When you think of heraldry what comes to mind is probably knights in shining armor, damsels in distress, jousting, that sort of thing. Medieval stuff. But I prefer to think of it as one of the earliest design systems.
This totally checks out.
Unusual colour combinations that are also accessible—keep smashing that “New colors” button.
This is a terrrific presentation by Chris, going through some practical implementations of modern CSS: logical properties, viewport units, grid, subgrid, container queries, cascade layers, new colour spaces, and view transitions.
In design, both in the digital and physical worlds, color should never be the sole indicator of meaning. A simple test: if your work was converted to grayscale, would it still be usable?
Andy describes life online with deuteranopia and dispenses some practical advice for designers:
If there’s any uncertainty, adding labels, icons, or textures to each meaningful color of your design will make it accessible to many more people, regardless of their ability to perceive color.
At first glance, this looks like a terrible idea. But the key is in the implementation. In this case, the implementation is truly awful.
The section on detecting “auto dark theme” is, as far as I can tell, not intended as a joke.
Mind you, this could all be a galaxy-brain idea to encourage more developers to provide their own dark mode styles. (In much the same way that AMP was supposed to encourage better performance.)
A wonderful bit of spelunking into the annals of software interfaces by Elise Blanchard.
There’s a good discussion here (kicked off by Jen) about providing different theme-color values in a web app manifest to match prefers-color-scheme in media queries.
Accidental colour palettes captured in the wild.
Robin makes a good point here about using dark mode thinking as a way to uncover any assumptions you might have unwittingly baked into your design:
Given its recent popularity, you might believe dark mode is a fad. But from a design perspective, dark mode is exceptionally useful. That’s because a big part of design is about building relationships between colors. And so implementing dark mode essentially forced everyone on the team to think long, hard, and consistently about our front-end design components. In short, dark mode helped our design system not only look good, but make sense.
So even if you don’t actually implement dark mode, acting as though it’s there will give you a solid base to build in.
I did something similar with the back end of Huffduffer and The Session—from day one, I built them as though the interface would be available in multiple languages. I never implemented multi-language support, but just the awareness of it saved me from baking in any shortcuts or assumptions, and enforced a good model/view/controller separation.
For most front-end codebases, the design of your color system shows you where your radioactive styles are. It shows you how things are tied together, and what depends on what.
A handy tool for getting an overview of your site’s CSS:
CSS Stats provides analytics and visualizations for your stylesheets. This information can be used to improve consistency in your design, track performance of your app, and diagnose complex areas before it snowballs out of control.
I’m not the only one swapping out Sass with CSS for colour functions:
Because of the declarative nature of CSS, you’re never going to get something as terse as what you could get in Sass. So sure, you’re typing more characters. But you know what you’re not doing? Wrangling build plugins and updating dependencies to get Sass to build. What you write gets shipped directly to the browser and works as-is, now and for eternity. It’s hard to say that about your Sass code.
A great little mini case-study from Eric—if you’re exporting transparent PNGs from a graphic design tool, double-check the colour-depth settings!
I’d been saving the PNGs with no bit depth restrictions, meaning the color table was holding space for 224 colors. That’s… a lot of colors, roughly 224 of which I wasn’t actually using.
I never thought of combining the datalist element with input type="color"—it’s pretty cool that it just works!
A deep, deep, deep dive into the JPEG format. Best of all, it’s got interactive explanations you can tinker with, a la Nicky Case or Bret Victor.
Wheeee! Another fun experiment from Cameron.
I love this idea of comparing human colour choices to those of a computer:
I decided to do two things: the top three most used colours of the photo decided by “a computer” and my hand picked choices. This method ended up revealing a couple of things about me.
I also love that this was the biggest obstacle to finding representative imagery:
I wanted this to be an exciting task but instead I only found repeated photos of my cat.
Another good reason to use the currentColor value in SVGs.
Some advice from Andy on creating a dark theme for your website. It’s not just about the colours—there are typography implications too.
A search engine for colours.