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Neuromancer (Sprawl Trilogy Book 1) Kindle Edition


Winner of the Hugo, Nebula, and Philip K. Dick Awards, Neuromancer is a science fiction masterpiece—a classic that ranks as one of the twentieth century’s most potent visions of the future.

Case was the sharpest data-thief in the matrix—until he crossed the wrong people and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street-samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction.

Neuromancer was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.
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Editorial Reviews

Amazon.com Review

Here is the novel that started it all, launching the cyberpunk generation, and the first novel to win the holy trinity of science fiction: the Hugo Award, the Nebula Award and the Philip K. Dick Award. With Neuromancer, William Gibson introduced the world to cyberspace--and science fiction has never been the same.

Case was the hottest computer cowboy cruising the information superhighway--jacking his consciousness into cyberspace, soaring through tactile lattices of data and logic, rustling encoded secrets for anyone with the money to buy his skills. Then he double-crossed the wrong people, who caught up with him in a big way--and burned the talent out of his brain, micron by micron. Banished from cyberspace, trapped in the meat of his physical body, Case courted death in the high-tech underworld. Until a shadowy conspiracy offered him a second chance--and a cure--for a price....

Review

Praise for Neuromancer

“Freshly imagined, compellingly detailed, and chilling in its implications.”—
The New York Times
 
“Kaleidoscopic, picaresque, flashy, decadent...an amazing virtuoso performance.”—
The Washington Post
 
“Science fiction of exceptional texture and vision...Gibson opens up a new genre, with a finely crafted grittiness.”—
San Francisco Chronicle
 
“Epic in scale...shimmers like chrome in a desert sun.”—
The Wall Street Journal
 
“A revolutionary novel.”—
Publishers Weekly
 
“In with the ruthless violence, the hyperreality, the betrayal and death, is an unquenchable love of language. Gibson has that in common with Le Guin and with J. G. Ballard.
Neuromancer sings to us as a collage of voices, a mixed chorus, some trustworthy and others malicious, some piped through masks.”—James Gleick
 
“Streetwise SF... one of the most unusual and involving narratives to be read in many an artificially induced blue moon.”—
London Times
 
“Unforgettable...the richness of Gibson’s world is incredible.”—
Chicago Sun-Times
 

Product details

  • ASIN ‏ : ‎ B000O76ON6
  • Publisher ‏ : ‎ Ace; Reprint edition (July 1, 2000)
  • Publication date ‏ : ‎ July 1, 2000
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2091 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 268 pages
  • Customer Reviews:

About the author

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William Gibson
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William Gibson is the award-winning author of Neuromancer, Mona Lisa Overdrive, The Difference Engine, with Bruce Sterling, Virtual Light, Idoru, All Tomorrow's Parties and Pattern Recognition. William Gibson lives in Vancouver, Canada. His latest novel, published by Penguin, is Spook Country (2007).

Customer reviews

4.3 out of 5 stars
16,287 global ratings

Customers say

Customers find the storyline captivating, delicious, and adrenaline-charged. They also describe the worldbuilding as preposterously imaginative, relevant, and gritty noire sensibilities. However, some find the entertainment value not compelling. Opinions are mixed on the pacing, writing style, and characterization. Some find the writing fabulous and tight, while others say it's not that profound. Readers also disagree on readability, with some finding it very well written and entertaining, while other find it confusing and lacking in cliches.

AI-generated from the text of customer reviews

282 customers mention "Storyline"226 positive56 negative

Customers find the storyline captivating, entertaining, and immersive. They also describe the book as a science fiction classic with imagination and style. Readers also mention that the book is set in a deliciously cyberpunk setting.

"...Thebook is also full of almost nonstop action from beginning to end, and theclimax is suitably spectacular...." Read more

"..."Neuromancer" manages to strike the balance between telling a satisfying, interesting story and showcasing the author's (sometimes terrifying) world..." Read more

"...It has all the elements of a good read: drama, tension, conflict, mystery, a beautiful girl with 'a past'... Gibson even invented the terms..." Read more

"...Somehow despite such a scifi bleak setting, the story was pretty human, the emotional core embodied by Linda Mei central to the driving force behind..." Read more

200 customers mention "Worldbuilding"174 positive26 negative

Customers find the worldbuilding in the book preposterously imaginative, authentic, and groundbreaking. They also appreciate the sense of possibility and disorientation as the narrative zips around. Additionally, readers mention that the issues Gibson presents are quite important today.

