My Life Is Little House on the Prairie. I Blame TikTok

Homesteading used to be a dream for another time. Then cottagecore happened. 
Person resting in hammock
Ideologically, cottagecore encompasses multitudes, but its basic themes are living in harmony with nature, taking time to participate in overlooked arts like weaving and home cooking, and being either extremely gay or extremely straight.Photograph: Getty Images

My life is Little House on the Prairie now, and it's all TikTok's fault. I know this because a few weeks ago I stepped out my door and was filled with a quiet fear. The frost had come while I was sleeping and one look at my plants revealed they did not escape untouched. Fine white crystals lined every leaf, and while some, like mint and sage and Swiss chard, were unfazed, others were devastated. Every shoot and tendril of the tender plants that had been feeding me all summer—tomatoes, zucchini, sweet potatoes, beans—was either frozen stiff or bowed and turning black. The squash were wilted and bright green, like they’d been plunged into boiling water, a sure sign that ice crystals had shredded their cells. Fat green tomatoes hung precariously from wizened brown trusses that had been healthy and green the day before. For a few frosty breaths, I forgot that I lived in a city and could go to a grocery store. The earth was abruptly inhospitable, and I didn’t know how I was going to eat.

Just before the pandemic hit, I moved into an apartment with more than 200 square feet of garden space. I’d done some gardening before, but mostly of the balcony and windowsill variety. Growing produce was always part of the plan, especially since my pet rabbit requires a constant supply of greens and is a bit of snob when it comes to their freshness. But in the loneliness of lockdown, cultivation became an obsession.

I grew everything from cabbages to obscure Andean root crops like oca, which looks like a fat pink grub and tastes like a lemony potato. When I took midday walks to clear my head after hours of reporting on Covid-19, I started noticing edible wild plants like plantain and dandelions in my neighborhood, and eating them. When acorns fell, I filled tote bags to make flour. I watched crows dropping nuts from power lines to crack them against the pavement, realized they were walnuts, and eventually found the tree, along with hundreds and hundreds of pounds of walnuts just lying on the ground. I checked storm drains for apples washed away by heavy rain. Suddenly I hadn’t seen the inside of my local Fred Meyer since February and was living a life somewhere between Laura Ingalls’ and an urban raccoon’s. The frost wasn’t just a hobby garden setback to me. It felt like a natural disaster.

Of course, my descent into LARPing as an opossum didn’t happen in a vacuum. I’ve been interested in ecology and sustainable agriculture for a while now, but in big, abstract ways that revolved around things I would do later, when I was older and more settled. Then Covid happened, and I fell down a (somewhat literally) bewitching internet rabbit hole: cottagecore TikTok.

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Cottagecore as an aesthetic has been around since at least 2018, when Tumblr users started collecting nostalgic images of a romanticized version of Western country life on mood boards, but its popularity has surged during quarantine. If you’ve made bread from scratch or gone on a quaint picnic in the last nine months, you’ve participated in the trend. Aesthetically, cottagecore is women with long hair and long dresses holding wicker baskets, a warm berry pie resting on a cloth served beside herbal tea in a thrifted china set, mason jars, foraged mushrooms, beeswax candles. Ideologically, cottagecore encompasses multitudes, but its basic themes are living in harmony with nature, taking time to participate in overlooked arts like weaving and home cooking, and being either extremely gay or extremely straight. Seriously, the two poles are cottagecore lesbians creating manless idylls with their girlfriends or conservative “trad wives” homeschooling their children and deferring to their beardy husbands in all things.

Until cottagecore took hold on TikTok, I’d mostly been exposed to the good Christian beardiness side of the aesthetic on YouTube, where homesteaders on huge tracts of land grow crops and raise livestock in a way that was almost totally inaccessible to an urban journalist. I binge-watched their videos, memorized the needs of myriad fruit trees, learned all their goats’ names, and despaired. I didn’t want to move out into a vast windy nowhere with cheap land and trade society for peace of mind, even though, like a lot of people who are drawn to cottagecore, I was chafing against the confines of capitalism and life behind a laptop. Then TikTok’s algorithm caught up with me.

On TikTok, cottagecore is lived in small moments. People brew tea from raspberry leaves they found growing wild in an abandoned lot. They fill their studio apartments with houseplants and crockery from Goodwill. They walk through their suburban neighborhoods in eyelet-lace dresses and bonnets (bonnets!) like demure time travelers with extremely progressive social politics. They create the illusion of country life with strategic weekend trips to reconnect with meadows and forests. That’s probably because the cottagecore TikTok user base is young, too young to want to abandon civilization, too young (and very often, too queer) to want a patriarchal family life, too young to afford a cottage of their own. You could argue that that makes them frivolous, that it demotes cottagecore from a way of life to an aesthetic. But for me it was a reminder that I didn’t have to wait to start acting on the weird little dreams I’d tucked away for later. I started picking dandelions to make wine, and from there it took over everything, like a cherry tomato plant in August.

It’s made me a healthier person, physically and mentally, though it has exposed me to these new Little House on the Prairie problems, like plagues of whiteflies and frost. But those problems come with a sense of community now and contain hidden joys if you’re willing to accept them. Rather than hosing my plants down with pesticides or caging my sunflowers to protect them from goldfinches, I decided to think of my garden as a resource for the wild neighborhood, the way the wild neighborhood had become a resource for me. And as for that frost? I spent the next three days saving whatever I could, harvesting, chopping, and preserving until my kitchen table completely disappeared under piles of tomatoes, potatoes, squash, beets, and beans. When I was done, I felt immensely proud, and a little at a loss for what to do with all of this bounty.


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