This is how I feel when I open up my feed reader—it feels like the opposite of opening Twitter:
The web remains a sea of interconnected ideas, across a kaleidoscope of forms and sources. Spending most of my time on just a handful of billion dollar sites squanders the possibilities and runs contrary to my values. There’s so much to be said for diversifying inputs, but there are only so many hours. It makes sense to economize.
But most importantly, always write your most important thoughts on your own site. You can share the link on as many platforms as you like and have conversations with anyone who wants to connect with you and your work. But nobody can take it from you. You are in control. Forever.
I tried very hard in that book, when it came to social media, to be platform agnostic, to emphasize that social media sites come and go, and to always invest first and foremost in your own media (website, blog, etc.) and mailing list.
I still stand by that advice, but if I re-wrote the book now, I would encourage artists to use much more caution when it comes to using social media websites like Facebook, Twitter, and Instagram.
The first ten years of microblogging.