Smithsonian National Museum of American History

Smithsonian National Museum of American History

Museums, Historical Sites, and Zoos

Washington, Washington DC 9,653 followers

Home of the Star-Spangled Banner, the flag that inspired the national anthem.

About us

In 1990 the U.S. Congress, recognizing the importance of jazz in American culture, authorized the establishment of the Smithsonian Jazz Masterworks Orchestra (SJMO) as the orchestra-in-residence at the Smithsonian's National Museum of American History.Whether a 17-member big band, quartet, septet, or small group, the SJMO presents concerts featuring transcribed works, new arrangements, commissioned works and programs that illuminate the work of jazz masters who contributed to the development of American jazz and defined the music’s character.

Website
http://americanhistory.si.edu
Industry
Museums, Historical Sites, and Zoos
Company size
51-200 employees
Headquarters
Washington, Washington DC
Type
Educational
Founded
1964

Locations

  • 14TH STREET AND CONSTITUTION AVENUE N.W.

    Washington, Washington DC 20013, US

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Employees at Smithsonian National Museum of American History

Updates

  • Peering through acrylic viewports (placed where windows and doorways were located in the original house), the display of Julia Child’s kitchen in our FOOD exhibition appears exactly as it was in her Cambridge, Massachusetts home. From fish scalers to a bone saw, the kitchen features hundreds of objects that she used for preparing meals and while teaching millions of Americans about food, cooking, and the pleasures of the table. Many of the objects might seem familiar; perhaps you even have similar items at home. But what about the other culinary tools and gadgets that are less familiar? What do the kitchen and its contents reveal about her and food history? What stories do they tell? In a new book, “Julia Child’s Kitchen: The Design, Tools, Stories, and Legacy of an Iconic Space,” museum Food History Curator Paula Johnson explores these stories and more through a deep dive into Child’s favorite room in her home, her kitchen. Featuring a foreword by chef, cookbook author, television star, and devoted friend of Julia, Jacques Pépin, the book contains hundreds of newly photographed objects and their associated stories that provide a fresh look at Julia’s kitchen and her monumental legacy. The book is now available for preorder at your local booksellers and will launch on Oct. 8. #JuliaChildsKitchen

    • Julia Child's kitchen display featuring an array of cooking utensils and pots hanging on a pegboard-lined wall. In the center is a wooden dining table with four chairs, illuminated by overhead lights. To the left, a large industrial stove is visible with multiple burners and pots on top. The room exudes a homely, organized atmosphere.
    • An image of Julia Child's kitchen with green cabinets and a long wooden table covered with a yellow tablecloth. The table is set with plates and a fruit basket in the center. Various cooking utensils line the walls and countertops. A cozy, inviting space reflecting a homey atmosphere.
    • Book cover of 'Julia Child's Kitchen' featuring a Julia Child smiling and cooking in a kitchen, surrounded by utensils and ingredients. The full book title is found at the bottom "Julia Child's Kitchen: The Design, Tools, Stories, and Legacy of an Iconic Space," by Paula Johnson
  • Join us for Reckoning with Remembrance: A Workshop for Educators Centering Local Histories Educators working in Tallahatchie County, Mississippi, will share their strategies for engaging young people and adults with Emmett Till’s story. These educators use a variety of techniques, including classroom-based curriculums, tours, and site-based inquiries. Join us for a time of learning, discussion, and reflection about the ongoing relevance of Emmett Till, African American history, and the civil rights movement. There will be an opportunity to view the exhibition, Reckoning with Remembrance: History, Injustice, and the Memory of Emmett Till. Date: Wednesday, July 31st Time: 10:00 a.m. – 2:00 p.m. Location: National Museum of American History Lunch will be provided This professional development opportunity is free, but registration is required: https://s.si.edu/46laFwb