"...affected or pretentious. His world-building is so authentic you can almost feeland smell the environments the characters find themselves in...." Read more

"...wrote this before many of these things existed, his ideas have stayed largely relevant because many are things that science is still trying to make..." Read more

"...novel rewards readers with its richly imagined universe and thought-provoking themes. Once you start reading it, its tough to put down." Read more

"...Which is not to say it's not good. Well written, preposterously imaginative, well paced, it kept drawing me back even while it confused the hell out..." Read more

37 customers mention "World building"27 positive10 negative

Customers find the world building captivating, vivid, and accurate. They also say it's a cool, very familiar world with lots of virtual reality and matrix visualizing. Readers also say the book juxtaposes dread brilliantly with subtle and delicately poetic prose. They describe it as a good example of dark optimism and heroic sacrifice.

"...and depressing; however, Gibson juxtaposes this sense of dread brilliantly with his subtle, and delicately poetic prose...." Read more

"...It pulls you in a different, yet strangely very familiar world, full of well written characters and complex and engaging plot...." Read more

"...choice for a while but throw in his style of disjointed noir, minimal world building, and DEEP drug use and addiction and, well, it was a..." Read more

"...perfectly paints a dystopian picture that is Night City, with incredible detail...." Read more

599 customers mention "Readability"395 positive204 negative

Customers are mixed about the readability. Some find the book very well written with intriguing and novel ideas. They also say the style of prose makes for a unique reading experience. However, some customers find the plot confusing and dense. They mention that the book has no big twists or insights, and that it's hard to follow who is who.

"...Gibson's distinct style of prose makes for a unique reading experience, and though the characters fell a bit short of what I wanted, I'm glad I..." Read more

"...Though intricate and fast-paced, the novel rewards readers with its richly imagined universe and thought-provoking themes...." Read more

"...so it's not a particularly easy read either.But really, none of this matters, because the writing is so good that you get..." Read more

"...Which is not to say it's not good. Well written, preposterously imaginative, well paced, it kept drawing me back even while it confused the hell out..." Read more

92 customers mention "Characterization"57 positive35 negative

Customers are mixed about the characterization. Some mention that the author creates great characters, and the book is written well. However, others say that they don't care about the characters.

"I really liked this book, it was written so well, the author treated me like an adult, and didnt mind explaining anything such as trobes, the..." Read more

"...this development that I craved began to shine through, the characters seemed distant throughout most of the novel...." Read more

"...Gibson's characters were good, but they never approached greatness...." Read more

"...It started strong, with interesting characters and vivid descriptions...." Read more

46 customers mention "Pacing"26 positive20 negative

Customers have mixed opinions about the pacing of the book. Some find the tempo quick but deliberate, while others say it's a little slow and hard to follow at first.

"...Though intricate and fast-paced, the novel rewards readers with its richly imagined universe and thought-provoking themes...." Read more

"...Ok, so the beginning is a little slow..." Read more

"...Well written, preposterously imaginative, well paced, it kept drawing me back even while it confused the hell out of me...." Read more

"...This sometimes makes for a slow read during the less action oriented parts of the novel...." Read more

42 customers mention "Writing style"16 positive26 negative

Customers are mixed about the writing style. Some mention that it has a fabulous use of language, and a high-concept imagination. They say that every word is gripping and evocative. However, others say that it lacks sharp social commentary, humanity, and depth.

"...It's definitelynot for the squeamish. There is a lot of graphic violence, and an incredibleamount of drug use too...." Read more

"...He writes almost lyrically, his turns of phrase both tight and fluid at the same time. I wish I had his chops...." Read more

"...It's just not that artistically profound for me to do that again. I'm SURE I would have enjoyed Neuromancer more if I had done more drugs...." Read more

"...The first half was the worst for me..some frankly painful dialogue...." Read more

54 customers mention "Entertainment value"0 positive54 negative

Customers find the book not compelling, weird, and underdeveloped. They also say the story is often overly clever and bogs down the reader.

