As an experiment, The Pudding used an LLM (Claude) to produce one of their data-driven, visual stories. “Do we feel replaceable? In short, not right now.”
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“Everywhere they go, the world’s best table tennis players meet strangers who believe they can hold their own against them.” No, you’re not taking even a single point from an Olympic table tennis player. “It’s cute. But it’s not true.”
The DMV Is Good Actually
Unsurprisingly, I enjoyed this piece by Tressie McMillan Cottom: People Hate on the D.M.V. But It’s Great.
The D.M.V. is a beacon of equality in this country. Celebrate the place where you can watch a celebrity fill out the same forms that you do. We should revel in the fact that there is no express lane for beautiful, rich people to renew their licenses. When you sit in those hard chairs waiting for your number to appear on a screen, you should be delighted that no one else is sitting in a cushier chair. Look around that room and see your fellow Americans, the huddled masses, gathered at the feet of a woman asking for the paperwork to be a law-abiding citizen.
She also adds that “The D.M.V. is one of the few places where privileged people — especially privileged white people — will ever encounter a woman of color with unquestionable authority.”
Long-time readers of the site know what I’m gonna reference next: Tom Junod’s 2012 piece in Esquire about lines at amusement parks and the advent of “Flash Passes” that help you skip the line:
It sounds like an innovative answer to the problem that everybody faces at an amusement park, and one perfectly in keeping with the approaches currently in place at airports and even on some crowded American highways — perfectly in keeping with the two-tiering of America. You can pay for one level of access, or you can pay for another. If you have the means, you can even pay for freedom. There’s only one problem: Cutting the line is cheating, and everyone knows it. Children know it most acutely, know it in their bones, and so when they’ve been waiting on a line for a half-hour and a family sporting yellow plastic Flash Passes on their wrists walks up and steps in front of them, they can’t help asking why that family has been permitted the privilege of perpetrating what looks like an obvious injustice. And then you have to explain not just that they paid for it but that you haven’t paid enough — that the $100 or so that you’ve ponied up was just enough to teach your children that they are second- or third-class citizens.
There’s no Flash Pass at the DMV. See also Our Unpleasant Privatized Reality.
How the decline of Indian vultures led to 500,000 human deaths. “Understanding the role vultures play in human health underscores the importance of protecting wildlife, and not just the cute and cuddly.” It’s all connected.
Watch a clip from the first animation Hayao Miyazaki directed on his own: a pilot for a series called Yuki no Taiyou from 1972.
The True Function of Racism Is Distraction
On social media this morning, I ran across this evergreen quote from Toni Morrison about the true function of racism:
It’s important, therefore, to know who the real enemy is, and to know the function, the very serious function of racism, which is distraction. It keeps you from doing your work. It keeps you explaining over and over again, your reason for being. Somebody says you have no language and so you spend 20 years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says that you have no art so you dredge that up. Somebody says that you have no kingdoms and so you dredge that up. None of that is necessary. There will always be one more thing.
Morrison said this during a speech titled The Humanist View at Portland State University on May 30, 1975. The text above, which is slightly different than you’ll see on social media or Goodreads, is taken directly from the transcript. You can also listen to Morrison’s full remarks on Soundcloud:
The snippet quoted above starts at about 35:45. (via @greg.org)
Terrified Conservative Planning To Move To 1930s Austria If Trump Loses. “A tearful Hawkins sobbed while imagining his sons growing up in a place and time where they were considered equal to another race or gender.”
Public Work: A Fast Search Engine for Public Domain Images
Public Work is an image search engine that boasts 100,000 “copyright-free” images from institutions like the NYPL, the Met, etc. It’s fast with a relatively simple interface and uses AI to auto-categorize and suggest possibly related images (both visually and content-wise). And it’s fun to just visually click around on related images. On the downside, their sourcing and attribution isn’t great — especially when compared to something like Flickr Commons.
I’d love it if an interface this quick and visual-first were adopted by museums though — let’s face it: the image search on museum, library, and institution websites is often terrible and slow. (via @jaygogh)
Driving PSA…
From XKCD, a public safety announcement about driving: random drivers can’t grant you the right of way as a gift.
