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The Caves of Steel (The Robot Series) Mass Market Paperback – December 1, 1991
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Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to the Outer Worlds to help track down the killer.
The relationship between Life and his Spacer superiors, who distrusted all Earthmen, was strained from the start. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the “R” stood for robot—and his positronic partner was made in the image and likeness of the murder victim!
- Print length288 pages
- LanguageEnglish
- PublisherSpectra
- Publication dateDecember 1, 1991
- Dimensions4.15 x 0.75 x 6.87 inches
- ISBN-109780553293401
- ISBN-13978-0553293401
- Lexile measure750L
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Editorial Reviews
From the Publisher
From the Back Cover
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
CONVERSATION WITH A COMMISSIONER
Lije Baley had just reached his desk when he became aware of R. Sammy watching him expectantly.
The dour lines of his long face hardened. “What do you want?”
“The boss wants you, Lije. Right away. Soon as you come in.”
“All right.”
R. Sammy stood there blankly.
Baley said, “I said, all right. Go away!”
R. Sammy turned on his heel and left to go about his duties. Baley wondered irritably why those same duties couldn’t be done by a man.
He paused to examine the contents of his tobacco pouch and make a mental calculation. At two pipefuls a day, he could stretch it to next quota day.
Then he stepped out from behind his railing (he’d rated a railed corner two years ago) and walked the length of the common room.
Simpson looked up from a merc-pool file as he passed. “Boss wants you, Lije.”
“I know. R. Sammy told me.”
A closely coded tape reeled out of the merc-pool’s vitals as the small instrument searched and analyzed its “memory” for the desired information stored in the tiny vibration pattern of the gleaming mercury surface within.
“I’d kick R. Sammy’s behind if I weren’t afraid I’d break a leg,” said Simpson. “I saw Vince Barrett the other day.”
“Oh?”
“He was looking for his job back. Or any job in the Department. The poor kid’s desperate, but what could I tell him? R. Sammy’s doing his job and that’s all. The kid has to work a delivery tread on the yeast farms now. He was a bright boy, too. Everyone liked him.”
Baley shrugged and said in a manner stiffer than he intended or felt, “It’s a thing we’re all living through.”
The boss rated a private office. It said JULIUS ENDERBY on the clouded glass. Nice letters. Carefully etched into the fabric of the glass. Underneath, it said COMMISSIONER OF POLICE, CITY OF NEW YORK.”
“Baley stepped in and said, “You want to see me, Commissioner?”
Enderby looked up. He wore spectacles because his eyes were sensitive and couldn’t take the usual contact lenses. It was only after one got used to the sight of them that one could take in the rest of the face, which was quite undistinguished. Baley had a strong notion that the Commissioner valued his glasses for the personality they lent him and suspected that his eyeballs weren’t as sensitive as all that.
The Commissioner looked definitely nervous. He straightened his cuffs, leaned back, and said, too heartily, “Sit down, Lije. Sit down.”
Baley sat down stiffly and waited.
Enderby said, “How’s Jessie? And the boy?”
“Fine,” said Baley, hollowly. “Just fine. And your family?”
“Fine,” echoed Enderby. “Just fine.” It had been a false start.
Baley thought: Something’s wrong with his face.
“Aloud, he said, “Commissioner, I wish you wouldn’t send R. Sammy out after me.”
“Well, you know how I feel about those things, Lije. But he’s been put here and I’ve got to use him for something.”
“It’s uncomfortable, Commissioner. He tells me you want me and then he stands there. You know what I mean. I have to tell him to go or he just keeps on standing there.”
“Oh, that’s my fault, Lije. I gave him the message to deliver and forgot to tell him specifically to get back to his job when he was through.”
“Baley sighed. The fine wrinkles about his intensely brown eyes grew more pronounced. “Anyway, you wanted to see me.”
“Yes, Lije,” said the Commissioner, “but not for anything easy.”
He stood up, turned away, and walked to the wall behind his desk. He touched an inconspicuous contact switch and a section of the wall grew transparent.
