Looked it up. And with Kanye West, Big Sean, and Jadakiss, I can already tell I don't like it.The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
Engineering probably took it off the word list. Why is another thing entirely.Why is Badass not censored in the title all of the sudden?
I like Chief Keef's music. Not moreso than Earl and Joey's, but I like it.
The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
I can't agree, but that said if you're going off the remix and not the OG, it's safe to say that you've pretty much said Keef's chorus>their career, which isn't true. At least imo anyway.The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
Joey Badass has a lot of potential, but If I really wanted to listen to a teenager spit multisyllables over 90's style production, I'd just put on Illmatic. Joey's tape doesn't really have a lot of depth and while I like the production, I am more interested in hearing what he can do over original beats. He is in the same boat as Diggy is to me. I can hear the makings of a good artist, but he has not quite figured things out, yet. They both need more time to mature.The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
I usually don't get distraught over opinions but this is complete NONSENSE!
Joey Badass has a lot of potential, but If I really wanted to listen to a teenager spit multisyllables over 90's style production, I'd just put on Illmatic. Joey's tape doesn't really have a lot of depth and while I like the production, I am more interested in hearing what he can do over original beats. He is in the same boat as Diggy is to me. I can hear the makings of a good artist, but he has not quite figured things out, yet. They both need more time to mature.The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
I usually don't get distraught over opinions but this is complete NONSENSE!
Earl has one tape and it sounds dated at this point. Odd Future's production and mastering have taken a step forward and outside of a few tracks, I don't really revisit it. "Don't Like" is a certified banger and since the three of them only have one or two projects apiece, "Don't Like" is, to me, easily the best song any of them has released.
On this point, outside of the whole "Free Earl" movement, of which Earl wasn't actually a part, "Don't Like" is greater than anything the other three have done to this point. Keef got a larger deal off of "I Don't Like" than Earl did off of his sabbatical in Samoa. Not by a lot, but they're all at basically the same point in their careers and Keef has the biggest success of the three.I can't agree, but that said if you're going off the remix and not the OG, it's safe to say that you've pretty much said Keef's chorus>their career, which isn't true. At least imo anyway.The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
I usually don't get distraught over opinions but this is complete NONSENSE!
And I'd say there are better tapes, but "Don't Like" is up there with any number of certified bangers. Nothing on Earl, 1999 or Rejex is up there with some of their styles' best offerings. Perhaps "Earl" as far as horrorcore goes, but I'm not much for horrorcore, so I don't know.Joey Badass has a lot of potential, but If I really wanted to listen to a teenager spit multisyllables over 90's style production, I'd just put on Illmatic. Joey's tape doesn't really have a lot of depth and while I like the production, I am more interested in hearing what he can do over original beats. He is in the same boat as Diggy is to me. I can hear the makings of a good artist, but he has not quite figured things out, yet. They both need more time to mature.I usually don't get distraught over opinions but this is complete NONSENSE!
Earl has one tape and it sounds dated at this point. Odd Future's production and mastering have taken a step forward and outside of a few tracks, I don't really revisit it. "Don't Like" is a certified banger and since the three of them only have one or two projects apiece, "Don't Like" is, to me, easily the best song any of them has released.
Okay c'mon now, this is just unfair....
I could literally make this same exact comment for Chief Keef & many other upcoming artists with a similar style to anybody else in the game. I am more interested in hearing as to how this mixtape is missing in depth. I honestly think 1999 was an outstanding mixtape...
Tyler isn't inferior to Earl at all. Goblin and Bastard were both better than Earl. Hodgy has A LOT more enjoyable verses than Earl. Not even close honestlyTyler and Hodgy, are for one, inferior to Earl in terms of skill. Also, Earl has an upcoming album, next year I think.
And I'd say there are better tapes, but "Don't Like" is up there with any number of certified bangers. Nothing on Earl, 1999 or Rejex is up there with some of their styles' best offerings. Perhaps "Earl" as far as horrorcore goes, but I'm not much for horrorcore, so I don't know.Joey Badass has a lot of potential, but If I really wanted to listen to a teenager spit multisyllables over 90's style production, I'd just put on Illmatic. Joey's tape doesn't really have a lot of depth and while I like the production, I am more interested in hearing what he can do over original beats. He is in the same boat as Diggy is to me. I can hear the makings of a good artist, but he has not quite figured things out, yet. They both need more time to mature.
Earl has one tape and it sounds dated at this point. Odd Future's production and mastering have taken a step forward and outside of a few tracks, I don't really revisit it. "Don't Like" is a certified banger and since the three of them only have one or two projects apiece, "Don't Like" is, to me, easily the best song any of them has released.
Okay c'mon now, this is just unfair....
I could literally make this same exact comment for Chief Keef & many other upcoming artists with a similar style to anybody else in the game. I am more interested in hearing as to how this mixtape is missing in depth. I honestly think 1999 was an outstanding mixtape...
Joey is rough around the edges. He hasn't mastered imagery or song structure, his hooks can be deflating, his delivery is a bit underwhelming and in general he just has a lot of room for improvement. I also felt like his beat choices lacked diversity and the tape was a bit long.
No, I was talking about quality. "Don't Like" excels in all the areas you want a track like that to excel. Joey Badass and Earl do a lot of things well, but they haven't really put their skills together in a way that makes them worth listening to over other's with similar styles.
