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The Friday Afternoon Club: A Family Memoir Hardcover – June 11, 2024
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“Warm and perceptive.” —New York Times
“Griffin Dunne knows how to tell a story." —Washington Post
"Dunne is a prospector for the incandescent detail.” —Los Angeles Times
“What a remarkable and moving story filled with twists and turns, the most famous of faces, and a complex family revealed with loving candor. I was blown away by Griffin Dunne’s life and his ability to capture so much of it in these beautifully written pages.” —Anderson Cooper
Griffin Dunne’s memoir of growing up among larger-than-life characters in Hollywood and Manhattan finds wicked humor and glimmers of light in even the most painful of circumstances
At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan’s Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin’s twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne’s career as a crime reporter for Vanity Fair and a victims' rights activist.
And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters—its author most of all.
- Print length400 pages
- LanguageEnglish
- PublisherPenguin Press
- Publication dateJune 11, 2024
- Dimensions6.32 x 1.28 x 9.53 inches
- ISBN-100593652827
- ISBN-13978-0593652824
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From the Publisher
![What a remarkable and moving story filled with twists and turns, says Anderson Cooper](https://m.media-amazon.com/images/S/aplus-media-library-service-media/265d756b-b022-49c3-8217-9a48e717129b.__CR0,0,970,300_PT0_SX970_V1___.jpg)
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Editorial Reviews
Review
“Warm and perceptive . . . This book [has] many well-wrapped little gifts . . . [and] pockets of real depth." —The New York Times
“What makes these unimaginable events so readable, and allows Dunne to find a kind of grace even amid tragedy, are his unshakable black humor and unfailing nose for a good story . . . One might also detect the influence of Aunt Joan . . . Dunne, too, is a prospector for the incandescent detail.” —Los Angeles Times
“Griffin Dunne knows how to tell a story . . . Here he uses his authorial gifts—a filmmaker’s eye, photographic memory and way with a quip—to great effect, exploring how the seemingly charmed lives of the Dunnes unraveled.” —Washington Post
“Deft and multifaceted . . . A novelistic and compelling account of a life, and a self-deprecating guide to the Dunnes’s many highs and lows. It is a fond yet riveting family portrait.” —The Guardian
“A disturbing and hilarious account of his upbringing in a storied Hollywood dynasty.” —The Hollywood Reporter
“In this funny, revealing, and fascinating memoir, [Dunne] makes a strong case for himself as his storied family's latest brilliant writer . . . Despite the charm of his relationship with Carrie Fisher or making movies with Scorsese, the heart of Dunne's story is his family, including his late sister Dominique, whose murder (and the subsequent trial for it) is explored with tenderness and heart.” —Town and Country, Best Books of Summer 2024
“Full of wonderful tales. . . of light, life, and colour.” —The Guardian
“Dunne’s writing is vivid, openhearted, and full of a rich irony that inflects even the most emotional scenes . . . The result is a raucously entertaining homage to an unforgettable dynasty.” —Publishers Weekly
“Captivating . . . beyond entertaining, honest in confronting heartbreaks and jealousies, often genuinely funny, and somehow understated . . . Dunne's storytelling is buoyant, his prose crisp; he's most definitely a writer . . . Clear-eyed, heartfelt . . . Readers will hope for future books.”—Booklist (starred review)
“Searing and powerful . . . compelling in its honesty.” —Library Journal
“What a remarkable and moving story filled with twists and turns, the most famous of faces, and a complex family revealed with loving candor. I was blown away by Griffin Dunne’s life and his ability to capture so much of it in these beautifully written pages.” —Anderson Cooper
“Griffin Dunne has given us a family history that is both humorous and heartbreaking. The Friday Afternoon Club is infused with the vitality that confidence in one's perceptions can bring and the ambiguity that accompanies the expense and strain of fame. Confessions of this order are works of art.” —Susanna Moore, author of Miss Aluminum