Yes, yes, yes, yes to the moon and back. I thought no one else noticed this! Vermont drivers are unusually “nice” in this regard and it drives me bonkers.
I was just explaining this to my son, a new driver, a couple of months ago. There’s a left turn at a one-way stop onto a busy road near my house that I do several times a week that is partially blind to oncoming traffic and you’ve really gotta commit when you do pull out because everyone’s doing 5-7+ mph over the limit coming around the curve. So, you end up sitting there for a bit and drivers coming from your right who are going to turn left in next to you will often see this and try to wave you through before they turn.
But you can’t grant right of way like that! I can’t trust that they’ve checked if oncoming traffic is ok and that no one is trying to sneak around them on the right into the lane I’m supposed to be turning into (something that happens frequently at this intersection, and at speed). (There are also bikes and pedestrians to keep track of.) All this presumably nice gesture does is make the situation more dangerous for me because I now feel socially obligated to accept their favor and time pressure to be quick about it. But instead I decline and insistently wave them through, the other driver possibly now offended at having their good deed refused and thinking I’m the asshole.
Just take the right of way when it’s yours and cede it when it’s not. That’s it — keep it predictable. That’s like 95% of driving right there.
London expanded their Ultra Low Emission Zone (which polluting cars need to pay a fee to enter) and pollution levels decreased significantly in the first 6 months. Particulate matter (PM2.5) dropped 22% and NO2 fell 21%.
The science and mechanics of six Olympic events, explained. Skater Minna Stess: “If you think about a trick, sometimes it makes it harder. When I’m skating, the best thing is not to think at all.”
Building Lego Machines to Destroy Tall Lego Towers
Brick Technology’s new video features increasingly powerful Lego machines designed to topple ever stronger towers. I love their iterative engineering videos (and those from Brick Experiment Channel). As I’ve written about these videos before:
They’re not even really about Lego…that’s just the playful hook to get you through the door. They’re really about science and engineering — trial and error, repeated failure, iteration, small gains, switching tactics when confronted with dead ends, how innovation can result in significant advantages. Of course, none of this is unique to engineering; these are all factors in any creative endeavor — painting, sports, photography, writing, programming. But the real magic here is seeing it all happen in just a few minutes.
I am uncomfortably close to buying some Technic and Mindstorms to dork around with my own little machines. (via waxy)
Mocking fascists is good, necessary, and effective. “Good thrusting mockery cuts right through that. Yes, they’re dangerous. But they’re also insecure, stunted degenerates. They’re weird. Normal people don’t want to be around them.”
It’s the wrong trousers, Gromit! And they’ve gone wrong! (Electric hiking pants?)
Point Break & Kathryn Bigelow’s Revolutionary POV Shots
In this video, Evan Puschak takes a close look at the iconic chase scene in Point Break to see how director Kathryn Bigelow uses POV shots to help put the viewer right into the action in a way that is incredibly immersive. Oh, and there a surprise appearance by Disneyland’s Mr. Toad’s Wild Ride.
Confession: I have never seen Point Break. Guess I should watch it now?
The EFF on the harmful KOSA bill working its way through Congress. “The Senate just passed a bill that will let the federal and state governments investigate and sue websites that they claim cause kids mental distress.”
Results of LA’s 3-year basic income experiment were “transformative”. It gave people “time and space” to improve their lives by “landing better jobs, leaving unsafe living conditions and escaping abusive relationships”.
An extensive history of Birdo’s gender (according to her Nintendo appearances). “If you do consider Birdo to be trans, then she’s the first-ever trans character in a video game.”
Abortion: Our Bodies, Their Lies, and the Truths We Use to Win is a forthcoming book by Jessica Valenti (who writes the Abortion, Every Day newsletter) that will be out on Oct 1, just before the election.
Clive Thompson writes about the influence of BASIC (“the most consequential language in the history of computing”) and the giddy adolescent thrill of using it for the first time. “I felt like I’d just stolen fire from Zeus himself.”
A nationwide study of young people in South Korea found a significant increased risk (~3.5X) of hearing loss for those with a positive diagnosis of Covid-19 (versus those without).
