The_Greek_Hoplite
pinin' for the fjords
- Feb 2, 2007
- 96,484
- 46,794
Which as we might remember was the first major hit of the streaming era and is now for some reason become totally memory-holed.
Both even feature a white protagonist who leads a predominately POC cast, whose stories are mangled into some generic shape made legible/inoffensive for middle class white liberal audience. As the series progresses, we see that protagonist become (at best) a tertiary character
It also resembles the monoculture media spearheaded by Disney-Marvel-Star Wars (who own FX/Hulu) in that there is No free-standing details; every line, every prop, every eccentricity is turned into "Lore" and eventually explained
- Fake working class drama written by rich person
- Wild tonal inconsistency
- Didactic story-telling
- heightened melodrama, incessant monologuing
- "poor people may look scary but inside they all have hearts of gold"
- Intensely Therapeutic: cynically and selectively reveals, and then narrativizes, character's Biographical Trauma as Journey of Self Healing
Both even feature a white protagonist who leads a predominately POC cast, whose stories are mangled into some generic shape made legible/inoffensive for middle class white liberal audience. As the series progresses, we see that protagonist become (at best) a tertiary character
It also resembles the monoculture media spearheaded by Disney-Marvel-Star Wars (who own FX/Hulu) in that there is No free-standing details; every line, every prop, every eccentricity is turned into "Lore" and eventually explained
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