“Griffin Dunne has been entertaining people—both on-screen and off—all his life. And though you probably know him best as a gifted actor, make no mistake—Dunne is a real writer. The Friday Afternoon Club is a riveting and rollicking portrait of Dunne’s unconventional family as well as a deeply considered reckoning with the tragedy that exploded within it. He is honest about himself, generous with others, and insightful about every glittering and dark aspect of his richly lived years. He is also—like the best entertainers—ridiculously funny. This is just a wonderful memoir. Period.” —Alexandra Styron, author of Reading My Father
“The Friday Afternoon Club, Griffin Dunne’s singular memoir, is joyful, tragic, and resilient with a masterful, roving tone as varied as the actor-director-producer-author’s restless career. A self-described voracious reader and autodidact, Griffin renders the almost unbelievably American picaresque of his own and his family’s beginnings with a comic’s touch, and then has the spiritual maturity and writerly chops to handle both the looming tabloid heartbreak and its very personal, almost unbearable aftermath with unflinching honesty. Here is a talented man—flawed, injured, incomplete—a questing, charming, smart man taking on life (and death) day by day. His refusal of ‘closure,’ the original Hollywood ending, is courageous and exemplary, and, like his father, and his aunt and uncle, and a host of unrecorded Irish American spinners of bittersweet tales in his colorful ancestry, Griffin takes his rightful place in a family and tradition of real writers.” —David Duchovny
“Despite the glamorous backdrops in California and New York, the author portrays a family whose core human experiences make them universally relatable . . . A poignant love letter and evidence that through it all, genuine love is the backbone that keeps a family strong.” —Kirkus (starred review)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Walking back to the lobby, he saw the surgeon who was to perform the C-section about to step into a cab. He ran to him and practically grabbed the doctor by the lapels.
“What happened?”
“What do you mean, what happened?” “My wife! Is she all right?”
“Which one is your wife?” “Lenny Dunne, for God’s sake!”
“Oh, Mr. Dunne, my apologies, didn’t anyone tell you?” “Tell me what?”
“We did the C-section hours ago. She’s fine. Baby’s fine. Someone should have told you, but it’s been a crazy day. I’ve done three since.”
More relieved than pissed, Dad let the man get in his taxi. Before it pulled away from the curb, the doctor yelled out the window, “Oh, and don’t worry about the foot!”
On the long walk back to the maternity ward, Dad pictured me growing up in a wheelchair or with a prosthetic leg, but while my right foot did curl inward when I was a newborn, it turned itself out by the time I could walk.
From the moment I was born, my father told me I was always trying to get somewhere else. My first word was taxi. I had a toy suitcase that I’d carry around the living room and raise my hand to hail a cab, yelling, “Taxi, taxi,” as if late for an important meeting. Elizabeth Montgomery, who later played Samantha in Be- witched, was my first babysitter. She was a struggling actress with a small part in Late Love when she met my mother, and though Elizabeth was her employee, my mother and she became close friends. Elizabeth once told her, while changing my dia- pers, that I had a bigger dick than her husband. That marriage was, needless to say, short-lived.
There is a kinescope from an early episode of the Today show in which Arlene Francis, also from the cast of Late Love, interviews my mother, billed as the “typical New York house- wife,” while a camera follows her on a routine day. (The daugh- ter of a rancher who went to Miss Porter’s was hardly a relatable housewife, but somehow Dad got her the gig through his con- nections at NBC.) There wasn’t much content in the early days of morning talk shows, so this segment is a mundane, fifteen- minute blow-by-blow of the life of a young family. It begins with Dad heading to work like a character out of a John Cheever story, while Mom does household chores, runs errands, and takes me to Central Park to feed the ducks. At one point in the clip, she enters a shoe store on Lexington Avenue and leaves me in my pram on the sidewalk, as if we lived in Grover’s Corners.
When she tries to lay me down in my crib at the end of the day, I nuzzle into her neck, not wanting her to leave. Anyone tuning in that morning would have seen a little boy who loved his mother more than anything in the world. When the camera cuts back to Mom in the studio, having just watched the segment she narrated, she looks lost in the moment, as if still savoring my affection. Arlene Francis ends the interview by saying to her viewers, “We wish Lenny, Nick, and Griffin all the luck in the world as they begin their bright future.”