For the first time, wind & solar generated more of the EU’s electricity in the first 6 months of 2024 than fossil fuels. “We are witnessing a historic shift in the power sector, and it is happening rapidly.”
An explainer of the conservatives’ plan for women in America. “If enacted, Project 2025 wouldn’t just ban abortion. It’s a step-by-step plan on how the government can force American women out of public life and back into the home.”
Speed jigsaw-puzzle competitions are a thing…and the mindet required seems the same as any other sport: “What differentiates a true champion is the ability to self-control, to ensure that the pressure does not affect them or they hardly notice it.”
Extended Trailer for The Rings of Power Season Two
I was among the minority of viewers who enjoyed the first season of Amazon’s Lord of the Rings series The Rings of Power, so I was excited to watch this extended trailer for the show’s second season. It seems to give away a little too much of the story for my taste (even though we all knew where it was going), but I am definitely pumped for season two.
Sauron has returned. Cast out by Galadriel, without army or ally, the rising Dark Lord must now rely on his own cunning to rebuild his strength and oversee the creation of the Rings of Power, which will allow him to bind all the peoples of Middle-earth to his sinister will.
Season two starts streaming on Amazon Prime on August 29.
Germans are installing “plug-and-play” solar panels to decrease their electric bills. “You don’t need to drill or hammer anything. You just hang them from the balcony like wet laundry.” Collectively, they are contributing significantly to solar capacity.
Drum Beat Typography
Graphic artist Anthony Burrill has applied his unique typographic style to design posters and t-shirts of iconic drumming patterns for the Teenage Cancer Trust.
The designer, known for his powerful and positive messaging, has created exclusive artworks in partnership with drumming legends, including Paul McCartney’s drummer Abe Laboriel Jnr, Arctic Monkeys’ Matt Helders, Simple Minds’ Cherisse Osei, Slayer’s Dave Lombardo, and Porcupine Tree’s Gavin Harrison.
It would be fun to see a working visualizer that used Burrill’s style to visualize any song’s drum beats. (via daniel benneworth–gray)
Ran across this hilariously nonsensical gymnastics commentary by Joe Tracini this morning and it definitely filled up the ol’ joy meter. “Winding up for a spooky bassoon…”
Parker or Driver?
I am reading All Fours by Miranda July right now and it hooked me right out of the gate. Granta published a excerpt of the book back in April – you can use it as a barometer for whether you’d like to try the whole thing.
I came into the house my usual way, like a thief. I turned the lock slowly and shut the door with the handle all the way to the left to avoid the click of the lock. Took off my shoes. Rolled my feet from heel to toe, which is how ninjas walk so silently. I was often two or three hours late because I had trouble admitting that I was planning to talk to Jordi for five hours. But how could it be any shorter, given that it was my one chance a week to be myself? My heart was pounding as I tiptoed through the living room. I know the quietest way to wash up, too: picking up and putting down the cup and face wash with this technique where you pretend each thing is heavier than it is. Imagine the cup is made of brick, so that as you put it down you’re also lifting it up, resisting its weight — the opposite of this would be just dropping it, letting gravity put it down. When I walk past Harris’s bedroom I think glide, glide, glide.
See also Edith’s diary comics: Reading Miranda July’s All Fours.
How Democracy Happens: First Gradually and Then Suddenly
Today’s piece by Heather Cox Richardson takes the form of a hopeful history lesson on how sometimes democracy happens in fits and starts.
At this country’s most important revolutionary moments, it has seemed as if the country turned on a dime.
In 1763, just after the end of the French and Indian War, American colonists loved that they were part of the British empire. And yet, by 1776, just a little more than a decade later, they had declared independence from that empire and set down the principles that everyone has a right to be treated equally before the law and to have a say in their government.
The change was just as quick in the 1850s. In 1853 it sure looked as if the elite southern enslavers had taken over the country. They controlled the Senate, the White House, and the Supreme Court. They explicitly rejected the Declaration of Independence and declared that they had the right to rule over the country’s majority. They planned to take over the United States and then to take over the world, creating a global economy based on human enslavement.
And yet, just seven years later, voters put Abraham Lincoln in the White House with a promise to stand against the Slave Power and to protect a government “of the people, by the people, and for the people.” He ushered in “a new birth of freedom” in what historians call the second American revolution.