    • Invitation from the Center for Restorative History at the National Museum of American History inviting attendees to "Reckoning with Remembrance: A Workshop for Educators Centering Local Histories.
  • This short-sleeved, casual shirt featuring a red and white fireworks print was a product of Hollywood glamour. Catalina, a Los Angeles-based company that made the shirt included a message on the tag, saying it was “Styled for the Stars of Hollywood.” Speaking of stars, do you know what else the print on this shirt reminds us of? Some of the brand-new images of space, released to celebrate the 25th anniversary of the Chandra X-Ray Observatory telescope. This composite image of the Crab Nebula from Chandra, IXPE, and Hubble telescopes features the remnant of a supernova explosion, witnessed by Chinese and other astronomers in 1054 A.D. Operated by the Smithsonian Astrophysical Observatory in Cambridge, Mass., Chandra is the world’s most powerful X-ray telescope, observing the lifecycles of stars and galaxies and producing data used by astronomers across the globe to help understand our universe. #CosmicJourney #Chandra25

    • Navy blue short-sleeved shirt with a fireworks pattern displayed on a mannequin against a white background.
    • This composite image features the remnant of a supernova explosion, which resembles a neon purple mushroom at the heart of a colorful web of veins and filaments. Known as the Crab Nebula, the heavily veined blue and red cloud of gas is set against the blackness of space. At the core of the nebula is a pulsar, a rotating neutron star emitting electromagnetic radiation. Here, the pulsar appears as a bright white dot sitting in a neon purple cloud. Surrounding the dot are white rings. These are created by particles driven away from the pulsar and colliding with gas in the nebula to produce X-rays. From this angle, the rings and purple cloud combine to resemble a mushroom cap. Completing the look of a mushroom is a thin mushroom stem emerging from the white dot. This is a narrow beam of particles blasting away from the pulsar.
  • Today we remember Bob Newhart, the quietly revolutionary comedian who kept Americans laughing over eight decades as a stand-up comic, recording artist, and actor in film and television. Newhart’s square, mild-mannered persona and genial, stammering delivery concealed an often sly, smart, and subversive form of satire. While perhaps best remembered for his long-running sitcoms The Bob Newhart Show (1972-1978) and Newhart (1982-1990), Newhart broke new ground for comedy albums. The Button-Down Mind of Bob Newhart became the first comedy LP ever to hit number one on the Billboard charts, won a remarkable three Grammys, including 1960 Album of the Year, and only Best New Artist Grammy awarded to a comedian. In 2023, Newhart generously donated his 1960 Best New Album Grammy and the original typescript of his legendary “Abe Lincoln vs. Madison Avenue” routine to the National Museum of American History. 📷: Westbury Music Fair playbill featuring Bob Newhart and Anthony Newley, 1977 📷: Grammy Award trophy for the 1960 Album of the Year award, given to Bob Newhart for his comedy record “The Button-Down Mind of Bob Newhart.” 📷: (Photos 3-5) Typescript for the Bob Newhart comedy routine "Abe Lincoln vs. Madison Avenue.”