Meh. His delivery leaves so much to be desired and that hook is terrible. The lyrics to the hook aren't bad, but he doesn't deliver it with any gusto. It's just lazy sounding. Further, that second verse is just a mish-mosh of "the streets are bad, mmmkay?" His focus is all over the place and he fails to really capture a consistent image or theme beyond the generic "streets are hard" motif.No, I was talking about quality. "Don't Like" excels in all the areas you want a track like that to excel. Joey Badass and Earl do a lot of things well, but they haven't really put their skills together in a way that makes them worth listening to over other's with similar styles.
Okay well than "Hardknock" excels in all the areas you want a track like that to succeed in...
Why does Keef not get credit for having a song dope enough to warrant a remix with features from big name rappers? The chorus is still 100% his and the beat still has most of the gutter sensibility Young Chop's original did, but with some added strings and effects. It's not like because Kanye had his hand in it it's now his song.
My basic point is "Don't Like" is a really good song and while I hear a lot of potential in Earl and Joey Badass, neither of them have released a song that completely utilizes their skills in the way "Don't Like" does for Chief Keef.
Why does Keef not get credit for having a song dope enough to warrant a remix with features from big name rappers? The chorus is still 100% his and the beat still has most of the gutter sensibility Young Chop's original did, but with some added strings and effects. It's not like because Kanye had his hand in it it's now his song.
My basic point is "Don't Like" is a really good song and while I hear a lot of potential in Earl and Joey Badass, neither of them have released a song that completely utilizes their skills in the way "Don't Like" does for Chief Keef.
Agreed. Love that shit.The remix of "Don't Like" > anything the other two artists have done. "Earl" is the only thing that comes close.
I usually don't get distraught over opinions but this is complete NONSENSE!
Don't give a **** about Earl but 1999 is better than anything Keef is even remotely capable of. That is indeed a pretty ridiculous statement.
>>>>> anything by Chief Keef.
This too. Joey's second verse on Hardknock is crazy good."Fu** prison letters, those barettas lead us to the lettuce".
...
zayum.
This too. Joey's second verse on Hardknock is crazy good."Fu** prison letters, those barettas lead us to the lettuce".
...
zayum.
That line is cheesy. It's pretty shallow outside of the multis and even then, there's nothing particularly mindblowing about rhyming barettas, lead us and lettuce."Fu** prison letters, those barettas lead us to the lettuce".
...
zayum.
Based on your posts in here I think it's obvious that your standards for Joey's subgenre are far more rigorous and difficult to attain than Keef's are. It sounds like Joey has to be an elite MC or do everything right for him to be worth listening to while all Keef has to do is manage to not give us cancer through his musicMeh. His delivery leaves so much to be desired and that hook is terrible. The lyrics to the hook aren't bad, but he doesn't deliver it with any gusto. It's just lazy sounding. Further, that second verse is just a mish-mosh of "the streets are bad, mmmkay?" His focus is all over the place and he fails to really capture a consistent image or theme beyond the generic "streets are hard" motif.No, I was talking about quality. "Don't Like" excels in all the areas you want a track like that to excel. Joey Badass and Earl do a lot of things well, but they haven't really put their skills together in a way that makes them worthbgenr listening to over other's with similar styles.
Okay well than "Hardknock" excels in all the areas you want a track like that to succeed in...
This is why I said he is rough around the edges. There's plenty to like on "Hardknock" but it is far from a complete song. It lacks polish and little focus and structure in his verses would go a long way.
That line is cheesy. It's pretty shallow outside of the multis and even then, there's nothing particularly mindblowing about rhyming barettas, lead us and lettuce."Fu** prison letters, those barettas lead us to the lettuce".
...
zayum.
Based on your posts in here I think it's obvious that your standards for Joey's subgenre are far more rigorous and difficult to attain than Keef's are. It sounds like Joey has to be an elite MC or do everything right for him to be worth listening to while all Keef has to do is manage to not give us cancer through his musicMeh. His delivery leaves so much to be desired and that hook is terrible. The lyrics to the hook aren't bad, but he doesn't deliver it with any gusto. It's just lazy sounding. Further, that second verse is just a mish-mosh of "the streets are bad, mmmkay?" His focus is all over the place and he fails to really capture a consistent image or theme beyond the generic "streets are hard" motif.Okay well than "Hardknock" excels in all the areas you want a track like that to succeed in...
This is why I said he is rough around the edges. There's plenty to like on "Hardknock" but it is far from a complete song. It lacks polish and little focus and structure in his verses would go a long way.
Based on your posts in here I think it's obvious that your standards for Joey's subgenre are far more rigorous and difficult to attain than Keef's are. It sounds like Joey has to be an elite MC or do everything right for him to be worth listening to while all Keef has to do is manage to not give us cancer through his musicMeh. His delivery leaves so much to be desired and that hook is terrible. The lyrics to the hook aren't bad, but he doesn't deliver it with any gusto. It's just lazy sounding. Further, that second verse is just a mish-mosh of "the streets are bad, mmmkay?" His focus is all over the place and he fails to really capture a consistent image or theme beyond the generic "streets are hard" motif.
This is why I said he is rough around the edges. There's plenty to like on "Hardknock" but it is far from a complete song. It lacks polish and little focus and structure in his verses would go a long way.
Best post Ive read in a while