Lithub: The Republicans’ Project 2025 is disastrous for books. “Project 2025 is the single most expansive, extreme attack on our freedom to read that we’ve seen with ambition for federal government implementation.”
10 settings to tweak to increase iPhone battery life, including turning off the always-on display and reducing your screen refresh rate. Also, stop quitting your apps…it doesn’t help!
WWW: The Way We Were
Note: There are some *major* unavoidable spoilers about the finale of season three of Halt and Catch Fire in this post. If you’ve been watching (and you definitely should be), you might want to catch the finale first and then come back.
The final two episodes of Halt and Catch Fire aired last night. The previous eight episodes of the season took place in the mid-1980s with Joe running something like Norton or McAfee in San Francisco, and Cameron, Donna, and Gordon running a dial-up service like Compuserve for playing online video games, chatting, and selling stuff on a nascent Etsy. In the 8th episode, a lot of that changed and the characters headed their separate ways.
For the final two episodes, the show jumps forward to 1990, and in the last episode, Donna brings the four main characters (plus Cameron’s husband Tom, who works for Sega in Japan) back together to talk about a new and potentially revolutionary idea that’s crossed her desk at the VC firm where she’s now a senior partner: the World Wide Web. The five of them meet over two days, trying to figure out if there’s a business to be built on the Web — Joe argues metaphorically that they should build a stadium while Cameron says that no one’s gonna come to the stadium unless you have a kickass band playing (lack of compelling content) and then Gordon retorts that rock n’ roll hasn’t even been invented yet (aka there’s no network for this to run on). The discussion, some anachronisms and having the benefit of hindsight aside, is remarkably high level for a television audience…I doubt I could explain the Web so well.
At the second meeting, Joe, who is a Steve Jobs / Larry Ellison sort of character, has had some time to think about the appeal of the Web and lays out his vision (italics mine):
Joe: Berners-Lee wrote HTML to view and edit the Web and HTTP so that it could talk to itself. The chatter could be cacophonous, it could be deafeningly silent. Big picture: What will the World Wide Web become? Short answer: Who knows?
Donna: Ok, so what’s your point?
Joe: It’s a waste of time to try to figure out what the Web will become, we just don’t know. Because right now, at the end of the day, it’s just an online research catalog running on NeXT computers on a small network in Europe.
Cam: So, you’re saying everything we’ve talked about since we got here has been a waste of time?
Joe: I’m saying let’s take a step back. Literally step back.
Gordon: What is this on the board?
Joe: It’s the code for the Web browser.
Tom: And you wrote it all on the whiteboard.
Donna: The online catalog of research?
Cameron: Full of Norwegian dudes’ physics papers and particle diagrams and stuff?
Gordon: And we care about this because why?
Joe: How did we all get here today? The choices we made? The sheer force of our wills, something like that? Here’s another answer: the winds of fate, random coincidence, some unseen hand pushing us along. Destiny. How did we all get here today? We walked through this door. We don’t have to build a big white box or stadium or invent rock n’ roll. The moment we decide what the Web is, we’ve lost. The moment we try to tell people what to do with it, we’ve lost. All we have to do is build a door and let them inside.
When I was five, my mother took me to the city. And we went through the Holland Tunnel and it was basic, concrete and steel, but it was also my excitement sitting in the backseat, wondering when it was going to be our turn to emerge, it was the explosion of sunlight. And when we exited the tunnel, all of Manhattan was laid out before us. And that was the best part of the trip: the amazing possibility to be able to go anywhere within something that is magnificent and never-ending.
This is the first Web browser, the one CERN built to view and edit research. I wrote it up here for you to see how simple it is. It takes up one whiteboard — that’s basic concrete and steel — but we can take this and we can build a door and we can be the first ones to do it because right now, everyone else sees this…
Donna: …as an online research catalog…
Gordon: …running on NeXT…
Cameron: …on a network in Europe.
Joe: And with this handful of code, we can build the Holland Tunnel.
