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36 Hours

36 Hours in Charleston, S.C.

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When most people think of Charleston, South Carolina’s oldest city, they often picture its walkable downtown, with its cobblestones, Colonial architecture and horse-drawn carriages. But beyond the historic district, you’ll find small islands with coastal views and waterways, and neighborhoods with their own wealth of history. While the city’s pivotal role in the trans-Atlantic slave trade continues to spark debate about how much to focus on that narrative for visitors, an answer has arrived in the International African American Museum, a $120 million project that opened in June after 20 years in the making. Charleston has been accused of being obsessed with history; in reality, it’s an evolving city amid a tourism boom that is striving to use the past to inform its future.

Recommendations

Key stops
Restaurants and bars
Shopping
Attractions and outdoor activities
Where to stay
  • 20 South Battery is a small hotel near Oyster Point with views of White Point Garden, Fort Sumter and the Charleston Harbor. Rooms start from $550 a night.
  • The Ryder Hotel is a boutique experience in downtown Charleston within walking distance of a wide range of retail, dining and nightlife options. Enjoy its midcentury modern décor and poolside bar, with rooms from about $350 a night.
  • Lavender & Lace is a bed-and-breakfast in a 1870s Victorian home, offering two suites as well as a two-story carriage house, all with private entrances. Rooms start around $119.
  • If you’d rather opt for a beach house, try searching for short-term rentals on Sullivan’s Island.
Getting around
  • Downtown Charleston is pedestrian-friendly. On busy weekends, when street parking is limited, there are plenty of public garages where you can ditch your car for $1 per half-hour. Ubers and Lyfts are readily available for traveling to barrier islands and neighborhoods on the outskirts of Charleston.

Itinerary

Friday

Five people wearing summery clothes cross a road in single file. The road is lined with palm trees jutting toward an overcast sky. At the far end of the road is a tall church tower.
Lost Stories of Black Charleston tour
3:30 p.m. Tour downtown’s Black history
Take in history on foot with Lost Stories of Black Charleston, a two-hour walking tour that starts at Buxton Books on King Street and explores two downtown neighborhoods: the French Quarter and South of Broad. On a recent stroll, the author and historian Damon Fordham (who said he never gives the same tour twice) pointed out the Broad Street location of the country’s first known Black law firm, Whipper, Elliott, and Allen, which opened in 1868. In front of the South Carolina Historical Society, he spoke of Denmark Vesey, a free Black man who, in 1822, planned an unsuccessful slave revolt. When his plan was revealed, white Charlestonians burned down Emanuel African Methodist Episcopal Church, where Mr. Vesey was a member. The church was rebuilt in 1872 (and again in 1891, following an earthquake) and was the site of the 2015 shooting that claimed the lives of nine Black churchgoers.
Five people wearing summery clothes cross a road in single file. The road is lined with palm trees jutting toward an overcast sky. At the far end of the road is a tall church tower.
Lost Stories of Black Charleston tour
7:30 p.m. Tap to jazz in a whiskey room
For a classic theater experience, try the Charleston Gaillard Center, which opened in 2015 and presents comedy, ballet and theater in the 1,818-seat Martha and John M. Rivers Performance Hall, whose high-domed ceiling and red velvet curtains mimic a classic opera house. This fall, you can catch performances by the Charleston Symphony Orchestra, Lake Street Dive and the Nashville Ballet, among others. For a more casual atmosphere, try Henry’s On the Market, which claims to be Charleston’s oldest continuously operated restaurant. Henry’s often has live jazz in its Whiskey Room on the second floor, and it also has a large rooftop bar. For a late-night snack, try traditional Lowcountry dishes like she-crab soup ($12), a creamy soup with flavorful roe, or shrimp and grits, swimming in a gravy made with tasso ham ($26).
People sit in a horse-drawn carriage that is crossing a road lined with palm trees during the daytime. In the carriage, a person that appears to be a tour guide stands and faces the sitting people.
A horse-drawn carriage crosses an intersection in downtown Charleston, near Buxton Books and the Gibbes Museum of Art.