Baley blinked at the unexpected insurge of grayish light.
The Commissioner smiled. “I had this arranged specially last year, Lije. I don’t think I’ve showed it to you before. Come over here and take a look. In the old days, all rooms had things like this. They were called ‘windows.’ Did you know that?”
Baley knew that very well, having viewed many historical novels.
“I’ve heard of them,” he said.
“Come here.”
Baley squirmed a bit, but did as he was told. There was something indecent about the exposure of the privacy of a room to the outside world. Sometimes the Commissioner carried his affection of Medievalism to a rather foolish extreme.
Like his glasses, Baley thought.
That was it! That was what made him look wrong!
Baley said, “Pardon me, Commissioner, but you’re wearing new glasses, aren’t you?”
The Commissioner stared at him in mild surprise, took off his glasses, looked at them and then at Baley. Without his glasses, his round face seemed rounder and his chin a trifle more pronounced. He looked vaguer, too, as his eyes failed to focus properly.
He said, “Yes.”
He put his glasses back on his nose, then added with real anger, “I broke my old ones three days ago. What with one thing or another I wasn’t able to replace them till this morning. Lije, those three days were hell.”
“On account of the glasses?”
“And other things, too. I’m getting to that.”
He turned to the window and so did Baley. With mild shock, Baley realized it was raining. For a minute, he was lost in the spectacle of water dropping from the sky, while the Commissioner exuded a kind of pride as though the phenomenon were a matter of his own arranging.
“This is the third time this month I’ve watched it rain. Quite a sight, don’t you think?”
“Against his will, Baley had to admit to himself that it was impressive. In his forty-two years he had rarely seen rain, or any of the phenomena of nature, for that matter.
He said, “It always seems a waste for all that water to come down on the city. It should restrict itself to the reservoirs.”
“Lije,” said the Commissioner, “you’re a modernist. That’s your trouble. In Medieval times, people lived in the open. I don’t mean on the farms only. I mean in the cities, too. Even in New York. When it rained, they didn’t think of it as waste. They gloried in it. They lived close to nature. It’s healthier, better. The troubles of modern life come from being divorced from nature. Read up on the Coal Century, sometime.”
Baley had. He had heard many people moaning about the invention of the atomic pile. He moaned about it himself when things went wrong, or when he got tired. Moaning like that was a built-in facet of human nature. Back in the Coal Century, people moaned about the invention of the steam engine. In one of Shakespeare’s plays, a character moaned about the invention of gunpowder. A thousand years in the future, they’d be moaning about the invention of the positronic brain.
The hell with it.
He said, grimly, “Look, Julius.” (It wasn’t his habit to get friendly with the Commissioner during office hours, however many ‘Lijes’ the Commissioner threw at him, but something special seemed called for here.) “Look, Julius, you’re talking about everything except what I came in here for, and it’s worrying me. What is it?”
The Commissioner said, “I’ll get to it, Lije. Let me do it my way. It’s—it’s trouble.”
“Sure. What isn’t on this planet? More trouble with the R’s?”
“In a way, yes. Lije. I stand here and wonder how much more trouble the old world can take. When I put in this window, I wasn’t just letting in the sky once in a while. I let in the City. I look at it and I wonder what will become of it in another century.”
Baley felt repelled by the other’s sentimentality, but he found himself staring outward in fascination. Even dimmed by the weather, the City was a tremendous thing to see. The Police Department was in the upper levels of City Hall, and City Hall reached high. From the Commissioner’s window, the neighboring towers fell short and the tops were visible. They were so many fingers, groping upward. Their walls were blank, featureless. They were the outer shells of human hives.
“In a way,” said the Commissioner, “I’m sorry it’s raining. We can’t see Spacetown.”
Baley looked westward, but it was as the Commissioner said. The horizon closed down. New York’s towers grew misty and came to an end against blank whiteness.
“I know what Spacetown is like,” said Baley.