It’s Don Draper’s carousel speech from Mad Men…but for the Web. And it hit me right in the feels. Hard. When I tell people about the first time I saw the Web, I sheepishly describe it as love at first sight. Logging on that first time, using an early version of NCSA Mosaic with a network login borrowed from my physics advisor, was the only time in my life I have ever seen something so clearly, been sure of anything so completely. It was a like a thunderclap — “the amazing possibility to be able to go anywhere within something that is magnificent and never-ending” — and I just knew this was for me and that it was going to be huge and important. I know how ridiculous this sounds, but the Web is the true love of my life and ever since I’ve been trying to live inside the feeling I had when I first saw it.
Which is why this scene wrecked me so hard. The Web that they are talking about on the show, the open Web, is ailing, dying. It was like listening to a eulogy at a funeral, this thing that I love, poured the best of my self into, gone forever. Of course that’s not strictly true, the Web is still a fabulous place where anyone can set up a site to do, say, or sell whatever they want, but instead of the promise of small pieces loosely joined, what we mostly got was large pieces tightly coupled. Today’s Web browsers and apps are Holland Tunnels that open up right into shopping malls instead of open city streets. Facebook makes it absurdly easy to start your own blog that all your friends and family can conveniently read, but you give up the freedom to say anything you want, it’s impossible to move those words elsewhere if you’d like (I’m talking with URLs and social graph intact), and they sell advertising against your words & images and you don’t get a cut.
Now, I’m not advocating a Make The Web Great Again policy because the open Web of the 90s had many problems, the greatest of which was a lack of access for anyone without the free time and skills necessary to set up a web server, install software, etc. etc., not to mention the expense involved. Today’s Web is much more accessible to people of all ages, backgrounds, and skill levels and as a result you see much more participation across the socioeconomic spectrum, especially in developing countries.
But the open Web enthusiasts and advocates missed an opportunity to take what the Web was in the 90s and make that available to everyone. Instead of walled gardens like Facebook, Pinterest, and Medium (which echo the closed online services like AOL, Prodigy, and Compuserve that predated the Web), imagine a bunch of smaller services bound together with open protocols where individuals have both freedom and convenience. At this stage, building an open Twitter or open Facebook is nearly impossible, but it wouldn’t have been 10-12 years ago. I hope I’m wrong, but with all of the entrenched incumbents and money pumping into online services, I’m afraid that time has truly passed. And it’s breaking my heart.
Margaret Sullivan: “I urge news decision-makers to take Trump’s authoritarian desires very seriously.” Like when he tell evangelicals: “You won’t have to [vote] anymore, four years, it will be fixed. It will be fine. You don’t have to vote anymore.”
“None of us knows if we can do this. And we are about to do it anyway.” Rebecca Traister writes about “the thrill of taking a huge risk on Kamala Harris”. (I’m not quite there yet…being thrilled instead of anxious.)
Behind the scenes shots of iconic album covers, including those from Björk, Lady Gaga, The Beatles, Nirvana, Childish Gambino, and Taylor Swift.
NASA Used Futura All Over the Apollo 11 Mission
Futura, the typeface favored by the likes of filmmakers Stanley Kubrick and Wes Anderson was also used extensively for NASA’s Apollo 11 mission (along with an American knock-off of Futura called Spartan).
Hey, public voting is open for the Tiny Awards! I was on the judging committee so I can’t tell you my favorites, but there are lots of lovingly crafted, goofy, creative sites to choose from. Go vote!
The Origin & Evolution of Italian Stuffed Pasta Shapes
Using methods generally employed to track the evolution and spread of plants and animals over time and across geography, this paper aims to provide a scientific classification of Italian stuffed pasta shapes (pasta ripiena) and how they spread and evolved across what is now Italy. From the abstract of ‘Evolution of the Italian pasta ripiena: the first steps toward a scientific classification’:
Our results showed that, with the exception of the Sardinian Culurgiones, all the other pasta ripiena from Italy likely had a single origin in the northern parts of the country. Based on the proposed evolutionary hypothesis, the Italian pasta are divided into two main clades: a ravioli clade mainly characterized by a more or less flat shape, and a tortellini clade mainly characterized by a three-dimensional shape.