"...It started making less and less sense...." Read more

"...The characters, though, could be a little shallow and underdeveloped, but that isn't anything that I thought would be there in the first place...." Read more

"...if you like to at least understand what you're reading, it's just not worth it. And I really resent pretentiousness." Read more

"...The characters were boring, not to mention poorly developed, leaving me utterly uninvested in their fates.The plot?..." Read more

Beautiful edition of a modern classic, but damaged by its own sticker
3 out of 5 stars
Beautiful edition of a modern classic, but damaged by its own sticker
I bought this edition as a gift, thinking that the hard cover would last longer than a paperback. The copy that arrived was gorgeous despite some slight shipping damage on the corners, but the binding is essentially matte cardstock, making it feel flimsy for a hard cover.The bigger problem was the big price tag sticker on the back, which obviously had to be removed before gifting the book. But since the cover is essentially paper the society could not be easily removed and tore the binding while I was peeling it off.Overall, this edition was an excellent idea, but terrible execution.
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Top reviews from the United States

Reviewed in the United States on July 17, 2024
It's not often that a book kick-starts an entire genre, but this one did; it is
the original (and quintessential) cyberpunk novel. I first read it a few years
after it came out, loved it, and just recently reread it. Usually, when you
reread a book you loved from your youth, you find that it isn't nearly as good
as you remembered, but that was not the case here - if anything, it was better
the second time. One of the main reasons for this is that Gibson is not just a
great science fiction writer - he's a great writer, period. His prose is
flowing and lyrical, filled with beautiful turns of phrase which never sound
affected or pretentious. His world-building is so authentic you can almost feel
and smell the environments the characters find themselves in. The characters
aren't the one-dimensional cardboard cutouts so often found in SF; they are
real, they have feelings, they love, they hate, they screw up constantly, they
sometimes do amazing things, and you care about them. And the story is
incredible!

The main science-fiction element of the book is that in this world, people can
"jack in" to computers, putting their consciousness directly inside of
"cyberspace", a kind of artificial reality. (This was The Matrix before The
Matrix existed.) Cyberspace is mainly seen in the book as a way for "console
cowboys" to steal secrets from corporations for profit, though different kinds
of cyberspace occur in the book, and form a major part of the plot.

The plot owes more than a little to noir detective fiction; most of the
characters are low-lifes trying to scam their way out of the hell-holes they
live in, or super-rich people who are begging to be taken advantage of. The
book is also full of almost nonstop action from beginning to end, and the
climax is suitably spectacular. Gibson was heavily influenced by Alfred Bester
and Samuel R. Delany (two of the greatest SF authors); if you've read them,
you'll immediately see the connection. Despite that, he has a voice all his
own.

Now that I've raved about the book, I'll give a few caveats. It's definitely
not for the squeamish. There is a lot of graphic violence, and an incredible
amount of drug use too. Most of the characters have very little in the way of
moral scruples. The world is very dystopian; it's as if Gibson extrapolated
everything that is wrong with society to its logical extreme, with only
technology as the one thing that is continually improving (far beyond our
ability to deal with it). The book goes fairly heavy on the jargon it creates,
so it's not a particularly easy read either.

But really, none of this matters, because the writing is so good that you get
swept along for the ride. Everyone who loves science fiction needs to read this
book, and the two sequels (Count Zero and Mona Lisa Overdrive) are also both
great. Gibson is a living legend of SF, and Neuromancer is a great introduction
to his work.
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Reviewed in the United States on August 27, 2015
I typically avoid "foundation" books like the plague. Whenever a piece of literature comes with the distinction of founding this genre or starting that movement, it has been my experience that the work will be focused more on concepts and ideas rather than story and characters. Not that there's anything wrong with that, but I simply read for fun and tend to not enjoy books that are more about establishing ideas than telling a good story. So, when my fiancé read "Neuromancer" and insisted that I would enjoy it due to my love of things like "Ghost in the Shell," science fiction, and cyber punk, I was more than a little wary. I feared that the novel would be rife with techno-babble and jargon that would only make sense to someone obsessed with technology, so I put it off...and put it off...and put it off. After some not-so-subtle hints from my fiancé that I really needed to read this, I finally sat down and went for it. Did a lot of things fly over my head? Probably. But you know what? I enjoyed it anyway! Spoilers follow.

"Neuromancer" essentially boils down to a futuristic crime novel. Case, the main character, is an ex-hacker whose former employer had part of his nervous system irrevocably destroyed after Case tried to hack the employer's company, effectively preventing him from ever connection to Cyberspace again (and therefore putting him out of work). Down on his luck, he's offered an opportunity he can't pass up: his nerves will be repaired using new (and otherwise preventatively expensive) medical technology if he agrees to use his hacking skills to complete a special job. He's joined by an odd, unique group of cohorts: a former colonel from the Special Forces that doesn't quite seem to be all the way there; a mercenary with some cool cybernetic enhancements and a past she doesn't want to talk about; a performance artist with perverse holographic imaginings; the personality of a dead hacker immortalized in the matrix; and the mysterious Wintermute, an Artificial Intelligence that seems to really be running the show.

