Chris Heatherly’s Post

Burns people out, no watercooler moments, no cultural staying power "What's the best way to experience the major water-cooler shows commonly considered to be "appointment viewing"? Is the binge model popularized by Netflix the way to approach things, in which viewers are able to spend a whole weekend devouring every episode of an entire season all in one go? Or is it better to exercise a little patience and release episodes one at a time in weekly installments, allowing word-of-mouth momentum to build while keeping the entire production at the center of the cultural conversation for much, much longer? (Or, perhaps, we can have the best of both worlds through "Hacks.")

View profile for Jeremiah McMillan, graphic

Executive Producer, Developing IP for Global Markets

"What's the best way to experience the major water-cooler shows commonly considered to be "appointment viewing"? Is the binge model popularized by Netflix the way to approach things, in which viewers are able to spend a whole weekend devouring every episode of an entire season all in one go? Or is it better to exercise a little patience and release episodes one at a time in weekly installments, allowing word-of-mouth momentum to build while keeping the entire production at the center of the cultural conversation for much, much longer? (Or, perhaps, we can have the best of both worlds through "Hacks.") ... For Sony's Katherine Pope, "Shōgun" was the peak example of a weekly release naturally building up "anticipation" for each episode ... but, that said, it's difficult to dismiss the success of "Fallout" after opting for the binge release. We all have our preferences in this great debate, but the jury remains out." #streaming #bingemodels #streamingecosystem #programming #contentstrategy #weeklyreleases #streamingbingemodels

Why The Streaming Binge Model Doesn't Work, According To One TV Exec - SlashFilm

Why The Streaming Binge Model Doesn't Work, According To One TV Exec - SlashFilm

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Iain Taylor

Web3 Writer / Educator | Bitcoin | Crypto | Blockchain | DeFi | Web3 | Gaming | DAOs | AI Prompts | Ghostwriting

1mo

I think you are already seeing a lot of experimentation with streaming models. Things like : - dividing final seasons up into two shorter installments - binge releases - weekly installments - live events (Dinner Time with David Chang) - breaking up seasons into shorter Acts with delayed releases (Arcane) The core IP is still the driving force behind grabbing attention with certain brands and genres being better suited to certain models. e.g A live cooking show works well

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Malize E.

Co-Founder, co-CEO & CMO at Raftur Games | Innovator in Video Games and Brand Strategy | NeuroDiversity Advocate | Mentor & Advisor

1mo

How about, hear me out, how about letting the audience decide how do they want to watch it? Those who don't like the "binge model" will watch the series the way they please. Forcing weekly/monthly releases can increase churn.

Michael Kolawole

Assistant Manager, Multimedia at PwC Nigeria | Living Multimedia Arsenal

1mo

Insightful. However, for me, I think the most important thing is to craft an unforgettable content that’s gripping no matter the model you choose. Great contents are known to have eaten strategies for lunch, even those with zero expections. The first season of Stranger Things, Bird Box, and Arcane are premium examples.

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Jen Donahoe

Strategic Marketing Consultant | Board Member, Advisor | Podcaster, Speaker | x Riot, Scopely, Disney, EA |

1mo

Weekly extend the buzz of the IP over a longer period of time. Many TV nerds are craving the old-school appt viewing

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