The introduction provides a short history lesson in stuffed foods:
The Italian pasta ripiena are part of a large family of Eurasian stuffed dumplings that similarly come in a wide array of shapes and forms and are known by many different names, for example, the Turkish manti, German maultaschen, Polish pierogi, Jewish kreplach, Russian pelmeni, Georgian khinkali, Tibetan momo, Chinese wonton, Japanese gyoza, and many others. It is unclear whether all dumplings had a singular origin or evolved independently, or how the remarkable diversity observed in Italy is related to the greater variation present in Eurasia. Based on linguistic similarities, it has been speculated that stuffed dumplings were probably first invented in the Middle East and subsequently spread across Eurasia by Turkic and Iranian peoples. Dumplings were known in China during the Han Empire (206 BC-220 AD), where archaeological remnants of noodles from this period were also discovered; however, in the same era, pasta had not yet made its appearance in Europe. The Italian ravioli have also been suggested to be a descendent of the Greek manti.
And then moves on to stuffed pastas native to Italy:
In Italy, ravioli are probably the oldest historically documented filled pasta, even though the early iterations of this dish evidently did not include the enclosing pasta casing. Between the 12 and 13 centuries, a settler from Savona agreed to provide his master with a lunch for three people made of bread, wine, meat and ravioli, during the grape harvest. Tortelli and agnolotti first appeared in literature much later. However, the origins of the iconic tortellini are controversial. The long-standing historical feud between the cities of Bologna and Modena over who invented the tortellini was symbolically settled at the end of the 19 century by Bolognese poet and satirist Giuseppe Ceri, who, in his poem “L’ombelico di Venere” (the navel of Venus), declared Castelfranco Emilia, a town halfway between the two cities, to be the birthplace of tortellini. According to this legend, one day, while Venus, Mars and Bacchus were visiting a tavern in Castelfranco Emilia, the innkeeper inadvertently caught Venus in a state of undress and was so astonished at the sight of the goddess’ navel that he ran into the kitchen and created tortellini in her honor. Clearly, a product as perfect as tortellini could be inspired only by Venus, the goddess of beauty.
See also How to Make 29 Different Shapes of Pasta by Hand, 150 Different Pasta Shapes, Flat-Packed Pastas That Pop Open When Cooked, and The Invention of a New Pasta Shape. (via @jenlucpiquant.bsky.social)
Susannah Breslin discovers that you can post nudity on YouTube if it’s artistic (or advertising?) “[YouTube’s policy] did not seem to allow for viewer interpretation.”
An interview with YACHT’s Claire Evans & Jona Bechtolt on that indie life. “We’re not a brand. We’re not a company. We’re human beings. Of course it’s going to change every 30 seconds. We’re following our lives.”
Incredible Time Lapse Movies of Exoplanets
Ok, I did not know this, and it’s blowing my mind: we have been imaging exoplanets for such a long time that scientists have made time lapse movies of their motion around their stars. This one is a 12-year time lapse of four planets orbiting a star called HR 8799 (images from 2009-2021):
And this one of Beta Pictoris b covers a time period of 17 years (2003-2020):
HR 8799 is 133.3 light-years away from Earth and Beta Pictoris is 63.4 light-years away. That’s amazing! (via @philplait.bsky.social)
On her birthday, US Rep. Rashida Tlaib, who is Palestinian-American, wore a keffiyeh & held up a “Guilty of Genocide” sign during Netanyahu’s Congressional address. “It’s shameful that members of Congress would give a standing ovation to genocide.”
Fun little browser game: What Beats Rock?
Laura Dern was forced to drop out of UCLA’s film school to star in Blue Velvet and the head of dept. called her “insane” for doing so. Now, the film is a requirement at the school. Dern: “Pisses me off.”
“We Choose Freedom”
Vice President Kamala Harris has debuted her first ad for her presidential run and it’s a good one. First of all: Beyoncé. But also: “freedom” is a great theme for Harris. For too long Republicans have defined what that word means in America and now’s the time for Democrats to assert their vision. From the ad:
The freedom not just to get by but get ahead. The freedom to be safe from gun violence. The freedom to make decisions about your own body. We choose a future where no child lives in poverty, where we can all afford health care, where no one is above the law.