As it turned out, we were going to need it.
Product details
- Publisher : Penguin Press (June 11, 2024)
- Language : English
- Hardcover : 400 pages
- ISBN-10 : 0593652827
- ISBN-13 : 978-0593652824
- Item Weight : 2.31 pounds
- Dimensions : 6.32 x 1.28 x 9.53 inches
- Best Sellers Rank: #987 in Books (See Top 100 in Books)
- #7 in Author Biographies
- #12 in Actor & Entertainer Biographies
- #46 in Memoirs (Books)
- Customer Reviews:
About the author
![Griffin Dunne](https://cdn.statically.io/img/m.media-amazon.com/images/I/01Kv-W2ysOL._SY600_.png)
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Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book wonderful, engaging, and fabulous. They also appreciate the clever writing, beautiful way of intertwining humor with the sobering reality, and brutal honesty. Readers describe the emotional content as deeply heartfelt, insightful, and lovely.
AI-generated from the text of customer reviews
Customers find the book entertaining, funny, and heart wrenching. They also love the book and the fascinating family.
"...A great read." Read more
"...Every page is fascinating and beautifully written. It has incredible humor and unimaginable sadness. A real roller coaster of a ride...." Read more
"...and success in the third act, and he does it with such an engaging style...." Read more
"This memoir is very readable, much like the Vanity Fair articles written by the author’s late father, writer Dominick Dunne...." Read more
Customers find the writing quality lively, witty, and great. They also say the author is brutally honest, hilarious, and very real and open.
"...The book is so well written, the stories, the emotion, a beautiful yet at times tragic tribute to his family and friends...." Read more
"...with all of the 'celebrities' who made an appearance in this truly funny, heartfelt family sage. A great read." Read more
"...Griffin Dunne writes with such detailed emotion and observation that you'll leave the stress of everyday life and find yourself grateful for the..." Read more
"...Every page is fascinating and beautifully written. It has incredible humor and unimaginable sadness. A real roller coaster of a ride...." Read more
Customers find the book engaging, fascinating, and readable. They also say the experiences are wild and illuminate the author's famous family.
"...The book is so well written, the stories, the emotion, a beautiful yet at times tragic tribute to his family and friends...." Read more
"The Friday Afternoon Club is a thoughtful and heartfelt story that brings you in to its midst and keeps you there...." Read more
"...Griffin incorporates so many fascinating stories about both old and new Hollywood, the highlights, the pitfalls, personal tragedy, reinvention and..." Read more
"Best memoir I have read in years! Griffin Dunne has written a wonderful story of family filled with love and the ability to survive incredible loss." Read more
Customers find the book deeply heartfelt, insightful, and honest. They also describe it as a beautiful yet tragic tribute to his family and friends. Readers also mention that the book is relatable, haunting, bittersweet, and lovely. They say it shares the story of his wonderful family and is never overdone.
"...The book is so well written, the stories, the emotion, a beautiful yet at times tragic tribute to his family and friends...." Read more
"...the 'celebrities' who made an appearance in this truly funny, heartfelt family sage. A great read." Read more
"...It has incredible humor and unimaginable sadness. A real roller coaster of a ride...." Read more
"...about grief and loss and survivor's guilt, as well as with its three attractive leads...." Read more
Customers find the revelations in the book witty, seemingly honest, and truly revealing. They also say it's an interesting addition to the books by and about the family.