To start this review on a high note, the story is great. It's both exciting and complete. I had feared that the plot would take a back seat to showcasing the author's ideas of futuristic tech, but that happily isn't the case, and the story definitely isn't secondary in the novel. Ok, so the beginning is a little slow (the first 20 pages or so could prove to be a little daunting for some since they're mostly introducing us to Case and giving some exposition on the setting), but once things pick up, they really pick up. And not only is the plot satisfying in and of itself, it takes us all over the world (seriously - the characters go to several different countries and even take a trip off-planet) and gives us a look at plenty of locales to help flesh out Gibson's world.

Gibson's writing style is very notable and distinct. Honestly, it can be a tad difficult to get used to at first glance. The best way to describe it would be that each chapter is broken into vignettes, each one serving to highlight something, whether it be some introspection on Case's part, character development, a plot point, demonstrating a piece of technology, or showcasing some part of the setting. While a little jolting at first to jump around, the vignettes flow and connect nicely to weave a coherent, satisfying story. Prose-wise, Gibson has the type of writing style that needs to be read slowly and enjoyed. That's not to say that it's wordy or complex - quite the opposite, actually! Every word is important, so if you try to skim or read too quickly, you'll likely miss out on a lot and become horribly confused. It's not that Gibson writes a lot, but that he writes meaningfully - trying to speed read this would do a disservice to the author, story, and reader. Gibson's writing style is unlike anything I've seen, and, perhaps surprisingly, it really works.

While the story and the author's style are extremely important, the tech and relevance are also large parts of the book. "Neuromancer" was published in the 1980s, so I expected some very dated science fiction and technology and a vision of the future that was so off base that it push the book firmly into the realm of fantasy. Since this is the book that is considered one of the foundation works of the cyber punk genre, a lot concepts have trickled into not only cyber punk culture, but mainstream media as a whole. This is the novel that invented the term Cyberspace and prominently featured the matrix as an abstract representation of the computer network that, with the right equipment, one can interact with. People adding cybernetic enhancements to their bodies is perceived as normal and virtual intelligence is not only a thing, but a well-known (though not always completely understood) creation. Cloning isn't unheard of and advanced medical procedures are the norm. Given that Gibson wrote this before many of these things existed, his ideas have stayed largely relevant because many are things that science is still trying to make a reality. One might wonder if Gibson could somehow see into the future. Even over 20 years after its publication, "Neuromancer" manages to not feel dated and, as a result, lacking in relevance.

The final thing to discuss as far as the overall story goes is the world. The other big reason that this piece of speculative fiction has aged gracefully is that the gritty, rough, super-controlled world portrayed in the book is very much the sort of future that many people still fear. Gibson's vision of the future consists of large corporations controlling the different countries and regions. Some of the cities that we know have come together to form larger metropolises and the lines between countries seem to sometimes blur, yet cultures are still fairly distinct. None of that really matters, though, since it's mostly companies and illegal groups that hold the power in this world. Whether this is a personal fear of yours or not, you'll be able to feel the corrupt hold these large groups have and the complete helplessness of the average person to do anything about it. This isn't a clean, sci-fi future where everything is white, shiny, and full of helpful technology; it's a grimy world full of selfish people who use (and abuse) the current tech in whatever way benefits the most...and it's surprisingly accessible to the modern reader.

Lets move on to the characters. This is the one thing that keeps me from giving "Neuromancer" a full five stars. I'm the kind of reader that needs great characters to become truly invested in a story, and this book fell a little flat for me in the area of character development. Make no mistake, this is certainly an interesting group of individuals. Each one stands out in their own right with their unique abilities and back stories and, much like Gibson's writing itself, there are no wasted or superfluous characters. Every one has a role to fill and each demonstrates something that serves to flesh out the novel's setting. Even the side characters or one-off figures are intriguing in their own right. I would argue that the characters serve their various purposes well...but I never felt particularly attached to any of them. Instead, rather than seeing them as fully realized characters, they struck me more as the embodiments of the ideas and concepts of Gibson's world. There's nothing necessarily wrong with this - my fiancé and others seem to have responded well to the book's figures and what they set out to do. I just needed more growth from them, more reasons to become attached and really care about them as individuals and as a whole. And while there are moments where some of this development that I craved began to shine through, the characters seemed distant throughout most of the novel. I was interested in their stories and who they were, I was interested in what they could do, but I ultimately didn't care about them beyond that, and the absence of that more personal connection with them stood out while I was reading.

