Thanks to its meticulous Craftsmanship, unsettling narrative, and Nicolas Cage's most harrowing role yet, 'Longlegs' is a masterclass in psychological horror that lingers long after the credits roll.
Is this movie the scariest thing on the face of the planet? no. Is it creepy as **** and filled with dread, beautiful cinematography and amazing performances? Yes. Maika Monroe is phenomenal and will win an oscar in the near future. Nicolas Cage and Alicia Witt truly went all out as well. Blair Underwood also shines in this movie and id love to see more of him. I’ve seen the movie twice so far and loved it even more the second time. There’s so many little details you notice on second watch after knowing the full story and it really shows the care and thought put into this movie. Go see it once go see it twice. Go see it three times.
There are many hallmarks of the psychological horror at play (a creepy killer, a traumatised survivor, a parent with dark secrets) but under Perkins’ careful hand, the familiar feels unnerving all the same, a puzzle box dripping with bright red blood.
What one does not expect is a load of total trash full of gimmicks instead of ideas, stolen scenes from other movies instead of originality, amateurish posturing instead of professional performances, clueless meandering instead of organized screenplays, and pointless confusion instead of clear-eyed direction.
I GREATLY enjoyed this film. Loved the look and feel of it, and Maika Monroe needs to be acknowledged as one of the outstanding actresses of her generation. Loved her in IT FOLLOW, but she is incredible in this understated performance. And Nicholas Cage? Unreal job. Can't imagine anyone else pulling that off.
It's a slow-burn type of movie with interesting elements sprinkled throughout. Gave me vibes of the TV show, Evil. Longlegs is messy with its story at times and takes too long to get good. Still enjoyable but considering the buzz around it I was expecting more.
A very boring mess that will make all ages 1-100 fall asleep. Nothing happens until the last 20 minutes of the film but by then everyone in the theater is asleep.
Confusion is what stayed with me as I left the theater.
Longlegs is told in three acts. The first two acts are fairly solid. The third act is where the movie goes sideways.
Strong performances, a creepy tone and fine cinematography cannot make up for a convoluted and illogical ending.
Scary? Yes. Smart? No.
Lee, (Maika Monroe) a talented young FBI agent is assigned to the unsolved case of an elusive serial killer (Nicolas Cage) simply known as 'Longlegs'. Occult evidence is unearthed and it's up to Lee to stop him before other innocent lives can be claimed. Written and directed by Osgood Perkins (who just so happens to be son of famed Norman Bates actor himself Anthony Perkins), there was so much hype built around this film leading up to its release, from creepy and cryptic teaser trailers released online to equally eerie and ominous posters and advertisements that left the internet abuzz and eagerly anticipating what was to come with this film. Dare I say it even reached 'Blair Witch' and 'Cloverfield' levels of market hype. So it goes without saying that my expectations were riding quite high with this one... Unfortunately, that should have been the biggest glaring red flag for me in retrospect, because the higher one has their expectations set, the more disappointed they're likely to be walking out. Case in point. I cannot remember the last time I found myself so hyped and eagerly awaiting a film such as this due largely in part to the marketing strategy behind it, and unfortunately, this turned out to be one of those films in which the marketing was creepier, more effective and better than the actual film. Of course, it didn't help that early reviews were raving about this film and even going so far as to call it one of the best horror films of the decade. Give me a break with that! The scariest thing about this film was the nearly $14 I spent on my ticket for it! The music choice and background music throughout also made the whole experience that much less scary. Apart from that, we're given a couple of cheap jump scares, slow burn scenes that are not at all tension-building in any way, and a ridiculous and confusing twist that left me not shocked but merely dumbfounded at how silly and absurd it came across. Solid performances from Monroe, Cage, and even Alicia Witt set aside, this film is so unbelievably disappointing and largely forgettable. This one can only dream of living up to far superior and similar crime /horror films such as 'The Silence of the Lambs'. I feel so cheated and led on into thinking that this would be one of the best horror films to come around in a long time! Not even close!