"...HOW many things he was connected to in showbiz was staggering and surreal...." Read more
"...Not Dunne. His writing is understated and insightful. Never overdone...." Read more
"...Lively, witty, seemingly honest and truly revealing, TFAC is something that I definitely recommend.My only question?..." Read more
"...Lots of info re. Hollywood folks etc. He made his movie mark in "Werewolf in London" - "After Hours" etc.Recommended." Read more
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Top reviews from the United States
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In the summer of 2017, I watched the John Landis film AN AMERICAN WEREWOLF IN LONDON (1981). I was enthralled with the film's narrative about grief and loss and survivor's guilt, as well as with its three attractive leads. Shortly after, I watched the 1994 film QUIZ SHOW, and recognized the Geritol Account Executive on the phone. I looked him up after my viewing of the film, and was amazed by the life and career he's had. Finding out just HOW many things he was connected to in showbiz was staggering and surreal. It felt like the equivalent of linking a string of murders to one serial killer. Not unlike his guest appearance on LAW & ORDER: CRIMINAL INTENT. A real-life Zelig figure!
This research led me down a rabbit hole that included his entire filmography, newspaper archives, and vintage magazine purchases off of eBay. By 2018, I had enough material to start a fanpage on Tumblr, and then on Instagram in 2020, during the COVID-19 Pandemic.
Needless to say, I was psyched to read an advance copy. It was everything I expected and more!
Griffin had such an unusual childhood, growing up at the epicenter of mid-century Hollywood, that some have even gone as far as to call him a name-dropper when he talks about it. If you've seen even a fraction of the photographs featured in his father Dominick's book, THE WAY WE LIVED THEN, you would know that Griffin is telling the truth. That really WAS his life!
For those who don't know much about Griffin or his life, THE FRIDAY AFTERNOON CLUB is an excellent place to start. And yet, even for a die-hard fan like myself, I came away with some new and surprising information.
In life, tragedy can quickly turn our lives into 'Before' and 'After' categories. Naturally, the book is also divided into two parts: the murder of Griffin's sister, Dominique, at the hands of her ex-boyfriend, John Sweeney. Up until FRIDAY AFTERNOON, the only other written account from Dominique's family came from father Dominick, for Vanity Fair in his breakthrough article, 'Justice'.
What's unique about Griffin's book is that it's, by far, the most humanized account of Dominique that I've ever read. With a high-profile case, far too often the crime itself overshadows what the victim was like before their time was cut short. From Griffin, I learned about Dominique's sweetness, her love for animals who loved her right back, and how she was a 'foodie' long before the term was coined.
I also learned how a family can grow much closer in the face of an awful tragedy. How they can howl with laughter at the most inappropriate times, to keep themselves from crying. And how even a domestic violence victim, who came from an immensely privileged background, can be so thoroughly screwed by the justice system.
The biggest surprise, for me, was how much I learned about Griffin's brother, Alex. For those unfamiliar, Alex is a very low-profile figure in the Dunne family, who made the decision early to shun the life of showbiz for all of eternity. The most I knew about him was his childhood crush on Carrie Fisher (recounted in more detail here), and his 1995 disappearance on a hiking trail where he, thankfully, turned up fine three days later. I had no reason to think I would learn anything more about him. But to my surprise, I learned that Alex Dunne, both sensitive and brilliant to astonishing degrees, suffered from serious mental health issues, which garner their own chapters in the book. To be frank, I'm surprised Alex gave Griffin his blessing to write about it, given his private nature. It also makes his disappearance much more terrifying in context.
Other stories that were new to me included Griffin's ill-fated first marriage, his time on the set of JOHNNY DANGEROUSLY, and his journey to the Cannes Film Festival to promote Martin Scorsese's underrated AFTER HOURS.
The full title is THE FRIDAY AFTERNOON CLUB: A FAMILY MEMOIR, and his focus on family is consistent throughout. The book ends in 1990, with the birth of his daughter, Hannah, with his second wife Carey Lowell. As a result, we don't get into his directing career, which includes PRACTICAL MAGIC, FIERCE PEOPLE, and the documentary on his aunt Joan Didion. I'm crossing my fingers that another book is in the near future.
In conclusion, if *I* learned a lot from THE FRIDAY AFTERNOON CLUB, so will the average reader. I can't recommend it enough.