The one exception to this is Case, the main character. Perhaps it's because most of the book is from his (third person) point of view and he therefore gets to experience more than any of the other characters. Perhaps it's because he gets the biggest life-changing upgrade (his ability to jack into the matrix being restored), so we see a drastic change as far as his capabilities and outlook are concerned. Whatever the reason, his journey actually seems to have an effect on him, and he definitely isn't the same character at the end of the story as he is at the beginning, and since we get to experience things right along with him, it's easy to care about what ultimately happens to him in this strange, futuristic world.

On a random, personal note regarding characters, as seems to often be the case, the two characters I was most interested in died before their stories were fully concluded or revealed to us. Damn! Just my luck...

In closing, don't make the same assumptions that I did. Don't ignore this book because you think it'll be too smart or tech-heavy. Don't refuse to read it because you fear the story will take a backseat to Gibson's scientific concepts and visions of the future. Don't give it a wide berth because you fear the age of the novel will make it come across as dated and out of touch with the current reality. "Neuromancer" manages to strike the balance between telling a satisfying, interesting story and showcasing the author's (sometimes terrifying) world. Gibson's distinct style of prose makes for a unique reading experience, and though the characters fell a bit short of what I wanted, I'm glad I overcame my objections and read this book. A solid four star read.
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Reviewed in the United States on August 2, 2024
Its a high-tech future filled with artificial intelligence and corporate espionage. Gibson's vivid prose and exceptional world-building create an influential vision of cyberspace. Though intricate and fast-paced, the novel rewards readers with its richly imagined universe and thought-provoking themes. Once you start reading it, its tough to put down.
Reviewed in the United States on July 29, 2023
Really, _really_ hard. I've read this book twice and I still have no idea what happens in it. And it's not like I'm a SciFi novice, I've been reading all the genres of fantasy, speculative fiction, SyFy, and space opera I can find, from Asimov to George RR Martin, 1950's Classics to 21st Century modern - weird, wonderful, pulp, good bad, indifferent, riveting, boring - the point is most of it makes some kind of sense. But this book leaves me scratching my head.

Which is not to say it's not good. Well written, preposterously imaginative, well paced, it kept drawing me back even while it confused the hell out of me.

This is one of those classics against which critics compare every more recent piece and it's not hard to see why. It has all the elements of a good read: drama, tension, conflict, mystery, a beautiful girl with 'a past'... Gibson even invented the terms cyberspace and cyberpunk in this book. The technical details are a bit iffy but I guess in 1950 iPads and satphones would have seemed unbelievable. I just wish the mystery wasn't quite so impenetrable. Or maybe I'm just thick.

So do I give it a 5 for writing style or a 3 for plausibility or a 1 for the somewhat cryptic style?
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Top reviews from other countries

michael wagenaar
5.0 out of 5 stars great read
Reviewed in Canada on July 24, 2024
It's a wonderful book and inspires my love for the cyberpunk genre.
Begeisterter Leser
5.0 out of 5 stars Truly amazing
Reviewed in Germany on July 25, 2024
A classic with no parallel.
If you are a kid of the 80s and 90s and experienced the world without internet it will take you back to the dreams of your childhood. Of how you dreamed the “matrix” was, not the matrix of the Wachowski brothers, but the one from Gibson.
Horza
5.0 out of 5 stars incontournable
Reviewed in France on June 5, 2024
Un classique, à lire et relire.
Johan Hin
5.0 out of 5 stars Klassieker
Reviewed in the Netherlands on April 6, 2021
Pocketuitgave. Valt niks speciaals te melden anders dan dat het is wat je van een boek verwacht.
Asad Shirazi
5.0 out of 5 stars Received in perfect condition
Reviewed in India on March 14, 2021
The world knows how epic this tale is, so this review will be focused on the quality of the book.
I got this book in perfect condition, with no missing pages or any sort of damages.
The quality is superb for the price, the thickness and quality of the pages are good and the fonts are clear.

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