“I like the picture from here,” said the Commissioner. “It can just be made out in the gap between the two Brunswick Sectors. Low domes spread out. It’s the difference between us and the Spacers. We reach high and crowd close. With them, each family has a dome for itself. One family: one house. And land between each dome. Have you ever spoken to any of the Spacers, Lije?”
“A few times. About a month ago, I spoke to one right here on your intercom,” Baley said, patiently.
“Yes, I remember. But then, I’m just getting philosophical. We and they. Different ways of life.”
Baley’s stomach was beginning to constrict a little. The more devious the Commissioner’s approach, the deadlier he thought might be the conclusion.
He said, “All right. But what’s so surprising about it? You can’t spread eight billion people over Earth in little domes. They’ve got space on their worlds, so let them live their way.”
Product details
- ASIN : 0553293400
- Publisher : Spectra; Reprint edition (December 1, 1991)
- Language : English
- Mass Market Paperback : 288 pages
- ISBN-10 : 9780553293401
- ISBN-13 : 978-0553293401
- Lexile measure : 750L
- Item Weight : 4.8 ounces
- Dimensions : 4.15 x 0.75 x 6.87 inches
- Best Sellers Rank: #89,507 in Books (See Top 100 in Books)
- #523 in Hard Science Fiction (Books)
- #1,399 in Space Operas
- #2,301 in Classic Literature & Fiction
- Customer Reviews:
About the authors
Isaac Asimov (/ˈaɪzᵻk ˈæzᵻmɒv/; born Isaak Yudovich Ozimov; circa January 2, 1920 – April 6, 1992) was an American author and professor of biochemistry at Boston University, best known for his works of science fiction and for his popular science books. Asimov was prolific and wrote or edited more than 500 books and an estimated 90,000 letters and postcards. His books have been published in 9 of the 10 major categories of the Dewey Decimal Classification.
Asimov wrote hard science fiction and, along with Robert A. Heinlein and Arthur C. Clarke, he was considered one of the "Big Three" science fiction writers during his lifetime. Asimov's most famous work is the Foundation Series; his other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are explicitly set in earlier history of the same fictional universe as the Foundation series. Later, beginning with Foundation's Edge, he linked this distant future to the Robot and Spacer stories, creating a unified "future history" for his stories much like those pioneered by Robert A. Heinlein and previously produced by Cordwainer Smith and Poul Anderson. He wrote hundreds of short stories, including the social science fiction "Nightfall", which in 1964 was voted by the Science Fiction Writers of America the best short science fiction story of all time. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French.
Asimov also wrote mysteries and fantasy, as well as much nonfiction. Most of his popular science books explain scientific concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. He often provides nationalities, birth dates, and death dates for the scientists he mentions, as well as etymologies and pronunciation guides for technical terms. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery, as well as works on astronomy, mathematics, history, William Shakespeare's writing, and chemistry.
Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". He took more joy in being president of the American Humanist Association. The asteroid 5020 Asimov, a crater on the planet Mars, a Brooklyn elementary school, and a literary award are named in his honor.
Bio from Wikipedia, the free encyclopedia. Photo by Phillip Leonian from New York World-Telegram & Sun [Public domain], via Wikimedia Commons.
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Customers find the book engaging, compelling, and appreciate the insights into the human condition. They also describe the storyline as interesting, classic, and works in a science fiction setting. Readers praise the writing as well-written and detailed. They find the themes interesting, disturbingly contemporary, and no guesswork. They describe the characters as memorable and the pace as fast.
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Customers find the book compelling, fantastic, and relevant. They also say the story is well-thought-out, fun, and delivers on all counts.
"Somehow a perfect straddle of poignantly philosophical and straight up good old mystery solving fun with a great twist...." Read more
"...The man was incredibly intelligent and used the knowledge he gained from his diverse studies to develop intricate worlds with beautiful story telling..." Read more
"...our own world that everything is unfamiliar, this is a wonderful story in which to indulge." Read more
"...shines in "Caves of Steel," making it a timeless and relevant piece of literature that deserves a place in the spotlight for its contributions to..." Read more
Customers find the storyline interesting, but not ground-breaking. They also say the book integrates science fiction and mystery successfully. Readers describe the book as a good murder mystery and one of Asimov's best.