Saturday

A sandy area with patches of grass before a blue ocean during the daytime.
Sullivan’s Island
10 a.m. Stretch out on the sand
Drive about 20 minutes east from downtown to Sullivan’s Island; cross the eight-lane Arthur Ravenel Jr. Bridge where you’ll see the Cooper River snaking past Charleston’s main peninsula. Grab brunch at the Obstinate Daughter, a sunny, second-floor restaurant and patio bar with prompt service, bleached wood and a beachy atmosphere. The shrimp roll ($19) comes with fried polenta sticks made with cornmeal from Marsh Hen Mill, a farm on Edisto Island. When you’re ready to lie on the sand, follow Station 21 Street to the public beach access. Afterward, indulge in Edgar Allan Poe lore at the Edgar Allan Poe Library, just a few minutes walk from the beach. The poet was enlisted in the Army under the name Edgar Perry and stationed on Sullivan’s Island between 1827 and 1828. The library staff are happy to share everything they know about the writer’s brief time on the island.
A sandy area with patches of grass before a blue ocean during the daytime.
Sullivan’s Island
1 p.m. Discover the soul of the east side
The Eastside neighborhood was initially planned as an elite suburb for white Charlestonians, before it became home to a community of free and enslaved Black people. By 1960, the neighborhood was predominantly Black. Charleston’s Black presence has shrunk in recent decades, but some Black businesses remain, like Hannibal’s Kitchen. Opened in 1985, the modest, family owned soul-food restaurant has plenty of booths to dig into fried-fish plates, BBQ ribs, and Hoppin’ John, a pea-and-rice dish (entrees from around $15). Stroll a couple of minutes from Hannibal’s: Behind a condemned two-story house is a museum within the former home and workshop of Philip Simmons, the celebrated blacksmith, who died in 2009 (free entry). Some of his wrought iron works still decorate Charleston, such as his heart gate in front of St. John’s Reformed Episcopal Church in downtown.
Two people peer in the doorway of a small white house with a brick chimney. There is a row of these small white houses stretching along an outdoor area that is shaded by overhanging trees.
2 p.m. Trace the transition to freedom
Southwest of downtown is James Island, another of Charleston’s barrier islands. Today the island is mostly suburban, but pre-Civil War James Island was populated with plantations, where enslaved men and women produced the Sea Island cotton that the region was known for. The McLeod Plantation, now a historic site open to visitors, was once a leader in the island’s cotton production. Its 37 acres include slave cabins, a cotton gin house and the main McLeod home amid grassy fields and tall live oaks. McLeod places special emphasis on Black history, including the Gullah Geechee people, the descendants of the enslaved, who continued to live on the site until the 1980s. Entry, $20. Timed guided tours, or self-guided tours via an app, are included and are mostly outdoors (the welcome center sells bug spray if you forget yours!).
Two people peer in the doorway of a small white house with a brick chimney. There is a row of these small white houses stretching along an outdoor area that is shaded by overhanging trees.
3:30 p.m. Experience a Charleston Renaissance
The first floor of the Gibbes Museum of Art, a stunning Beaux Arts style building with columns and pediments, is free for visitors who can explore artist studios and the museum store — but its other two stories are worth the cost of entry ($12). On the second floor, see nature as art: Find red maple and sweetgum branches twisting toward the ceiling, a sculpture by the environmental artist Patrick Doughtery, and a collection of woven sweetgrass designs by Mary Jackson, a fiber artist from Mount Pleasant. A permanent exhibition focuses on the Charleston Renaissance, a period, particularly between 1915 and 1945, of artistic and cultural revival. After the gallery, stroll King Street, a pedestrian-friendly retail corridor that includes George C. Birlant & Company, founded in 1922 and one of the largest antiques stores in the southeast.
A plate of fried fish and vegetables, including asparagus.
7 p.m. Dig into seafood right on the water
Fleet Landing Restaurant and Bar is housed in a massive 1940s former naval building with views of the Charleston harbor. The double-sided bar has both indoor and outdoor seating, and the patio wraps around the building. Fleet Landing serves Southern seafood favorites like Carolina lump crab cakes ($32), and pan-roasted salmon with a side of Lowcountry grits ($28). The 6,000-square-foot establishment is as big as it is popular, so large parties should reserve in advance. The food, plus the sunset view of the Cooper River, makes Fleet Landing worth navigating the crowd.
A plate of fried fish and vegetables, including asparagus.
A street at nighttime lined with grand three-story buildings that are illuminated by street lights. A person rides by on a bicycle.
Sorelle, an all-day Italian restaurant, opened in a former bank on Broad Street in February. Dinner reservations can be scarce, but its first-floor cafe offers a casual brunch for walk-ins and sandwiches to go.

Sunday

People sit on a bench inside a museum. In front of them is a digital display with a red-colored map of the world with the words:
10 a.m. Honor history on sacred ground
The new International African American Museum sits on the former Gadsden’s Wharf, where tens of thousands of enslaved Africans were first brought to the United States. Take a moment in the African Ancestors Memorial Garden, an outdoor pavilion overlooking the Charleston Harbor that has silhouettes of bodies carved into the pavement and engraved stones that list the enslaved people’s various ports of origin. Inside the museum, a looped hallway tells a story of America through a Black Carolinian lens, from the beginning of the trans-Atlantic slave trade to 2015 when Bree Newsome Bass was arrested for climbing a flagpole at the state capital to remove the Confederate flag. There are also six other galleries that explore the state’s Gullah Geechee history, the significance of the rice trade and memories of the enslaved. Entry, $19.95; advance tickets required.
People sit on a bench inside a museum. In front of them is a digital display with a red-colored map of the world with the words:
A person with a dog on a leash stands in front of a marble cafe counter with gold accents. Gold pendant lights hang above the counter. Daylight streams in through the cafe's big windows.
The Mercato at Sorelle
12 p.m. Lunch at the Mercato
Sorelle, a restaurant inspired by Italy’s all-day cafes and markets opened in a former bank on Broad Street, just outside the French Quarter, in February to a lot of fanfare and with a James Beard Award-winning chef attached. While it might be difficult to get a dinner reservation, you can stop by the Mercato, Sorelle’s first floor cafe, for casual breakfast and brunch fare to go. The sunny cafe is decked out in hanging plants and high-top tables, and has sidewalk seating. Try a slice of Sicilian-style pizza ($10), or a hefty prosciutto sandwich with fresh mozzarella and balsamic vinegar ($16). There are also plenty of pastries for the drive home.
A person with a dog on a leash stands in front of a marble cafe counter with gold accents. Gold pendant lights hang above the counter. Daylight streams in through the cafe's big windows.
The Mercato at Sorelle