Score
What a Dump
Mike Nichols Made His Movie Directorial Debut with ‘Who’s Afraid of Virginia Woolf?’ — and Got Fired
"Cocktails With George and Martha," a new book about the making of the Richard Burton-Elizabeth Taylor classic, details how Nichols' bravado and demands led to a dramatic denouement.
Composer Laura Karpman on how she created music to express the complex characters and ideas at the core of Cord Jefferson's sophisticated comedy.
"'Society of the Snow' challenged me in ways that I never understood I could be challenged."
Want to Play a Game?
The former Nine Inch Nails member talks about scoring the "Saw" series and making history as the composer of "Saw X."
Composer Mato Wayuhi and sound supervisor Patrick Hogan explain how they enhanced the unsettling quality of a Native boarding school.
Composer and co-sound designer Robert Aiki Aubrey Lowe manipulated the sounds of bees, voices, and the past to create the urban legend's soundscape.
Emmy-nominated composers Laura Karpman and Raphael Saadiq break down the "Gothic R&B" vibe that culminated with the powerful orchestral requiem.
In addition to the spacey theremin, composer Natalie Holt was inspired by "A Clockwork Orange" and Wendy Carlos' Moog-infused score.
‘The Midnight Sky’: How Alexandre Desplat Composed One of His Longest Film Scores for George Clooney
When Clooney rejected the original idea from the two-time Oscar winner, Desplat conceived of an original blend for the 90-minute score.
Halpern explains how he and director Carlo Mirabella-Davis brought Hitchcockian obsession to their present day indie.
The Oscar nominee ("If Beale Street Could Talk" and "Moonlight") musically tackled the satire of Adam McKay's HBO series by getting serious.
Hans Zimmer protege Benjamin Wallfisch geeked out on John Williams and Jerry Goldsmith in composing seven themes for the upbeat DC superhero hit.