I think a lot about this 2018 Rolling Stone interview with Pete Buttigieg (when he was still mayor of South Bend, Indiana) in which he offers his thoughts on recasting “concepts that conservatives have traditionally ‘owned’ — like freedom, family, and patriotism — in more progressive terms”.
You’ll hear me talk all the time about freedom. Because I think there is a failure on our side if we allow conservatives to monopolize the idea of freedom - especially now that they’ve produced an authoritarian president. But what actually gives people freedom in their lives? The most profound freedoms of my everyday existence have been safeguarded by progressive policies, mostly. The freedom to marry who I choose, for one, but also the freedom that comes with paved roads and stop lights. Freedom from some obscure regulation is so much more abstract. But that’s the freedom that conservatism has now come down to.
Or think about the idea of family, in the context of everyday life. It’s one thing to talk about family values as a theme, or a wedge — but what’s it actually like to have a family? Your family does better if you get a fair wage, if there’s good public education, if there’s good health care when you need it. These things intuitively make sense, but we’re out of practice talking about them.
I also think we need to talk about a different kind of patriotism: a fidelity to American greatness in its truest sense. You think about this as a local official, of course, but a truly great country is made of great communities. What makes a country great isn’t chauvinism. It’s the kinds of lives you enable people to lead. I think about wastewater management as freedom. If a resident of our city doesn’t have to give it a second thought, she’s freer.
Clean drinking water is freedom. Good public education is freedom. Universal healthcare is freedom. Fair wages are freedom. Policing by consent is freedom. Gun control is freedom. Fighting climate change is freedom. A non-punitive criminal justice system is freedom. Affirmative action is freedom. Decriminalizing poverty is freedom. Easy & secure voting is freedom. This is an idea of freedom I can get behind.
Compare that to the “freedoms” that Republicans are pushing for in Project 2025 — and have been pressing on Americans even before that:
There is the freedom to control — to restrict the bodily autonomy of women and repress the existence of anyone who does not conform to traditional gender roles.
There is the freedom to exploit — to allow the owners of business and capital to weaken labor and take advantage of workers as they see fit.
There is the freedom to censor — to suppress ideas that challenge and threaten the ideologies of the ruling class.
And there is the freedom to menace — to carry weapons wherever you please, to brandish them in public, to turn the right of self-defense into a right to threaten other people.
The Declaration of Independence stated our fledgling nation’s assertion that people are endowed “with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness”. It’s pretty clear which of the two parties’ interpretations of freedom hews closer to that assertion.
A recent book, Van Gogh and the End of Nature, is a “radical revisioning” of van Gogh’s work “in relation to industrial pollution and climate change”.
Simple Advice for Personal Finance
The Index Card is a new book by Helaine Olen and Harold Pollack about simple advice for personal finance. The idea for the book came about when Pollack jotted down financial advice that works for almost everyone on a 4x6 index card.
Now, Pollack teams up with Olen to explain why the ten simple rules of the index card outperform more complicated financial strategies. Inside is an easy-to-follow action plan that works in good times and bad, giving you the tools, knowledge, and confidence to seize control of your financial life.
I learned about their book from a piece by Oliver Burkeman on why complex questions can have simple answers.
But there’s a powerful truth here, which is that people dispensing financial advice are even less neutral than we realise. We’re good at spotting the obvious conflicts of interest: of course mortgage providers always think it’s a great time to buy a house; of course the sharp-suited guys from SpeedyMoola.co.uk think their payday loans are good value. But it’s more difficult to see that everyone offering advice has a deeper vested interest: they need you to believe things are complex enough to make their assistance worthwhile. It’s hard to make a living as a financial adviser by handing clients an index card and telling them never to return; and those stock-tipping columns in newspapers would be dull if all they ever said was “ignore stock tips”. Yes, the world of finance is complex, but it doesn’t follow that you need a complex strategy to navigate it.
There’s no reason to assume this situation only occurs with money, either. The human body is another staggeringly complex system, but based on current science, Michael Pollan’s seven-word guidance — “Eat food, not too much, mostly plants” — is probably wiser than all other diets.
Burkeman wrote one of my favorite books from the past year, The Antidote: Happiness for People Who Can’t Stand Positive Thinking.
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