![Customer image](https://cdn.statically.io/img/images-na.ssl-images-amazon.com/images/G/01/x-locale/common/transparent-pixel._V192234675_.gif)
Reviewed in the United States on June 14, 2024
In the summer of 2017, I watched the John Landis film AN AMERICAN WEREWOLF IN LONDON (1981). I was enthralled with the film's narrative about grief and loss and survivor's guilt, as well as with its three attractive leads. Shortly after, I watched the 1994 film QUIZ SHOW, and recognized the Geritol Account Executive on the phone. I looked him up after my viewing of the film, and was amazed by the life and career he's had. Finding out just HOW many things he was connected to in showbiz was staggering and surreal. It felt like the equivalent of linking a string of murders to one serial killer. Not unlike his guest appearance on LAW & ORDER: CRIMINAL INTENT. A real-life Zelig figure!
This research led me down a rabbit hole that included his entire filmography, newspaper archives, and vintage magazine purchases off of eBay. By 2018, I had enough material to start a fanpage on Tumblr, and then on Instagram in 2020, during the COVID-19 Pandemic.
Needless to say, I was psyched to read an advance copy. It was everything I expected and more!
Griffin had such an unusual childhood, growing up at the epicenter of mid-century Hollywood, that some have even gone as far as to call him a name-dropper when he talks about it. If you've seen even a fraction of the photographs featured in his father Dominick's book, THE WAY WE LIVED THEN, you would know that Griffin is telling the truth. That really WAS his life!
For those who don't know much about Griffin or his life, THE FRIDAY AFTERNOON CLUB is an excellent place to start. And yet, even for a die-hard fan like myself, I came away with some new and surprising information.
In life, tragedy can quickly turn our lives into 'Before' and 'After' categories. Naturally, the book is also divided into two parts: the murder of Griffin's sister, Dominique, at the hands of her ex-boyfriend, John Sweeney. Up until FRIDAY AFTERNOON, the only other written account from Dominique's family came from father Dominick, for Vanity Fair in his breakthrough article, 'Justice'.
What's unique about Griffin's book is that it's, by far, the most humanized account of Dominique that I've ever read. With a high-profile case, far too often the crime itself overshadows what the victim was like before their time was cut short. From Griffin, I learned about Dominique's sweetness, her love for animals who loved her right back, and how she was a 'foodie' long before the term was coined.
I also learned how a family can grow much closer in the face of an awful tragedy. How they can howl with laughter at the most inappropriate times, to keep themselves from crying. And how even a domestic violence victim, who came from an immensely privileged background, can be so thoroughly screwed by the justice system.
The biggest surprise, for me, was how much I learned about Griffin's brother, Alex. For those unfamiliar, Alex is a very low-profile figure in the Dunne family, who made the decision early to shun the life of showbiz for all of eternity. The most I knew about him was his childhood crush on Carrie Fisher (recounted in more detail here), and his 1995 disappearance on a hiking trail where he, thankfully, turned up fine three days later. I had no reason to think I would learn anything more about him. But to my surprise, I learned that Alex Dunne, both sensitive and brilliant to astonishing degrees, suffered from serious mental health issues, which garner their own chapters in the book. To be frank, I'm surprised Alex gave Griffin his blessing to write about it, given his private nature. It also makes his disappearance much more terrifying in context.
Other stories that were new to me included Griffin's ill-fated first marriage, his time on the set of JOHNNY DANGEROUSLY, and his journey to the Cannes Film Festival to promote Martin Scorsese's underrated AFTER HOURS.
The full title is THE FRIDAY AFTERNOON CLUB: A FAMILY MEMOIR, and his focus on family is consistent throughout. The book ends in 1990, with the birth of his daughter, Hannah, with his second wife Carey Lowell. As a result, we don't get into his directing career, which includes PRACTICAL MAGIC, FIERCE PEOPLE, and the documentary on his aunt Joan Didion. I'm crossing my fingers that another book is in the near future.
In conclusion, if *I* learned a lot from THE FRIDAY AFTERNOON CLUB, so will the average reader. I can't recommend it enough.
![Customer image](https://cdn.statically.io/img/m.media-amazon.com/images/I/61vs1ZVbViL._SY88.jpg)
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