"...A beautiful story about the creation of consciousness all nestled within a tasty pulp scifi mystery treat." Read more
"...The story is interesting but not ground breaking, and so I've decided to give it four stars for being a great product but not the best." Read more
"...This novel is not only a compelling work of fiction but also a reflection on the potential consequences of advanced technology and social change...." Read more
"A very good story but I found the science fiction a sort of clunky projection of the 1950's...." Read more
Customers find the writing and content well-written, easy to read, and terrific. They also appreciate the use of complex vocabulary, high production attention to detail, and perfect language for any age. Readers also mention the book delivers on all counts, including characterization, plot, and immersion in the story.
"...The world-building in this series of novels is very deep and detailed. All citizens of Earth are given the necessities to live, but only just enough...." Read more
"...This is a very easy read. It's easy to see why Asimov is considered to be one of the best science fiction writers of all times...." Read more
"...Asimov’s descriptive writing style and fantastic world building makes this a real treat and a glimpse and true literary perfection in every sense." Read more
"...So. It wasn't terrible, but still. Disliked it for use of dated words and presentations...." Read more
Customers find the world-building interesting, believable, and well-crafted. They also appreciate the highly esteemed philosophical views and three-law puzzles. Readers mention the book is refreshingly contemporary and disturbingly contemporary.
"...a perfect straddle of poignantly philosophical and straight up good old mystery solving fun with a great twist...." Read more
"...but he's very effective and clear and professional, and his world-building is superb...." Read more
"...the novel is the way Asimov can visualize, create, and set up with society and world, with the humans, robots, and Spacers...." Read more
"...many respects - and yet so astonishingly, refreshingly and disturbingly contemporary...." Read more
Customers find the characters in the book memorable and skillful in bringing human elements to the forefront of his stories. They also describe the author as a great science fiction detective novel. Customers also say the book is in the best tradition of mystery writing from Agatha Christy to James.
"...short story compilation "I, Robot", it was still an excellent story with memorable characters...." Read more
"...This book is a little more fast-paced and character driven then some of his other stuff, which makes it all the more difficult to put down...." Read more
"...to fully get through this on and it was fantastic, story and the characters were engaging and the blend of sci-fi and and mystery was a fun play on..." Read more
"...In this book he not only entertain us with a great sci-fi detective novel but he also projects into the future the 1950's mindset and stereotypes...." Read more
Customers find the pace of the book fast and enjoyable.
"...This book is a little more fast-paced and character driven then some of his other stuff, which makes it all the more difficult to put down...." Read more
"...You'll also find it a fairly fast read, too, though don't mistake this for a simple story, because it's anything but." Read more
"...I really liked the flow of this book and it was amusing that there were no swear words, only old style words." Read more
"...His writing is as relevant, creative and timely now as it was when it was written over 70 years ago.TheYou can't go wrong reading Asimov!" Read more
Customers find the book's imagination relevant, creative, and forward-thinking.
"...and set up of society that Asimov projects is quite fascinating and imaginative...." Read more
"...The world of Asimov's robot stories is unique and well thought-through...." Read more
"WOW, so cool, so fun, so forward thinking!..." Read more
"...This story is more than 50 years old and still fresh and creative. Asimov was a genius whose like may never come again...." Read more
Customers find the book dated and predictable.
"...As a story it is a bit dated and a little predictable (but remember I had read it already) and probably really rates three stars...." Read more
"...ago, so even though it is placed in the future, it still is a bit old fashioned. Though that was one of the things I enjoyed about it." Read more
"...But it's definitely satisfying.It's very outdated with the technology and stats mentioned in the book, but hey, it's a classic sci-fi..." Read more
"...While Asimov's detective seems a bit dated and odd, it was still an enjoyable read." Read more
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Asimov is a great author, and while this book may not necessarily be a classic must read, it is still very enjoyable to anyone interested in Science Fiction, robotics, artificial intelligence, ethics, philosophy, and programming.