    • Playbill for Westbury Music Fair featuring images of Bob Newhart holding a microphone and Anthony Newley, with their names below their portraits. The poster has a prominent border and the Westbury Music Fair logo at the top.
    • Grammy Award trophy for the 1960 Album of the Year award, given to Bob Newhart for his comedy record The Button-Down Mind of Bob Newhart. The award is made of an antique phonograph on a wooden base, with a plaque reading "National Academy of Recording Arts & Sciences."
    • Page one of a typescript for the Bob Newhart comedy routine "Abe Lincoln vs. Madison Avenue." Black ink on a white piece of paper.
    • Page two of a typescript for the Bob Newhart comedy routine "Abe Lincoln vs. Madison Avenue." Black ink on a white piece of paper.
    • Page three of a typescript for the Bob Newhart comedy routine "Abe Lincoln vs. Madison Avenue." Black ink on a white piece of paper.
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    We remember activist, singer, songwriter, and scholar Dr. Bernice Johnson Reagon, who spent her lifetime using the power of music to fight for freedom and justice. As a founding member of the Student Nonviolent Coordinating Committee’s (SNCC) Freedom Singers in 1962, Reagon performed across the country, raising funds for the Civil Rights Movement. In addition to recording several solo albums (some with our Smithsonian Folkways Recordings), she founded the Grammy-nominated all-Black women’s a cappella group Sweet Honey in the Rock in 1973. As a curator and historian at the Smithsonian, Reagon explored how Black music fueled movements for change. In 1974, she joined the Smithsonian’s Division of Performing Arts, where she was instrumental in establishing the African Diaspora program and recruiting Black artists to participate in the Smithsonian Folklife Festival (Smithsonian Center for Folklife and Cultural Heritage). Two years later, she founded the Program in Black American Culture at our Smithsonian National Museum of American History. Reagon continued her work as curator emeritus and helped shape our Smithsonian's National Museum of African American History and Culture as a member of the museum’s Scholarly Advisory Committee. “Bernice’s fierce intellect was only matched by her fierce sense of justice she applied to the struggle for civil rights,” said Smithsonian Secretary Lonnie G. Bunch III. “As a member of the NMAAHC Scholarly Advisory Council, her wisdom was invaluable in creating the intellectual framework of the museum. Her lyrics and music lift my spirits and embody her lifelong work to challenge America to live up to its ideals: ‘We who believe in freedom will not rest until it comes.’” We will miss Dr. Reagon and send our heartfelt condolences to her family and community. 📷 : Photograph by Dane A. Penland, 1981, from our Smithsonian Libraries and Archives (SLA).

    • Black and white portrait of Bernice Johnson Reagon smiling while wearing a striped head wrap and a patterned garment. The background is blurred, emphasizing the person's joyful expression.
  • Happy National Hot Dog Day! This Oscar Mayer-sponsored pin, featuring the iconic “Wienermobile,” was created for the 1992 Barcelona Summer Olympic Games. Olympic pin collecting began as early as 1900 and gained momentum at the 1936 games. Through the 1960s, pin trading was on the upswing, but it saw increased attention at the 1984 Los Angeles Summer Games when sponsor pins became more prevalent. Coca-Cola set up a pin trading area at the Calgary Games in 1988, which gave a boost to the hobby that is still a big part of the Olympic experience today.

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    True crime fanatics and armchair detectives: this one is for you. Former nurse Lydia Sherman was arrested for murder in 1871...only after all three of her husbands died under suspicious circumstances. This set of arsenic tests performed by Yale professor George Frederick Barker proved that all four of the examined victims—two of her husbands and two children—were poisoned under Sherman’s care. A jury found Sherman, nicknamed the “Derby Poisoner,” guilty, and she was sentenced to life in prison. See these tests and other artifacts that represent various ways in which forensic science has been used in trials over the last 150 years in our Smithsonian National Museum of American History's newest exhibition “Forensic Science on Trial.” s.si.edu/3WpPl52

    • Historic framed display of the chemical examination results in the Sherman Poisoning Case, featuring labeled specimen samples and analysis results by Professor George F. Barker. It includes lists of metals tested for, such as arsenic and silver, next to small containers and thin tools, all neatly arranged under glass. Those subjects tested include: Horatio N. Sherman, Ada Sherman, Frank H. Sherman, and Dennis Hurlburt. Body parts tested include: stomach, intestines, and liver.
  • In 1965, the Aerosol Corporation of America, a division of Shulton, Inc. since 1961, launched the “Crazy Foam” line of aerosol children’s bath soaps. The soap was dispensed in shaving cream-style aerosol cans with specially designed plastic caps depicting cartoon-like heads of animals and other figures. With the push of a button, soap would foam out of the beak of a duck, a parrot, or, in this case, a shark! As promised on the can, “Crazy Foam is Crazy! It’s a wonderful foamy soap that bounces, molds, decorates, floats... and “Cleans like Crazy” while you play!” #SharkWeek

    • A can of Crazy Foam designed as a cartoonish shark character with an open mouth, featuring a blue and green color scheme and labeled "Crazy Foam, The toy that cleans!"

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