Gamebridge’s Post

Exploring new things one at a time! 💡 Just took a short break from complex Unreal Engine cinematics to dip my toes into the new UE5.4 Motion Design with this simple product visualization shot. #UnrealEngine #UE5 #MotionGraphics #MoGraph #ProductVisualization #ProductViz

Not long ago, our work on Total War: PHARAOH landed us on the cover of 3D World Magazine. And now, you can read the entire article. 🧡 We partnered with Creative Assembly and SEGA to elevate in-game assets to a new quality for marketing. And for this, our Character Artist, Mihai Dobrin, created a workflow in Blender, which he explains in this post, for you to delve into. This feature can also serve as a compelling testament to Blender's evolution, showcasing its capability to rival industry titans like 3ds Max and Maya. Read it on ArtStation ➡️ https://lnkd.in/dvyPzi3c Or on our website ➡️ https://lnkd.in/deXH-RbN

Continuing my journey in producing game assets by creating seamless textures. 🚀 Here, I scanned a wall with photogrammetry and turned it into a seamless texture with Blender. Excited to bring realism to virtual worlds! #GameAssets #TextureDesign #PhotogrammetryMagic #BlenderArt #DigitalRealism

Some videos I made for the Foundry about getting started with texturing in Mari

Decal projection can add changes that help you create a more immersive environment. Unity makes them easy. #leveldesign #gamedevelopment #madewithunity #gamedevhq

Kuopio Cathedral (Unreal Engine 5) Cinematic: This is my 3d rendition of an existing cathedral called Kuopio Cathedral. All assets were created by me except the vehicles which are from Epic Games The Matrix City Sample Vehicles. Modeling was done in Blender, texturing was done using Material Maker, Krita and Blender texturing tools. Rendering and scene setup was done in Unreal Engine 5 using Hardware Lumen and Nanite. Trees and foliage were made using Treeit. I composed the music myself with LMMS which is an open source music composing software. You can also watch it on youtube in higher res: https://lnkd.in/et9ymF7E

To create this concrete, grunge and futuristic prison environment, I used Autodesk Maya to model and unwrap my modular assets and individual specific props, Adobe Photoshop and Substance 3D Painter to create my trim textures, all with the aim to shine in Unreal Engine 5. During the process, it provided me valuable insights into the workflow of Environment Artist, from the very first basic blockout following my own references, to intricate detailing giving character and personality with materials, textures, specific props, and playing smart with your modular assets, moreover, I gained knowledge and ideas on how the spatialization for sound events could take place, creating logic and coherent soundscapes within the level, enhancing the overall immersive experience, through the event blueprints of Unreal. https://lnkd.in/ewbQ_GXq

Modern #WorldHistory Presentation: Imperial China Collapses with Critical Thinking, Concepts, Animations and Graphics that help students understand! https://lnkd.in/eXWgTcmN

Modern #WorldHistory Presentation: Imperial China Collapses with Critical Thinking, Concepts, Animations and Graphics that help students understand! https://lnkd.in/eXWgTcmN

Immerse yourself in a spine-chilling journey through the eerie depths of a haunted village in this 30-second film. Witness the desolate landscape cloaked in shadows as decrepit buildings stand sentinel to secrets untold. Crafted using Unreal Engine and Autodesk Maya, every detail resonates with haunting realism. Shot angles, meticulously rendered, offer glimpses into the darkness that shrouds the village's past. With Adobe Premiere, a haunting soundtrack weaves through the silence, punctuated by whispers of forgotten souls. Explore the chilling fusion of artistry and technology in this harrowing tale of supernatural intrigue.