day Everyone's Horizon Burns En esprit, en espérant En dépit du désespoir, Résistant. Résistant en dépit du désespoir A silent flare, quicksilver raindrops, fall down rooftops A radiant glare a golden vessel comes up. A thunder wave, advancing dragon, come down arson, On cooling lava solid rainbow instant deploy. Final day Wide is the way On that day Burdens are gone Final day Lights on our way Sunny day We melt as one As one, As one.

about

According to most professional journalists, comparisons are odious. And according to most professional musicians, critics are useless.

But what happens when a critic makes a comparison that turns out to be useful and also transformative in the most positive way?

What primarily gives Rejoice! its sound and its shape came when an online reviewer compared Yang’s previous album, Designed for Disaster, to the dark and psychologically disturbing work of the Bay Area band Sleepytime Gorilla Museum. And while there are similarities, for sure, the notion struck Yang guitarist and composer Frédéric L'Épée as odd, given that he had never heard — or even heard of — his American counterparts. Intrigued, he decided to listen, and found not just a team of kindred spirits, but the perfect singer to bring life to his songs.

“I didn’t know them, so when I saw this review, I said ‘Okay, what is this band? Is it something that I’ve missed?’” L'Épée notes, laughing. “And, yes, it really was something I’d missed.

Frédéric L'Épée formed his first serious band, Shylock, while in his teens and waxed two now highly collectible albums with that formation in the mid 70s; moving on to the guitar-centric combo Philharmonie, who existed from 1987-1998 and which produced a further five full-length releases.

Since 2004, he has been leading and working with the more ‘rock’ oriented quartet Yang and Rejoice! is their fifth album.

“I don’t like the sound of my own voice,” the bandleader continues, and so for most of its existence Yang has focused primarily on instrumental music. On Designed for Disaster, however, the German singer Ayse Cansu Tanrikulu added her jazz-inflected phrasing to five tracks, and now on Rejoice!, Sleepytime violinist and singer Carla Kihlstedt has come on board for most of the album.

It’s an ideal match, and one that wound up shaping Rejoice! far more than L'Épée had intended. In writing Designed for Disaster, he explains, he concerned himself with lyrics that were “meant to communicate an impression but not a meaning”. But after having discovered Kihlstedt, he opted to follow a different path.

“I started to write the words like I did with Designed for Disaster; not with apparent meaning, but through the sound more than anything. But as soon as Carla accepted, I started to have her voice in my mind. So as soon as I started to write, I heard her singing at the moment I was writing. This forced me to search for the reason inside, because I realized that I wanted her to understand what I was saying, to give all the expression that I wanted. So this is one of the many reasons I started to write things with meanings, because I wanted her to be driven by these meanings.”

Composed in the wake of Covid and as Fascism, Wars and Climate crises globally rise, Rejoice! offers a healing response for surviving this New Dark Age. Yang reveals music's power to purge darkness from our souls. In Rejoice!, L'Epee reminds us to embrace whatever beauty and light the world retains, and to transform the darkness into art.

credits

released July 26, 2024

Frédéric L’Epée – guitars, keyboards, chorus
Laurent James – guitars, voice, chorus
Nico Gomez – bass, chorus
Volodia Brice – drums
with
Carla Kihlstedt – voice, chorus

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Cuneiform Records Washington, D.C.

Cuneiform Records is a record label releasing adventurous, boundary-bursting music by artists from around the world. They have always championed an eclectic mixture of musical styles and artists and have consistently danced at the dangerous intersection where genres meet. In doing so, they have become one of the most prominent labels of New Music.

Founded in 1984.
Based in Washington D.C.
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