The book came in perfect condition, no defects or deformations, no printing errors, no upside down pages or anything of the like. The story is interesting but not ground breaking, and so I've decided to give it four stars for being a great product but not the best.
The world-building in this series of novels is very deep and detailed. All citizens of Earth are given the necessities to live, but only just enough. You get basic food, a place to sleep, and a little bit of access to recreational services. Everyone is classified according to their jobs and contributions, and the higher a classification you have, the more you are entitled to. Higher classifications get better and bigger apartments and a wider selection of food. And with food being served in cavernous cafeterias, sometimes one even gets to occasionally prepare their own meals in their own kitchens, if their rating is high enough. Bathrooms are rarely in the apartments assigned to citizens, and instead are large and sprawling communal areas where different societal norms have taken hold. Women tend to chat and socialize extensively in their "Personals", while men, in an attempt to afford each other privacy, have developed a deep aversion to acknowledging in any way other residents (never look at someone, and never ever speak inside a Personal). The difference between the two sexes almost seems a bit sexist, but in reality just reflects some of the views towards the sexes that exist even to this day. Later books in the series where life is shown on Spacer worlds shatter these conventions and seem foreign to our protagonist. All in all, it's a fascinating background in which the story unfolds.
And the story is a simple murder mystery. Elijah Baley is a detective in NYC's police department. NYC, incidentally, has grown over the centuries, and grown so large that cities like Trenton, NJ are considered boroughs and are part of the enclosed city-structure. There is a settlement of Spacers called Spacertown outside of NYC, and a prominent roboticist has been murdered. This creates a bit of a political crisis. Spacers have advanced their technology and can enforce their will upon Earth and Earthlings, who have been content to just live in their covered cities. Spacers tend to strongly dislike Earth, and there is a very real and substantial fear that Spacers may take control of Earth. Having one of their prominent citizens murdered will only enhance this, and it's up to Detective Baley to resolve this murder. He is assigned a partner in the form of R. Daneel Olivaw, a humaniform robot (one so lifelike it's hard to tell apart from a human). Daneel is one of only two robots in existence who are like this. Baley must get over his inherent dislike of robots that all Earthlings feel and work with Daneel to find the murderer and quell the rising unease between Earth and the Spacers.
Isaac Asimov is not exactly a poet with his writing, but he's very effective and clear and professional, and his world-building is superb. His attention to details draws the reader in and makes for a very effective mystery. Like all good sci-fi writers, he doesn't lose sight of the story during the process of introducing the reader to the science. By the time the story is resolved, the reader does enjoy Baley and Daneel, and has the pleasure of looking forward to reading more about them in the two follow-up stories, "The Naked Sun" and "The Robots of Dawn". Those two take place on two different Spacer worlds, and in some wonderful writing, the differences in those worlds is as dramatic as the difference is between the futuristic Earth of "The Caves of Steel" and our own present Earth. If you enjoy science-fiction that introduces new advanced concepts and worlds and ideas, but still enjoy being not so far removed from our own world that everything is unfamiliar, this is a wonderful story in which to indulge.
Asimov's mastery of world-building and his exploration of complex themes like prejudice, technology, and the nature of humanity make "Caves of Steel" a thought-provoking read. The book's blend of mystery and science fiction keeps readers engaged throughout, and the dynamic between Baley and Olivaw adds depth to the narrative.
This novel is not only a compelling work of fiction but also a reflection on the potential consequences of advanced technology and social change. It's a must-read for fans of both science fiction and detective genres. Asimov's storytelling prowess shines in "Caves of Steel," making it a timeless and relevant piece of literature that deserves a place in the spotlight for its contributions to the genre.
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P.D. El libro llegó en excelentes condiciones y en el tiempo programado :)
Das Buch ist großartig - wie alles von Azimov. Großer Fan!