What Madonna Knows
The artist is always one step ahead—and has a unique power to scandalize each generation anew.
The artist is always one step ahead—and has a unique power to scandalize each generation anew.
When did television shows become so averse to having an actual plot?
Criticism of emotional expression has long been a weapon of choice for those wanting to cut down women in political power.
A new documentary explores the comedian’s return, asking the still potent question of who commands power in his industry—and who doesn’t.
The FX show’s commitment to its trauma plot has never tested us more.
Catherine Breillat’s Last Summer and Miranda July’s All Fours find danger in domestic bliss.
This is flat-pack prestige storytelling: easy to assemble and totally uninspiring.
The new Hulu film about an atrocious moment in ’90s television is shocking, but revelatory.
In its third season, the show faces the failures of late-night comedy head-on.
The artist is an extraordinarily powerful woman who still, somehow, feels like she has no real power at all.
The third-season episode “The Sign” seems to point to an ending of sorts for the hugely popular Disney show.