"American Factory" highlights the mismatched workforces to shattering effect at a Chinese auto glass factory in Dayton, Ohio.
Emily Nussbaum began writing her New Yorker TV column in 2011, and her Pulitzer-winning career parallels television's ascent.
"The Loudest Voice," Showtime's in-depth portrait of the creator of Fox News, explains one reason America is in the mess it’s in.
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"The capitalist system that we’re all part of has a downturn on average every four to seven years ... everybody knows it's coming."
The president and his ancestor in the art of the con, P.T. Barnum, are the true gods of our wealth-, celebrity- and power-obsessed society.
An acclaimed series about the occupation of France is a relentless epic with little use for the familiar images of craven collaborators and selfless resisters.
One accuser tells The New Yorker's Ronan Farrow that Moonves' potential $100 million exit deal is "completely disgusting."
Nicole Maines, an activist who won a discrimination lawsuit after her school refused to let her use the girls' restroom, will star in The CW/Warner Bros.' "Supergirl."
The news website, which received 19 nominations from the Los Angeles Press Club, earns three first-place prizes, six second-place awards and one third-place finish.
CBS All Access' legal dramedy plays like more of a fantasy in the current climate, but it’s just the show we need right now.
Sarah Huckabee Sanders appears rattled in a testy exchange with reporters over the Trump administration’s policy of separating children from their parents at the border.
"Anthony would never have wanted Asia to be hurt, I’d like to think he would want us to have the collective conversation that needs to be had about depression," McGowan said in a statement.