I hated 'Never Let Me Go' lol
The Piano Teacher - 8/10
My 5th Haneke, I liked it a lot more than Funny Games US and Code Unknown (which I can't really remember and need to rewatch.) But this was excellent. Pretty powerful turn by Huppert who is sutbly reserved and domineering but scared when she needs to be. Haneke does some interesting camera placements - usually having her off center and gazing past the camera. Not on par with the language of Cache or the beautiful, moody drenched cinematography from The White Ribbon though.
Haneke rankings for the sake of it:
1) Cache (Hidden)
2) The White Ribbon
3) The Piano Teacher
4) Code Unknown
5) Funny Games US
Chronicle - 7/10
I've lowered this since I've seen it upon reflection, but I had a blast. The found footage gimmick is a little shoe horned in, and even a little detrimental to the writing. But it doesn't have the Cloverfield/everything else problems because the main character has the ability to rotate the camera steadily with his powers. But yeah the characters are fairly believable, as are the scenarios which find that line between fun and believable without being 'gritty.' It also uses the powers as a jumping off point to tackle real teenage problems - sex, popularity and a troubled family. Don't expect anything to deep, but I was surprised by just how engaged I was by the end - which feels like a mash up between Akira and Carrie. Well worth seeing, probably the most fun I've had with a 'Superhero' film since Spiderman 2.
He loves Me, He loves Me Not - 5/10
Lol I guess you see this as a solid example of multiple meanings being conveyed through the visuals and performance. And in that regard it's... kinda successful. I don't know, it's also so obvious and heavy handed in its symbolism. It's script is clunky - some scenarios just would not happen and rely so heavily on assumptions and chance encounters. And some of the acting was weak, especially from the supporting roles. Nah dull as hell even at 95 minutes.
Carnage - 6/10
Not great, despite a few good moments. I really only enjoyed Waltz and Foster's contrary performances. The script was heavy handed, the humor was few and far between and Polanski's visual style is pretty straightforward. It wasn't particular engaging and the ending didn't really feel justified.